"Tell me about it!" I groaned. "No allowance, grounded for a month, and Dad said I'm going to have to do a bunch of ch.o.r.es. Still," I said with a grin, "it was worth it, right? I mean, was the Cirque Du Freak superb or what!"

Steve studied me for one more moment, then decided I was telling the truth. "Yeah," he said, returning my smile. "It was great."

Tommy and Alan arrived and we had to tell them everything. We were pretty good actors, Steve and I. You'd never have guessed that he had spoken to a vampire on Sat.u.r.day, or that I had seen him.

I could tell, as the day wore on, that things would never be quite the same between me and Steve. Even though he believed what I'd told him, part of him still doubted me. I caught him looking at me oddly from time to time, as though I was someone who had hurt him.

For my part, I didn't want to get too close to him any longer. It scared me, what he'd said to Mr. Crepsley, and what the vampire had said to him. Steve was evil, according to Crepsley. It worried me. After all, Steve was prepared to become a vampire and kill people for their blood. How could I go on being friends with someone like that?

We were chatting about Madam Octa later that afternoon. Steve and I hadn't said much about Mr. Crepsley and his spider. We were afraid to talk about him, in case we let something slip. But Tommy and Alan kept pestering us and eventually we filled them in on the act.

"How do you think he controlled the spider?" Tommy asked.

"Maybe it was a fake spider," Alan said.

"It wasn't a fake," I snorted. "None of the freaks were fake. That was why it was so brilliant. You could tell everything was real."

"So how did he control it?" Tommy asked again.

"Maybe the flute is magic," I said, "or else Mr. Crepsley knows how to charm spiders, the way Indians can charm snakes."

"But you said Mr. Tall controlled the spider, too," Alan said, "when Mr. Crepsley had Madam Octa in his mouth."

"Oh. Yeah. I forgot," I said. "Well, I guess that means they must have used magic flutes."

"They didn't use magic flutes," Steve said. He had been quiet most of the day, saying less than me about the show, but Steve never could resist hammering someone with facts.

"So what did did they use?" I asked. they use?" I asked.

"Telepathy," Steve answered.

"Is that something to do with telephones?" Alan asked.

Steve smiled, and Tommy and I laughed (although I wasn't entirely sure what "telepathy" meant, and I bet Tommy wasn't either). "Moron!" Tommy chuckled, and punched Alan playfully.

"Go on, Steve," I said, "tell him what it means."

"Telepathy is when you can read somebody else's mind," Steve explained, "or send them thoughts without speaking. That's how they controlled the spider, with their minds."

"So what's with the flutes?" I asked.

"Either they're just for show," Steve said, "or, more likely, you need them to attract her attention."

"You mean anyone could control her?" Tommy asked.

"Anyone with a brain, yes," Steve said. "Which counts you out, Alan," he added, but smiled to show he didn't mean it.

"You wouldn't need magic flutes or special training or anything?" Tommy asked.

"I don't think so," Steve answered.

The talk moved on to something else after that - soccer, I think - but I wasn't listening. Because all of a sudden there was a new thought running through my mind, setting my brain on fire with ideas. I forgot about Steve and vampires and everything.

"You mean anyone could control her?"

"Anyone with a brain, yes."

"You wouldn't need magic flutes or special training or anything?"

"I don't think so."

Tommy's and Steve's words kept bouncing through my mind, over and over, like a stuck CD.

Anyone could control her. That anyone could be could control her. That anyone could be me. me. If I could get my hands on Madam Octa and communicate with her, she could be my pet and I could control her and ... If I could get my hands on Madam Octa and communicate with her, she could be my pet and I could control her and ...

No. It was foolish. Maybe I could control her, but I would never own her. She was Mr. Crepsley's and there was no way in the world that he would part with her, not for money or jewels or ...

The answer hit me in a flash. A way to get her from him. A way to make her mine. Blackmail! Blackmail! If I threatened the vampire - I could say I'd get the police after him - he'd have to let me keep her. If I threatened the vampire - I could say I'd get the police after him - he'd have to let me keep her.

But the thought of going face to face with Mr. Crepsley terrified me. I knew I couldn't do it. That left just one other option: I'd have to steal steal her! her!

