Other times, Jennifer was unable to sleep, raving incoherently and consumed by terror. On those occasions, Tanya knew the poor woman was irrational and that there was nothing to be afraid of, yet the patient's angst was so intense that it was communicated to the nurse. Tanya's own skin would p.r.i.c.kle with gooseflesh, the back of her neck would tingle, she would glance uneasily at the darkness beyond the window as if something waited in it, and would jump at every unexpected noise.

At least the pre-dawn hours of that Wednesday were not filled with shouts and tortured cries and strings of words as meaningless as the manic babble of a religious pa.s.sionary speaking in tongues. Instead, Jennifer slept but not well, harried by bad dreams. From time to time, without waking, she moaned, grasped with her good hand at the bed rail, and tried without success to pull herself up. With bony white fingers hooked around the steel, atrophied muscles barely denned in her fleshless arms, face gaunt and pale, eyelids sewn shut and concave over empty sockets, she seemed not like a sick woman in bed but like a corpse struggling to rise from a coffin. When she talked in her sleep, she didn't shout but spoke almost in a whisper, with tremendous urgency; her voice seemed to arise from thin air and float through the room with the eeriness of a spirit speaking at a seance: "He'll kill "He'll kill us all . . . kill . . . he'll kill us all. . . ." us all . . . kill . . . he'll kill us all. . . ."

Tanya shivered and tried to concentrate on the suspense novel, though she felt guilty about ignoring her patient. At the least she should pry the bony hand off the railing, feel Jennifer's forehead to be sure she was not feverish, murmur soothingly to her, and attempt to guide her through the stormy dream into calmer shoals of sleep. She was a good nurse, and ordinarily she would rush to comfort a patient in the grip of a nightmare. But she stayed in the armchair with her Clark book because she didn't want to risk waking Jennifer. Once awakened, the woman might slip from the nightmare into one of those frightening fits of shouting, tearless weeping, wailing, and glossolalic shrieking that made Tanya's blood turn to ice.

Came the ghostly voice out of sleep: ". . . the world's on fire . . . tides of blood . . . fire and blood the world's on fire . . . tides of blood . . . fire and blood . . . I'm the mother of h.e.l.l . . . G.o.d help me, I'm the mother of h.e.l.l. . . ." Tanya wanted to turn the thermostat higher, but she knew the room was already a bit too warm. The chill she felt was within her, not without. Tanya wanted to turn the thermostat higher, but she knew the room was already a bit too warm. The chill she felt was within her, not without.

". . . such a cold mind . . . dead heart . . . beating but dead such a cold mind . . . dead heart . . . beating but dead . . ." Tanya wondered what the poor woman had endured that had left her in such a dismal state. What had she seen? What had she suffered? What memories haunted her? . . ." Tanya wondered what the poor woman had endured that had left her in such a dismal state. What had she seen? What had she suffered? What memories haunted her?

7.

The Green House on Pacific Coast Highway included a large and typical California-style restaurant filled with too many ferns and pothos even for Harry's taste, and a sizable barroom where fernweary patrons had long ago learned to keep the greenery under control by poisoning the potting soil with a dribble of whiskey every now and then. The restaurant side was closed at that hour. The popular bar was open until two o'clock. It had been remodeled in a black-silver-green Art Deco style that was nothing like the adjacent restaurant, a strained attempt to be chic. But they served sandwiches along with the booze.

Midst stunted and yellowing plants, about thirty customers drank, talked, and listened to jazz played by a four-man combo. The musicians were performing quirky semi-progressive arrangements of famous numbers from the big-band era. Two couples, who didn't realize the music was better for listening, were gamely dancing to quasi-melodic tunes marked by constant tempo changes and looping extemporaneous pa.s.sages that would have thwarted Fred Astaire or Baryshnikov.

When Harry and Connie entered, the thirtyish manager-host met them with a dubious look. He was wearing an Armani suit, a hand-painted silk necktie, and beautiful shoes so soft-looking that they might have been made out of a calf fetus. His fingernails were manicured, his teeth perfectly capped, his hair permed. He subtly signaled one of the bartenders, no doubt to help give them the b.u.m's rush back into the street.

Aside from the dried blood at the corner of her mouth and the bruise only beginning to darken one whole side of her face, Connie was reasonably presentable, if slightly rumpled, but Harry was a spectacle. His clothes, baggy and misshapen from having been rain-soaked, were more wrinkled than an ancient mummy's shroud. Formerly crisp and white, his shirt was now mottled gray, smelling of smoke from the house fire he'd barely escaped. His shoes were scuffed, sc.r.a.ped, muddy. A moist b.l.o.o.d.y abrasion as big as a quarter marred his forehead. He had heavy beard stubble because he hadn't shaved in eighteen hours, and his hands were grimy from pawing through the pile of dirt on Ordegard's lawn. He realized he must appear to be only a treacherous step up the ladder from the hobo outside the bar to whom Connie had just delivered a warning about forced detoxification, even now socially devolving before the scowling host's eyes. Only yesterday, Harry would have been mortified to appear in public in such a state of dishevelment. Now he didn't particularly care. He was too worried about survival to fret about good grooming and sartorial standards.

