So now, before it is too late, Take heed of Goldie's dreadful fate.
And seriously, all jokes apart, Do promise us across your heart That you will never help yourself To medicine from the medicine shelf.'
16.
Vita-Wonk and Minusland 'It's up to you, Charlie my boy,' said Mr Wonka. 'It's your factory. Shall we let your Grandma Georgina wait it out for the next two years or shall we try to bring her back right now?'
'You don't really mean you might be able to bring her back?' cried Charlie.
'There's no harm in trying, is there... if that's the way you want it?'
'Oh yes! Of course I do! For Mother's sake especially! Can't you see how sad she is!'
Mrs Bucket was sitting on the edge of the big bed, dabbing her eyes with a hanky. 'My poor old mum,' she kept saying. 'She's minus two and I won't see her again for months and months and months if ever at all!' Behind her, Grandpa Joe, with the help of an Oompa-Loompa, was feeding his three-month-old wife, Grandma Josephine, from a bottle. Alongside them, Mr Bucket was spooning something called 'Wonka's Squdgemallow Baby Food' into one-year-old Grandpa George's mouth but mostly all over his chin and chest. 'Big deal!' he was muttering angrily. 'What a lousy rotten rotten this is! They tell me I'm going to the Chocolate Factory to have a good time and I finish up being a mother to my father-in-law.'
'Everything's under control, Charlie,' said Mr Wonka, surveying the scene. 'They're doing fine. They don't need us here. Come along! We're off to hunt for Grandma!' He caught Charlie by the arm and went dancing towards the open door of the Great Gla.s.s Elevator. 'Hurry up, my dear boy, hurry up!' he cried. 'We've got to hustle if we're going to get there before!'
'Before what, what, Mr Wonka?' Mr Wonka?'
'Before she gets subtracted of course! All Minuses are subtracted! Don't you know any arithmetic at all?'
They were in the Elevator now and Mr Wonka was searching among the hundreds of b.u.t.tons for the one he wanted.
'Here we are!' he said, placing his finger delicately upon a tiny ivory b.u.t.ton on which it said 'MINUSLAND'. we are!' he said, placing his finger delicately upon a tiny ivory b.u.t.ton on which it said 'MINUSLAND'.
The doors slid shut. And then, with a fearful whistling whirring sound the great machine leaped away to the right. Charlie grabbed Mr Wonka's legs and held on for dear life. Mr Wonka pulled a jump-seat out of the wall and said, 'Sit down Charlie, quick, and strap yourself in tight! This journey's going to be rough and choppy!' There were straps on either side of the seat and Charlie buckled himself firmly in. Mr Wonka pulled out a second seat for himself and did the same.
'We are going a long way down,' he said. 'Oh, such a long way down we are going.'
[image]
The Elevator was gathering speed. It twisted and swerved. It swung sharply to the left, then it went right, then left again, and it was heading downward all the time down and down and down. 'I only hope,' said Mr Wonka, 'the Oompa-Loompas aren't using the other Elevator today.'
'What other Elevator?' asked Charlie.
'The one that goes the opposite way on the same track as this.'
'Holy snakes, Mr Wonka! You mean we might have a collision?'
'I've always been lucky so far, my boy... Hey! Take a look out there! Quick!'
Through the window, Charlie caught a glimpse of what seemed like an enormous quarry with a steep craggy-brown rock-face, and all over the rock-face there were hundreds of Oompa-Loompas working with picks and pneumatic drills.
'Rock-candy,' said Mr Wonka. 'That's the richest deposit of rock-candy in the world.'
[image]
The Elevator sped on. 'We're going deeper, Charlie. Deeper and deeper. We're about two hundred thousand feet down already.' Strange sights were flashing by outside, but the Elevator was travelling at such a terrific speed that only occasionally was Charlie able to recognize anything at all. Once, he thought he saw in the distance a cl.u.s.ter of tiny houses shaped like upside-down cups, and there were streets in between the houses and Oompa-Loompas walking in the streets. Another time, as they were pa.s.sing some sort of a vast red plain dotted with things that looked like oil derricks, he saw a great spout of brown liquid spurting out of the ground high into the air. 'A gusher!' cried Mr Wonka, clapping his hands. 'A whacking great gusher! How splendid! Just when we needed it!'
[image]
'A what?' said Charlie.
'We've struck chocolate again, my boy. That'll be a rich new field. Oh, what a beautiful gusher! Just look at it go!'
On they roared, heading downward more steeply than ever now, and hundreds, literally hundreds of astonishing sights kept flashing by outside. There were giant cog-wheels turning and mixers mixing and bubbles bubbling and vast orchards of toffee-apple trees and lakes the size of football grounds filled with blue and gold and green liquid, and everywhere there were Oompa-Loompas!