CHAPTER SEVENTEEN.

EARLY MORNING WOULD BE THE best time to steal the spider. Having performed so late into the night, most members of the Cirque Du Freak would probably sleep in until eight or nine. I'd sneak into camp, find Madam Octa, grab her, and run. If that wasn't possible - if the camp was awake - I'd just return home and forget about it. best time to steal the spider. Having performed so late into the night, most members of the Cirque Du Freak would probably sleep in until eight or nine. I'd sneak into camp, find Madam Octa, grab her, and run. If that wasn't possible - if the camp was awake - I'd just return home and forget about it.

The difficult part was picking a day. Wednesday might be ideal: the last show would have played the night before, so the circus would in all likelihood have pulled out before midday and moved on to its next venue before the vampire could awake and discover the theft. But what if they left town directly after the show, in the middle of the night? Then I'd miss my big chance.

It had to be tomorrow - Tuesday. That meant Mr. Crepsley would have all of Tuesday night to search for his spider - for me me - but that was a risk I'd just have to take. - but that was a risk I'd just have to take.

I went to bed earlier than usual. I was tired and ready to fall asleep, but was so excited, I thought I wouldn't be able to. I kissed Mom good night and hugged Dad. They thought I was trying to win my allowance back, but it was in case something happened to me at the theater and I never saw them again.

I have a radio that is also an alarm clock, and I set the alarm for five o'clock in the morning, then stuck my headphones on and plugged them into the radio. That way, I could wake up nice and early without waking anyone else.

I fell asleep quicker than I expected and slept straight through till morning. If I had any dreams, I can't remember them.

Next thing I knew, the alarm was sounding. I groaned, turned over, then sat up in bed, rubbing my eyes. I wasn't sure where I was for a few seconds, or why I was awake so early. Then I remembered the spider and the plan, and grinned happily.

The grin didn't last long, because I realized the alarm wasn't coming through my headphones. I must have rolled over in my sleep and pulled the cord out! I leaped across my bed and slammed the alarm off, then sat in the early morning darkness, heart pounding, listening for noises.

When I was sure my parents were still asleep, I slid out of bed and got dressed as quietly as I could. I went to the bathroom and was about to flush the toilet when I thought of the noise it would make. I yanked my hand away from the lever and wiped the sweat from my brow. They would surely have heard that! A narrow escape. I'd have to be more careful when I got to the theater.

I slipped downstairs and let myself out. The sun was coming up and it looked like it would be a bright day.

I walked quickly and sang songs to pep myself up. I was a bundle of nerves and almost turned back a dozen times. Once I actually did did turn and start walking home, but then I remembered the way the spider had hung from Mr. Crepsley's jaw, and the tricks she had performed, and swung around again. turn and start walking home, but then I remembered the way the spider had hung from Mr. Crepsley's jaw, and the tricks she had performed, and swung around again.

I can't explain why Madam Octa meant so much to me, or why I was placing my life in such danger to have her. Looking back, I'm no longer sure what drove me on. It was just this intense need I couldn't ignore.

The crumbling old building looked even creepier by day. I could see cracks running down the front, holes nibbled by rats and mice, spiderwebs in the windows. I s.h.i.+vered and hurried around to the rear. It was deserted. Empty old houses, junkyards, sc.r.a.p heaps. There would be people moving around later in the day, but right then it looked like a ghost town. I didn't even see a cat or a dog.

As I'd thought, there were plenty of ways to get into the theater. There were two doors and tons of windows to choose from.

Several cars and vans were parked outside the building. I didn't spot any signs or pictures on them, but I was sure they belonged to the Cirque Du Freak. It suddenly struck me that the freaks probably slept in the vans. If Mr. Crepsley had a home in one of them, my plan was sunk.

I snuck into the theater, which felt even colder than it had on Sat.u.r.day night, and tiptoed down a long corridor, then another, then another! It was like a maze back there and I started worrying about finding my way out. Maybe I should go back and bring a ball of string, so I could mark my way and - No! It was too late for that. If I left, I'd never have the guts to return. I'd just have to remember my steps as best I could and say a little prayer when it came time to leave.