Before they could be ejected from The Green House, they both flashed their Special Projects ID.

"Police," Harry said.

No master key, no pa.s.sword, no blue-blood social register, no royal lineage opened doors as effectively as a badge. Opened them grudgingly, more often than not, but opened them nonetheless. It also helped that Connie was Connie: "Not just police," she said, "but p.i.s.sed-off police, having a bad day, in no mood to be refused service by some prissy sonofab.i.t.c.h who thinks we might offend his effete clientele." They were graciously shown to a corner table that just happened to be in the shadows and away from most of the other customers.

A c.o.c.ktail waitress arrived at once, said her name was Bambi, crinkled her nose, smiled, and took their orders. Harry asked for coffee and a hamburger medium-well with cheddar. Connie wanted her burger rare with blue cheese and plenty of raw onions. "Coffee for me, too, and bring both of us double shots of cognac, Remy Martin." To Harry she said, "Technically, we're not on-duty any more. And if you feel as c.r.a.ppy as I feel, you need more of a jolt to the system than you're going to get from coffee or a burger."

While the waitress filled their orders, Harry went to the men's room to wash his grubby hands. He felt as c.r.a.ppy as Connie suspected, and the restroom mirror confirmed that he looked even worse than he felt. He could hardly believe that the grainy-skinned, hollow-eyed, desperation-lined face before him was his his face. face.

He vigorously scrubbed his hands, but a little dirt stubbornly remained under his fingernails and in some knuckle creases. His hands resembled those of a car mechanic.

He splashed cold water in his face, but that didn't make him look fresher-or less distraught. The day had taken a toll from him that might forever leave its mark. The loss of his house and all his possessions, Ricky's gruesome death, and the bizarre chain of supernatural events had rattled his faith in reason and order. His current haunted expression might be with him for a long time- a.s.suming he was going to live beyond a few more hours.

Disoriented by the strangeness of his reflection, he almost expected the mirror to prove magical, as mirrors so often were in fairy tales-a doorway to another land, a window on the past or future, the prison in which an evil queen's soul was trapped, a magic talking mirror like the one from which Snow White's wicked stepmother learned that she was no longer the fairest of them all. He put one hand to the gla.s.s, warm fingers met cold, but nothing supernatural happened. Still, considering the events of the past twelve hours, it was not madness to expect sorcery. He seemed to be trapped in a fairy tale of some kind, one of the darker variety like The Red Shoes, The Red Shoes, in which the characters suffer terrible physical tortures and mental anguish, die horribly, and then are finally rewarded with happiness not in this world but in Heaven. It was an unsatisfying plot pattern if you were not entirely sure that Heaven was, in fact, up there and waiting for you. The only indication that he in which the characters suffer terrible physical tortures and mental anguish, die horribly, and then are finally rewarded with happiness not in this world but in Heaven. It was an unsatisfying plot pattern if you were not entirely sure that Heaven was, in fact, up there and waiting for you. The only indication that he hadn't hadn't become imprisoned in a children's fantasy was the absence of a talking animal. Talking animals populated fairy tales even more reliably than psychotic killers populated modern American films. become imprisoned in a children's fantasy was the absence of a talking animal. Talking animals populated fairy tales even more reliably than psychotic killers populated modern American films.

Fairy tales. Sorcery. Monsters. Psychosis. Children.

Suddenly Harry felt he was teetering on the edge of an insight that would reveal an important fact about Tick-lock.

Sorcery. Psychosis. Children. Monsters. Fairy tales.

Revelation eluded him.

He strained for it. No good.

He realized he was no longer lightly touching his fingertips to their reflection, but was pressing his hand against the mirror hard enough to crack the gla.s.s. When he took his hand away, a vague moist imprint remained for a moment, then swiftly evaporated.

Everything fades. Including Harry Lyon. Maybe by dawn.

He left the restroom and walked back to the table in the bar where Connie was waiting. Monsters. Sorcery. Psychosis. Fairy tales. Children.

The band was playing a Duke Ellington medley with a modern jazz interpretation. The music was c.r.a.p. Ellington simply didn't need improvement.

On the table stood two steaming coffee cups and two brandy snifters with Remy glowing like liquid gold.

