Empress Josephine - Part 3
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Part 3

"I will go first," said he. "I have been your leader throughout this expedition, now I will be the first to pa.s.s out, that upon me may fall the punishment when we are discovered."

The young men fell back silently and respectfully, while, proud and stately as a field-marshal who gives the signal for the battle, Napoleon pa.s.sed through their ranks, to be the first from the crowd to go through the newly-made pa.s.sage.

It could not fail that the daring of these "prisoners of war" should be discovered, that the princ.i.p.al should be the very same day informed that the young men had, notwithstanding his strict orders, notwithstanding the closed gate, made a way for themselves, and had visited the prohibited fair, while the princ.i.p.al believed them to be in the garden.

A strict inquiry took place the next morning. With threatening tones, the princ.i.p.al ordered the young men to name him who had guided them to so unheard-of a deed, who had misled them into disobedience and insubordination. But all were still; none wished to be a traitor, not even when the princ.i.p.al promised to all full pardon, full impunity, if they would but name the instigator of their guilty action.

But as no one spoke, as no one would name him, Napoleon gave himself up as the culpable one.

"I alone am guilty," cried he, proudly. "I alone deserve punishment. These have done only what I commanded them-they have but followed my orders, nothing more. The guilt and the punishment are mine alone."

The princ.i.p.al, glad to know the guilty one, kept his promise, and, forgiving the rest, decided to punish only the one who acknowledged himself to have been the leader.

Napoleon was, therefore, sentenced to the severest and most degrading punishment known in the inst.i.tution-to the so-called "monk's penalty." That is to say, the future young soldier, in the coa.r.s.e woollen garment of a mendicant friar, was on his knees, to devour his meal from an earthen vessel in the middle of the dining- room, while all the other boys were seated at the table.

A deathly pallor overspread the face of the boy when he heard this sentence. He had been for many days imprisoned in a cell with bread and water, and he had without a murmur submitted to this correction, endured already on a former occasion, but this degrading punishment broke his courage.

Stunned, as it were, and barely conscious, he allowed the costume of the punishment to be put on, but when he had been led into the dining-room, where all the scholars were gathered for the noonday meal, when he was forced upon his knees, he sank down to the ground with a heavy sigh, and was seized with violent convulsions.

The rector himself, moved with deepest sympathy for the wounded spirit of the boy, hastened to raise up Napoleon. At the same moment rushed into the hall one of the teachers of the inst.i.tution, M. Patrault, who had just been informed of the execution which was about to be carried out on Napoleon. With tears in his eyes, he hastened to Napoleon, and with trembling hands tore from his shoulders the detestable garment, and broke out at the same time in loud complaints that his best scholar, his first mathematician, was to be dishonored and treated in an unworthy manner.

Napoleon, however, was not always the reserved, grave boy who took no part in the recreations and pleasures of the rest of his young schoolmates. Whenever these amus.e.m.e.nts were of a more serious, of a higher nature, Napoleon gladly and willingly took a part in them. Now and then in the inst.i.tution, on festivals, theatrical representations took place, and on these occasions the citizens of Brienne were allowed to be present.

But to maintain respectable order, every one who desired to be present at the representation had to procure a card of admission signed by the princ.i.p.al. On the day of the exhibition, at the different doors of the inst.i.tution, were posted guards who received the admission cards, and whose strict orders were to let no one pa.s.s in without them. These posts, which were filled by the scholars, were under the supervision of superior and inferior officers, and were confided only to the most distinguished and most praiseworthy students.

One day, Voltaire's tragedy, "The Death of Caesar," was exhibited. Napoleon had the post of honor of a first lieutenant for this festivity, and with grave earnestness he filled the duties of his office.

Suddenly at the entrance of the garden arose a loud noise and vehement recriminations of threatening and abusive voices.

It was Margaret Haute, the porter's wife, who wanted to come in, though she had no card of admission. She was well known to all the students, for at the gate of the inst.i.tution she had a little stall of fruits, eggs, milk, and cakes, and all the boys purchased from her every day, and liked to jest and joke with the pleasant and obliging woman.