'You realize,' said Mr Wonka, 'that what you saw earlier on when you went round the factory with all those naughty little children was only a tiny corner of the establishment. It goes down for miles and miles. And as soon as possible I shall show you all the way around slowly and properly. But that will take three weeks. Right now we have other things to think about and I have important things to tell you. Listen carefully to me, Charlie. I must talk fast, for we'll be there in a couple of minutes.
'I suppose you guessed,' Mr Wonka went on, 'what happened to all those Oompa-Loompas in the Testing Room when I was experimenting with Wonka-Vite. Of course you did. They disappeared and became Minuses just like your Grandma Georgina. The recipe was miles too strong. One of them actually became Minus eighty-seven! Imagine that!'
'You mean he's got to wait eighty-seven years before he can come back?' Charlie asked.
'That's what kept bugging me, my boy. After all, one can't allow one's best friends to wait around as miserable Minuses for eighty-seven years...'
'And get subtracted as well,' said Charlie. 'That would be frightful.'
'Of course it would, Charlie. So what did I do? "w.i.l.l.y Wonka," I said to myself, "if you can invent Wonka-Vite to make people younger, then surely to goodness you can also invent something else to make people older!"'
'Ah-ha!' cried Charlie. 'I see what you're getting at. Then you could turn the Minuses quickly back into Pluses and bring them home again.'
'Precisely, my dear boy, precisely always supposing, of course, that I could find out find out where the Minuses had gone to!' where the Minuses had gone to!'
The Elevator plunged on, diving steeply toward the centre of the Earth. All was blackness outside now. There was nothing to be seen.
'So once again,' Mr Wonka went on, T rolled up my sleeves and set to work. Once again I squeezed my brain, searching for the new recipe... I had to create age... age... to make people to make people old old...old, older, oldest..."Ha-ha!" I cried, for now the ideas were beginning to come. "What is the oldest living thing in the world? What lives longer than anything else?"'
'A tree,' Charlie said.
'Right you are, Charlie! But what kind of a tree? Not the Douglas Fir. Not the Oak. Not the Cedar. No no, my boy. It is a tree called the Bristlecone Pine that grows upon the slopes of Wheeler Peak in Nevada, U.S.A. You can find Bristlecone Pines on Wheeler Peak today that are over four thousand years old! This is fact, Charlie. Ask any dendrochronologist you like (and look that word up in the dictionary when you get home, will you, please?). So that started me off. I jumped into the Great Gla.s.s Elevator and rushed all over the world collecting special items from the oldest living things...
A PINT OF SAP FROM A 4000-YEAR-OLD BRISTLECONE PINE.
THE TOE-NAIL CLIPPINGS FROM A 168-YEAR-OLD RUSSIAN FARMER CALLED PETROVITCH GREGOROVITCH.
AN EGG LAID BY A 200-YEAR-OLD.
TORTOISE BELONGING TO THE KING OF TONGA.
THE TAIL OF A 51-YEAR-OLD HORSE IN ARABIA.
THE WHISKERS OF A 36-YEAR-OLD GAT CALLED CRUMPETS.
AN OLD FLEA WHICH HAD LIVED ON CRUMPETS FOR 36 YEARS.
THE TAIL OF A 207-YEAR-OLD GIANT RAT FROM TIBET.
THE BLACK TEETH OF A 97-YEAR.
OLD GRIMALKIN LIVING IN A.
CAVE ON MOUNT POPOCATEPETL.
THE KNUCKLEBONES OF A 700-YEAR-OLD CATTALOO FROM PERU...
... All over the world, Charlie, I tracked down very old and ancient animals and took an important little bit of something from each one of them a hair or an eyebrow or sometimes it was no more than an ounce or two of the jam sc.r.a.ped from between its toes while it was sleeping. I tracked down THE WHISTLE-PIG, THE BOBOLINK, THE SKROCK, THE POLLY-FROG, THE GIANT CURLICUE, THE STINGING SLUG AND THE VENOMOUS SQUERKLE who can spit poison right into your eye from fifty yards away. But there's no time to tell you about them all now, Charlie. Let me just say quickly that in the end, after lots of boiling and bubbling and mixing and testing in my Inventing Room, I produced one tiny cupful of oily black liquid and gave four drops of it to a brave twenty-year-old Oompa-Loompa volunteer to see what happened.'
'What did happen?' Charlie asked.
'It was fantastic!' cried Mr Wonka. 'The moment he swallowed it, he began wrinkling and shrivelling up all over and his hair started dropping off and his teeth started falling out and, before I knew it, he had suddenly become an old fellow of seventy-five! And thus, my dear Charlie, was Vita-Wonk invented!'
'Did you rescue all the Oompa-Loompa Minuses, Mr Wonka?'