"The burgers'll be a few minutes," Connie said as he pulled out one of the black wooden chairs and sat down.

Psychosis. Children. Sorcery.

Nothing.

He decided to stop thinking about Ticktock for a while. Give the subconscious a chance to work without pressure.

"I Gotta Know," he said, giving Connie the t.i.tle of a Presley song.

"Know what?"

"Tell Me Why."

"Huh?"

"It's Now or Never."

She caught on, smiled. "I'm a fanatical Presley fan."

"So I gathered."

"Came in handy."

"Probably kept Ordegard from throwing another grenade at us, saved our lives."

"To the king of rock-'n'-roll," she said, raising her brandy snifter. The band stopped torturing the Ellington tunes and took a break, so maybe there was a G.o.d in Heaven after all, and blessed order in the universe.

Harry and Connie clinked gla.s.ses, sipped. He said, "Why Elvis?" She sighed. "Early Elvis-he was something. He was all about freedom, about being what you want to be, about not being pushed around just because you're different. 'Don't step on my blue suede shoes.' Songs from his first ten years were already golden oldies when I was just seven or eight, but they spoke to me. You know?"

"Seven or eight? Heavy stuff for a little kid. I mean, a lot of those songs were about loneliness, heartbreak."

"Sure. He was that dream figure-a sensitive rebel, polite but not willing to take any s.h.i.t, romantic and cynical at the same time. I was raised in orphanages, foster homes, so I knew what loneliness was all about, and my heart had some cracks of its own." The waitress brought their burgers, and the busboy refreshed their coffee. Harry was beginning to feel like a human being again. A dirty, rumpled, aching, weary, frightened human being, but a human being nonetheless.

"Okay," he said, "I can understand being crazy for the early Elvis, memorizing the early songs. But later?"

Shaking ketchup onto her burger, Connie said, "In its way, the end's as interesting as the beginning. American tragedy."

"Tragedy? Winding up a fat Vegas singer in sequined jumpsuits?"

"Sure. The handsome and courageous king, so full of promise, transcendent-then because of a tragic flaw, he takes a tumble, a long fall, dead at forty-two."

"Died on a toilet."

"I didn't say this was Shakespearean tragedy. There's an element of the absurd in it. That's what makes it American American tragedy. No country in the world has our sense of the absurd." tragedy. No country in the world has our sense of the absurd."

"I don't think you'll see either the Democrats or Republicans using that line as a campaign slogan anytime soon." The burger was delicious. Around a mouthful of it, he said, "So what was Elvis's tragic flaw?"

"He refused to grow up. Or maybe he wasn't able."

"Isn't an artist supposed to hold on to the child within him?" She took a bite of her sandwich, shook her head. "Not the same as perpetually being being that child. See, the young Elvis Presley wanted freedom, had a pa.s.sion for it, just like I've always had, and the way he got total freedom to do anything he wanted was through his music. But when he got it, when he could've been free forever . . . well, what happened?" that child. See, the young Elvis Presley wanted freedom, had a pa.s.sion for it, just like I've always had, and the way he got total freedom to do anything he wanted was through his music. But when he got it, when he could've been free forever . . . well, what happened?"

"Tell me."

She had clearly thought a lot about it. "Elvis lost direction. I think maybe he fell in love with fame more than freedom. Genuine freedom, freedom with responsibility, not from it-that's a worthy adult dream. But fame is just a cheap thrill. You'd have to be immature to really enjoy fame, don't you think?"

"I wouldn't want it. Not that I'm likely to get get it." it."

"Worthless, fleeting, a trinket only a child would mistake for diamonds. Elvis, he looked like a grownup, talked like one-"

"Sure as h.e.l.l sang like a grownup when he was at his best."

"Yeah. But emotionally he was a case of arrested development, and the grownup was just a costume he wore, a masquerade. Which is why he always had a big entourage like his own private boys' club, and ate mostly fried banana sandwiches with peanut b.u.t.ter, kids' food, and rented whole amus.e.m.e.nt parks when he wanted to have fun with his friends. It's why he wasn't able to stop people like Colonel Parker from taking advantage of him."

Grownups. Children. Arrested development. Psychosis. Fame. Sorcery. Fairy tales. Arrested development. Monsters. Masquerade.

Harry sat up straighter, his mind racing.

Connie was still talking, but her voice seemed to be coming from a distance: ". . . so the last part of Elvis's life shows you how many traps there are . . ."

Psychotic child. Fascinated by monsters. With a sorcerer's power. Arrested development. Looks like a grownup but masquerading.

". . . how easy it is to lose your freedom and never find your way back to it . . ." Harry put down his sandwich. "My G.o.d, I think maybe I know who Ticktock is."