Margaret Haute had therefore considered it of no importance to procure a card of admission, which thing she considered to be superfluous for such an important and well-known personage as herself. The greater was her astonishment and anger when admission was refused, and she therefore began to clamor loudly, hoping by this means to attract some of the scholars, who would recognize her and procure her admittance. Meanwhile the post guardian dared not act without superior orders, and the inferior officer hastened to communicate the important event to the first lieutenant, Napoleon de Bonaparte, and receive his decision.

Napoleon, who ordinarily was kind to the fruit-vender, and gladly jested with the humorous and coa.r.s.e woman, listened to the report of the lieutenant with furrowed brow and dark countenance, and with severe dignity gave his orders: "Remove that woman, who takes upon herself to introduce licentiousness into the camp." [Footnote: Afterward, when First Consul, Napoleon sent for this woman and her husband to come to Paris, and he gave them the lucrative position of porter at the castle of Malmaison, which charge they retained unto their death.]

CHAPTER V.

THE UNHAPPY MARRIAGE.

While the boy Napoleon de Bonaparte pursued his studies as a student in Brienne, she, who was one day to share his greatness and his fame, had already appeared on the world's stage as the wife of another. Josephine Tascher de la Pagerie was already received in the highest society of Paris as the Viscountess de Beauharnais.

Every thing seemed to promise to the young couple a happy, secure future, free from care. They were both young, wealthy, of good family, and though the parents had planned this marriage and joined together the hands of the young couple, yet it was their good fortune that love should tie and strengthen the bond which mere expediency had formed.

Yes, they loved one another, these young married people of sixteen and eighteen. How could it have been otherwise, when they both met each other with the candid and honest desire to make one another happy; when each of them had been so well adapted to the other that their brilliant, good, and beautiful qualities were so prominent that their eyes were blinded to the possibility of imperfections and vices which perchance remained in the obscure background of their virtue and of their amiableness?

Josephine had entered upon her marriage with a pure maiden heart, and soon this heart glowed with enthusiasm for her young husband, who in reality was well qualified to excite enthusiasm in a young maid and instil into her a pa.s.sionate attachment. Alexandre de Beauharnais was one of the most brilliant and most beloved personages at the court of Versailles. His face had all the beauty of regularity; his figure, marked by a lofty, even if somewhat heavy form, was tall, well knit, and of wonderful elasticity and energy; his manners were n.o.ble and prepossessing, fine and natural. Even in a court so distinguished as that of Versailles for many remarkable chevaliers, the Viscount de Beauharnais was considered as one of the most lovely and most gifted: even the young Queen Marie Antoinette honored him with special distinction. She had called him the most beautiful dancer of Versailles, and consequently it was very natural that up to the time of his marriage he should be invited to every court-ball, and there should each time enjoy the pleasure of being requested to dance with the queen.

This flattering distinction of the Queen Marie Antoinette had naturally made the young viscount the mark of attention of all these beautiful, young, and coquettish ladies of Versailles. They used to say of him, that in the dancing-room he was a zephyr, fluttering from flower to flower, but at the head of his regiment he was a Bayard, dreaming only of war and carnage.

It was, therefore, quite natural that so brilliant and so preferred a cavalier, a young man of so many varied accomplishments, a being so impa.s.sioned, so gallant, should soon become the object of the most tender and pa.s.sionate fondness from a young wife, who in her quiet native land had seen none to compare with him, and who became for her the ideal of beauty, chivalry, elegance, and whom, in her devoted and admiring love, she used to call her own Achilles.

Josephine loved her husband; she loved him with all the devotedness and fire of a creole; she loved him and breathed but for him, and to be with him seemed to her life's golden, blessed dream. Added to all this, came the joys and raptures of a Parisian life-these new, unknown, diversified pleasures of society, these manifold distractions and entertainments of the great city. Josephine abandoned herself to all this with the joy and wantonness of an innocent, unsuspicious being. With all these glorious things round about her, she felt as if surrounded by a sea of blessedness and pleasure, and she plunged into it with the quiet daring of innocency, which foresees not what breakers and abysses this sea encloses under the shining surface.

But these breakers were there, and against them was the happiness of Josephine's love soon to be dashed to pieces.