'Every single one of them, my boy! One hundred and thirty-one all told! Mind you, it wasn't quite as easy as all that. There were lots of snags and complications along the way.... Good heavens! We're nearly there! I must must stop talking now and watch where we're going.' stop talking now and watch where we're going.'
Charlie realized that the Elevator was no longer rushing and roaring. It was hardly moving at all now. It seemed to be drifting. 'Undo your straps,' Mr W'onka said. 'We must get ready for action.' Charlie undid his straps and stood up and peered out. It was an eerie sight. They were drifting in a heavy grey mist and the mist was swirling and swishing around them as though driven by winds from many sides. In the distance, the mist was darker and almost black and it seemed to be swirling more fiercely than ever over there. Mr Wonka slid open the doors. 'Stand back!' he said. 'Don't fall out, Charlie, whatever you do!'
The mist came into the Elevator. It had the fusty reeky smell of an old underground dungeon. The silence was overpowering. There was no sound at all, no whisper of wind, no voice of creature or insect, and it gave Charlie a queer frightening feeling to be standing there in the middle of this grey inhuman nothingness as though he were in another world altogether, in some place where man should never be.
'Minusland!' whispered Mr Wonka. 'This is it, Charlie! The problem now is to find her. We may be lucky... and there again, we may not!'
17.
Rescue in Minusland 'I don't like it here at all,' Charlie whispered. 'It gives me the w.i.l.l.i.e.s.'
'Me, too,' Mr Wonka whispered back. 'But we've got a job to do, Charlie, and we must go through with it.'
The mist was condensing now on the gla.s.s walls of the Elevator making it difficult to see out except through the open doors.
'Do any other creatures live here, Mr Wonka?'
'Plenty of Gnoolies.'
'Are they dangerous?'
'If they bite you, they are. You're a gonner, my boy, if you're bitten by a Gnooly.'
The Elevator drifted on, rocking gently from side to side. The grey-black oily fog swirled around them.
'What does a Gnooly look like, Mr Wonka?'
'They don't look look like anything, Charlie. They can't.' like anything, Charlie. They can't.'
'You mean you've never seen one?'
'You can't see Gnoolies, my boy. You can't even feel them... until they puncture your skin... then it's too late. They've got you.'
'You mean... there might be swarms of them all around us this very moment?' Charlie asked.
'There might,' said Mr Wonka.
Charlie felt his skin beginning to creep. 'Do you die at once?' he asked.
'First you become subtracted... a little later you are divided... but very slowly... it takes a long time... it's long division and it's very painful. After that, you become one of them.'
'Couldn't we shut the door?' Charlie asked.
'I'm afraid not, my boy. We'd never see her through the gla.s.s. There's too much mist and moisture. She's not going to be easy to pick out anyway.'
Charlie stood at the open door of the Elevator and stared into the swirling vapours. This, he thought, is what h.e.l.l must be like... h.e.l.l without heat... there was something unholy about it all, something unbelievably diabolical... It was all so deathly quiet, so desolate and empty... At the same time, the constant movement, the twisting and swirling of the misty vapours, gave one the feeling that some very powerful force, evil and malignant, was at work all around... Charlie felt a jab on his arm! He jumped! He almost jumped out of the Elevator! 'Sorry,' said Mr Wonka. 'It's only me.'
'Oh-h-h!' Charlie gasped. 'For a second, I thought...'
'I know what you thought, Charlie... And by the way, I'm awfully glad you're with me. How would you like to come here alone... as I did... as I had to... many times?'
'I wouldn't,' said Charlie.
'There she is!' said Mr Wonka, pointing. 'No, she isn't!... Oh, dear! I could have sworn I saw her for a moment right over there on the edge of that dark patch. Keep watching, Charlie.'
'There!' said Charlie. 'Over there. 'Over there. Look!' Look!'
'Where?' said Mr Wonka. 'Point to her, Charlie!'
'She's... she's gone again. She sort of faded away,' Charlie said.
They stood at the open door of the Elevator, peering into the swirly grey vapours.
'There! Quick/ Right there!' Charlie cried. 'Can't you see her?'
'Yes, Charlie! I see her! I'm moving up close now!' I'm moving up close now!'
Mr Wonka reached behind him and began touching a number of b.u.t.tons.
'Grandma!' Charlie cried out. 'We've come to get you, Grandma!'
They could see her faintly through the mist, but oh so faintly. And they could see the mist through her her as well. She was transparent. She was hardly there at all. She was no more than a shadow. They could see her face and just the faintest outline of her body swathed in a sort of gown. But she wasn't upright. She was floating lengthwise in the swirling vapour. as well. She was transparent. She was hardly there at all. She was no more than a shadow. They could see her face and just the faintest outline of her body swathed in a sort of gown. But she wasn't upright. She was floating lengthwise in the swirling vapour.