"Who?"

"Wait. Let me think about this."

Shrill laughter erupted from a table of noisy drunks near the bandstand. Two men in their fifties with the look of wealth about them, two blondes in their twenties. They were trying to live their own fairy tales: the aging men dreaming of perfect s.e.x and the envy of other men; the women dreaming of riches, and happily unaware that their fantasies would one day seem dreary, dull, and tacky even to them.

Harry rubbed his eyes with the heels of his hands, struggled to order his thoughts. "Haven't you noticed there's something childish about him?"

"Ticktock? That ox?"

'That's his golem. I'm talking about the real Ticktock, the one who makes the golems. This seems like a game to him. He's playing with me the way a nasty little boy will pull the wings off a fly and watch it struggle to get airborne, or torture a beetle with matches. The deadline at dawn, the taunting attacks, childish, as if he's some playground bully having his fun." He remembered more of what Ticktock had said as he had risen from the bed in the condo, just before he'd started the fire: . . . you people are so much fun to play with . . . big hero . . . you think you people are so much fun to play with . . . big hero . . . you think you can shoot anyone you like, push anyone around if you want . . . . you can shoot anyone you like, push anyone around if you want . . . . Push anyone around if you want . . . Push anyone around if you want . . .

"Harry?"

He blinked, shivered. "Some sociopaths are made by having been abused as children. But others are just born that way, bent."

"Something screwed up in the genes," she agreed.

"Suppose Ticktock was born bad."

"He was never an angel."

"And suppose this incredible power of his doesn't come from some weird lab experiment. Maybe it's also a result of screwed-up genes. If he was born with this power, then it separated him from other people the way fame separated Presley, and he never learned to grow up, didn't need or want to grow up. In his heart he's still a child. Playing a child's game. A mean little child's game." Harry recalled the bearish vagrant standing in his bedroom, red-faced with rage, shouting over and over again: Do you hear me, hero, do you hear me, do you hear me, do you hear me, DO YOU Do you hear me, hero, do you hear me, do you hear me, do you hear me, DO YOU HEAR ME, DO YOU HEAR ME . . . ? That behavior had been terrifying because of the hobo's size and power, but in retrospect it distinctly had the quality of a little boy's tantrum. Connie leaned across the table and waved one hand in front of his face. "Don't go catatonic on me, Harry. I'm still waiting for the punchline. Who is Ticktock? You think maybe he actually That behavior had been terrifying because of the hobo's size and power, but in retrospect it distinctly had the quality of a little boy's tantrum. Connie leaned across the table and waved one hand in front of his face. "Don't go catatonic on me, Harry. I'm still waiting for the punchline. Who is Ticktock? You think maybe he actually is is a child? Are we looking for some grade-school boy, for G.o.d's sake? Or girl?" a child? Are we looking for some grade-school boy, for G.o.d's sake? Or girl?"

"No. He's older. Still young. But older."

"How can you be sure?"

"Because I've met him."

Push anyone around if you want . . .

He told Connie about the young man who had slipped under the crime-scene tape and crossed the sidewalk to the shattered window of the restaurant where Ordegard had shot up the lunchtime crowd. Tennis shoes, jeans, a Tecate beer T-shirt.

"He was staring inside, fascinated by the blood, the bodies. There was something eerie about him . . . he had this faraway look . . . and licking his lips as if . . . as if, I don't know, as if there was something erotic about all that blood, those bodies. He ignored me when I told him to get back behind the barrier, probably didn't even hear me . . . like he was in a trance . . . licking his lips." Harry picked up his brandy snifter and finished the last of his cognac in one swallow.

"Did you get his name?" Connie asked.

"No. I screwed up. I handled it badly."

In memory, he saw himself grabbing the kid, shoving him across the sidewalk, maybe hitting him and maybe not-had he jammed a knee into his crotch?-jerking and wrenching him, bending him double, forcing him under the crime-scene tape.

"I was sick about it later," he said, "disgusted with myself. Couldn't believe I'd roughed him up that way. I guess I was still uptight about what had happened in the attic, almost being blown away by Ordegard, and when I saw that kid getting off on the blood, I reacted like . . . like . . ."

"Like me," Connie said, picking up her burger again.

"Yeah. Like you."

Although he had lost his appet.i.te, Harry took a bite of his sandwich because he had to keep his energy up for what might lie ahead.

"But I still don't see how you can be so d.a.m.n sure this kid is Ticktock," Connie said.

"I know know he is." he is."

"Just because he was a little weird-"

"It's more than that."

"A hunch?"

"A lot better than a hunch. Call it cop instinct."

She stared at him for a beat, then nodded. "All right. You remember what he looked like?"