She loved her young husband with her whole heart, with all her soul. But he, the young, the flattered Viscount Alexandre de Beauharnais, he also loved his young wife, whom the wish and will of his superiors had placed at his side.

He had not chosen her because he loved her, but only because he had thought it expedient and advisable to become married, and because the unknown Mademoiselle de la Pagerie had been offered to him as "a good settlement." Perhaps, also, he had contracted this marriage to get rid all at once of those manifold ties, intrigues, and attachments which his open, unrestrained life of youth had woven around him, for his marriage with the young creole had put an end to many love-intrigues which perchance threatened to be inconvenient and burdensome.

At first charmed by her foreign, unaccustomed appearance, transported by her ingenuous grace, her sweet, lovely amiableness and freshness, he had fully decided to love his young wife, and, with all the triumphant pride of a lover, he had led Josephine into society, into the saloons.

But his eye was not blinded by the ravishment of a real and true love, and in the drawing-room he saw what, in the solitude of the residence of Noisy, where the young couple had retired for a few weeks after their marriage, he might never have missed-he saw that Josephine possessed not the lofty elegance and the exquisite manners of the ladies of the Parisian saloons. She always was a charming, artless, graceful young woman, but she lacked the striking advantages of a real drawing-room lady; she lacked that perfect self-possession, that pliancy of refinement, that sparkling wit, and that penetration, which then characterized the ladies of the higher Parisian society, and which the young viscount had but lately so fondly and pa.s.sionately admired in the beautiful and celebrated Baroness de B.

The viscount saw all these deficiencies of his young wife's social education, and this darkened his brow and brought on his cheek the flush of shame. He was cruel enough to reproach Josephine, in somewhat harsh and imperious tones, of her lack of higher culture, and thus the first matrimonial difference clouded the skies of marriage happiness, which the young unsuspecting wife had believed would ever be bright with sunshine.

Josephine, however, loved her young husband too fondly not to cheerfully comply with all his wishes, not to strive to replace what he reproached her to be lacking.

On a sudden she left the brilliant, enchanting Paris, which had entranced her with its many joys and its many distractions, and, as her husband had to be for some time at Blois with his regiment, she went to Noisy, to her aunt's residence, so as to labor at her higher mental culture, at the side of the lovely and intellectual Madame de Renaudin.

Josephine had hitherto, as a simple, sentimental young lady, played the guitar, and chirped with it, in her fresh but uncultivated voice, her sweet songs of love. She gave up the guitar, the favorite instrument of the creoles, and exchanged it for the harp, for which attainment as well as for the art of singing she procured the best and ablest masters. Even a dancing-master had to come to Noisy to give to the young viscountess that perfection of art which would enable her, without fear, to dance at a ball alongside of the Viscount de Beauharnais, "the beautiful dancer of Versailles." With her aunt she read the works of the writers and poets who were then praised and loved, and with wonderful predilection she also studied botany, to which science she ever clung during her life, and which threw on her existence gleams of joy when the sun of her happiness had long set.

Josephine, who out of pure love for her husband learned and studied zealously, communicated to the viscount, in her letters, every advancement she made in her studies; and she was proud and happy when he applauded her efforts, and when in his letters he praised her a.s.siduity and her progress.

But evidently these letters of the viscount contained nothing of that love and ardor which the young fiery creole longed for from her husband; they were not the utterances of a young, anxious lover, of an enthusiastic, worshipping husband; but they were addressed to Josephine with the quiet, cool benignity of a considerate friend, of a mentor, of a tutor who knows full well how much above his pupil soars his own mind, and with what supreme deference this pupil must look up to him.

"I am delighted," wrote he once-"delighted at your zeal to acquire knowledge and culture; this zeal, which we must ever cherish, is ever the source of purest enjoyments, and possesses the glorious advantage, when we follow its dictates, of never producing any grief. If you persevere in the resolution you have taken, if you continue to labor with unabated zeal at your personal improvement, be a.s.sured that the knowledge you will have acquired will exalt you highly above all others; and whereas science and modesty will be combined in you, you will succeed in becoming an accomplished woman. The talents which you cultivate have their pleasant side, and if you devote to them a portion of the day, you will unite the agreeable to the useful." [Footnote: "Histoire de l'Imperatrice Josephine," vol. i., p. 110.]