I saw no sign of any freaks, and began to think I was on a fool's errand, that they were all in the vans or in nearby hotels. I'd been searching for twenty minutes and my legs felt heavy after so much walking. Maybe I should quit and forget the crazy plan.

I was about to give up when I found a set of stairs leading down to a cellar. I paused at the top for a long time, biting my lips, wondering if I should go down. I'd seen enough horror movies to know this was the most likely spot for a vampire, but I'd also seen a bunch where the hero walked down to a similar cellar, only to be attacked, murdered, and chopped up into little pieces!

Finally I took a deep breath and started down. My shoes were making too much noise, so I eased them off and padded along in just my socks. I picked up a bunch of splinters, but was so nervous, I didn't feel the pain.

There was a huge cage near the bottom of the stairs. I edged over to it and looked through the bars. The wolf-man was inside, lying on his back, asleep and snoring. He twitched and moaned as I watched. I jumped back from the cage. If he woke, his howls would bring the whole freak show down on me in seconds flat!

As I was stumbling backward, my foot hit something soft and slimy. I turned my head slowly and saw I was standing over the snake-boy! He was stretched out on the floor, his snake wrapped around him, and his eyes were wide open!

I don't know how I managed not to scream or faint, but somehow I kept quiet and stayed on my feet, and that saved me. Because, even though the snake-boy's eyes were open, he was fast asleep. I knew by the way he was breathing: deeply, heavily, in and out.

I tried not to think about what would have happened if I'd fallen on him and the snake and woken them up.

Enough was enough. I gave one last look around the dark cellar, promising myself I'd leave if I didn't spot the vampire. For a few seconds I saw nothing and got ready to scram, but then I noticed what might have been a large box near one of the walls.

It might might have been a large box. But it wasn't. I knew all too well what it really was. It was a coffin! have been a large box. But it wasn't. I knew all too well what it really was. It was a coffin!

I gulped, then walked carefully over to the coffin. It was about six feet long and two and a half feet wide. The wood was dark and stained. Moss was growing in patches, and I could see a family of c.o.c.kroaches in one of the corners.

I'd love to say I was brave enough to lift the lid and peek inside, but of course I wasn't and didn't. Even the thought of touching touching the coffin gave me the s.h.i.+vers! the coffin gave me the s.h.i.+vers!

I searched for Madam Octa's cage. I felt sure she wouldn't be far from her master, and sure enough, there was the cage, on the floor by the head of the coffin, covered by a big red cloth.

I glanced inside to make sure, and there she was, her belly pulsing, her eight legs twitching. She looked horrible and terrifying this close up, and for a second I thought about leaving her. All of a sudden it seemed like a stupid idea, and the thought of touching her hairy legs or letting her anywhere near my face filled me with dread.

But only a true coward would turn back now. So I picked up the cage and laid it in the middle of the cellar. The key was hanging from the lock and one of the flutes was tied to the bars at the side.

I took out the note I had written back home the night before. It was simple, but had taken me forever to write. I read it as I stuck it to the top of the coffin with a piece of gum.

Mr. Crepsley,I know who and what you are. I have taken Madam Octa and am keeping her. Do not come looking for her. Do not come, back to this town. If you do, I will tell everyone that you are a vampire and you will be hunted down and killed. I am not Steve. Steve knows nothing about this. I will take good care or the spider.

Of course, I didn't sign it!

Mentioning Steve probably wasn't a good idea, but I was sure the vampire would think of him anyway, so it was just as well to clear his name.

With the note stuck in place, it was time to go. I picked up the cage and hurried up the stairs as fast as I could (being as silent as possible). I slipped my shoes back on and found my way out. It was easier than I'd imagined: the halls looked brighter after the dark of the cellar. When I got outside I walked slowly around to the front of the theater, then ran for home, stopping for nothing, leaving the theater and the vampire and my fear far behind. Leaving everything behind - except for Madam Octa!

CHAPTER EIGHTEEN.

I MADE IT BACK ABOUT MADE IT BACK ABOUT twenty minutes before Mom and Dad got up. I hid the spider cage at the back of my closet, under a pile of clothes, leaving enough holes so Madam Octa could breathe. She should be safe there: Mom left cleaning up the room to me, and hardly ever came in snooping around. twenty minutes before Mom and Dad got up. I hid the spider cage at the back of my closet, under a pile of clothes, leaving enough holes so Madam Octa could breathe. She should be safe there: Mom left cleaning up the room to me, and hardly ever came in snooping around.

I slipped into bed and pretended to be asleep. Dad called me at quarter to eight. I put on my school clothes and walked downstairs, yawning and stretching like I'd just gotten up. I ate breakfast quickly and hurried back upstairs to check on Madam Octa. She hadn't moved since I'd stolen her. I gave the cage a small shake but she didn't budge.

I would have liked to have stayed home and kept an eye on her but that was impossible. Mom always knows when I fake being sick. She's too smart to be fooled.

That day felt like a week. The seconds seemed to drag like hours, and even break and lunchtime went slowly! I tried playing soccer but my heart wasn't in it. I couldn't concentrate in cla.s.s and kept giving stupid answers, even to simple questions.

Finally it ended and I was able to rush home and up to my room.

Madam Octa was in the same spot as earlier. I was half-afraid she was dead, but I could see her breathing. Then it struck me: she was waiting to be fed! I'd seen spiders this way before. They could sit still for hours at a time, waiting for their next meal to come along.

I wasn't sure what I should feed her, but I guessed it wasn't too different from what ordinary spiders ate. I hurried out into the garden, pausing only to s.n.a.t.c.h an empty jelly jar from the kitchen.

It didn't take long to collect a couple of dead flies, a few bugs, and a long wriggly worm. Then I raced back inside, hiding the jelly jar inside my T-s.h.i.+rt, so Mom couldn't see it and start asking questions.

I closed my bedroom door and stuck a chair against it so n.o.body could come in, then placed Madam Octa's cage on my bed and removed the cloth.

The spider squinted and crouched down lower at the sudden surge of light. I was about to open the door and throw the food in when I remembered I was dealing with a poisonous spider who could kill me with a couple of bites.

I lifted the jar over the cage, picked out one of the live insects, and dropped it. It landed on its back. Its feet twitched in the air and then it managed to roll over onto its belly. It began crawling toward freedom but didn't get far.

As soon as it moved, Madam Octa pounced. One second she was standing still as a coc.o.o.n in the middle of the cage, the next she was over the insect, baring her fangs.

She swallowed the bug down quick. It would have fed a normal spider for a day or two, but to Madam Octa it was no more than a light snack. She made her way back to her original spot and looked at me as if to say, "Okay, that was nice. Now where's the main course?"

I fed her the entire contents of the jar. The worm put up a good fight, twisting and turning madly, but she got her fangs into it and ripped it in half, then into quarters. She seemed to enjoy the worm the most.

I had an idea and grabbed my diary from underneath my mattress. My diary is my most prized possession, and it's because I wrote everything down in it that I'm able to write this book. I remember most of the story anyway, but whenever I get stuck, all I have to do is open the diary and check the facts.

I folded the diary open to the back page, then wrote down all that I knew about Madam Octa: what Mr. Crepsley had said about her in the show, the tricks she knew, the food she liked. I put one checkmark beside food she liked a lot, and two checkmarks beside food she loved (so far, only the worm). This way I'd be able to figure out the best way to feed her, and what to give her as a treat when I wanted her to do a trick.

I brought up some grub from the fridge next: cheese, ham, lettuce, and roast beef. She ate just about everything I gave her. It looked like I was going to be kept busy trying to feed this ugly lady!

Tuesday night was horrible. I wondered what Mr. Crepsley would think when he woke and found his spider missing and a note in its place. Would he leave like I told him, or would he come looking for his pet? Maybe, since the two of them could speak with each other telepathically, he would be able to trace her here! here!

I spent hours sitting up in bed, holding a cross to my chest. I wasn't sure if the cross would work or not. I know they work in the movies but I remembered talking to Steve once and he said a cross was no good by itself. He said they only worked if the person using them was good.

I finally fell asleep about two in the morning. If Mr. Crepsley had come, I would have been completely defenseless, but luckily, when I woke in the morning there was no sign of his having come, and Madam Octa was still resting in the closet.

I felt a lot better that Wednesday, especially when I popped by the old theater after school and saw the Cirque Du Freak had left. The cars and vans were gone. No trace of the freak show remained.