This is what Alexandre de Beauharnais wanted. His wife, through her knowledge, was to be highly exalted above all others. She was to study the sciences, and become what is now called a learned woman, but what was then termed a philosophical woman.

The ambition of the ardent viscount required that his young wife should be the rival of his learned, verse-writing aunt, the Baroness f.a.n.n.y de Beauharnais; that Josephine, if not the most beautiful and most intellectual woman of Paris, should be the most accomplished.

But these extravagant expectations did not, unfortunately, coincide entirely with the tastes and mental tendencies of Josephine. No one was less qualified than she to be a philosophical woman, and to make the sciences a serious study. It was far from her ambition to desire to shine by her knowledge; and the learned and scientific Baroness de Beauharnais only excited fear and antagonism on account of her stiff and pretentious pedantry, which seemed to Josephine to have but little in harmony with a woman's being.

Josephine loved the sciences and the arts, but she did not wish to convert herself into their devoted priestess. She wished merely to adorn herself with their blossoms, to take delight in their fragrance, and to rejoice in their beauty. With instinctive sentiment she did not wish to have the grace and youthful freshness of her womanly appearance marred by knowledge; her heart longed not for the ambition of being called a learned woman; she only wished to be a beloved wife.

But the viscount, instead of recognizing and cherishing the tender and sacred treasures which reposed in the heart of his young wife, ridiculed her for her sensitiveness; allowed himself, through displeasure at her uncultivated mind, to utter unreasonable reproaches, and to act harshly toward his wife; and her tears were not calculated to conciliate him or to gain his heart. He treated Josephine with a sort of contemptuous compa.s.sion, with a mocking superiority, and her young, deeply-wounded soul, intimidated and bleeding, shrank back into itself. Josephine became taciturn, embarra.s.sed, and mute, in her husband's presence; she preferred being silent, rather than by her conversation, which might not appear intellectual and piquant enough for the viscount, to annoy and irritate him.

Confidence and harmony had flown away from the household of the young couple. From his timid, silent wife, with tears in her eyes and a mute complaint on her trembling lips, the husband rushed away into the world, into society, to the boisterous joys of a garrison's life, or else to the dangerous, intoxicating amus.e.m.e.nts which the refined world of the drawing-rooms offered him.

Scarcely after a two years' marriage, the young bridegroom was again the zephyr of the drawing-room; and, breaking asunder the bonds with which the marriage and the household had bound him, he fluttered again from flower to flower, was once more the gallant cavalier of the belles, forgot duty and wife, to pay his attentions and bring his homage to the ladies of the court.

But this neglect which she now experienced from her husband, this evident preference for other women, suddenly awoke Josephine from her painful resignation, from her quiet melancholy. The young, patient, retreating wife was changed at once into an irritated lioness, and, amid the refinements of the French polish, with all its gilded accompaniments, uprose the glowing, impa.s.sioned, threatening creole.

Josephine, wounded both in her vanity and in her love-Josephine wished not and could not bear, as a pa.s.sive, silent sufferer, the neglect of her husband; he had insulted her as a woman, and the wrath of a woman rose within her. She screened not her jealousy from her husband; she reproached him for preferring other women to his wife, for neglecting her for the sake of others, and she required that to her alone he should do homage, that to her alone he should consecrate love and allegiance. She wept, she complained, when she learned that, whilst she was left at home unnoticed, he had been here and there in the company of other women; she allowed herself to be so carried away by jealousy as to make violent reproaches against her husband.

But tears and reproaches are not in the least calculated to bring back to a wife the heart of a husband, and jealousy recalls not a husband's love, when that love has unfolded his pinions and flown away. It only causes the poor b.u.t.terfly to feel that marriage had tied its wings with a thread, and that it constantly recalls him away, with the severe admonitions of duty, from the beautiful flowers toward which he desires to fly.

The complaints and reproaches of Josephine, however much they proved her love, had precisely the contrary effect from what she expected. Through them she wanted to bring back her husband to her love, but she repelled him further still; he flew away from her complaints to the merry society of his friends, male and female, and left Josephine alone at Noisy to weep over her wretchedness.