"After all, we have only known you a fortnight. That is not long. Is it?"
"No. But, on the other hand, you had never seen me when you and my aunt agreed that your daughter and I should be married."
"How did you know that we had talked about it?"
"It was rather evident," Guido answered, with a smile.
The artlessness which is often a charm in a young girl looks terribly like foolishness if it lasts till a woman is forty. Yet in old age it may seem charming again, as if second childhood brought with it a second innocence.
Guido was an Italian only by his mother, and from his father he inherited the profoundly complicated character of races that had ruled the world for a thousand years or more, and not always either wisely or justly. Under his indifference and quiet dislike of all action, as well as of most emotions, he had always felt the conflicting instincts towards good and evil, and the contempt of consequences bordering on folly, if not upon real insanity, which had brought about the decline and fall of his father's kingdom. The perfect simplicity of the real Italian character when in a state of equilibrium always amused him, and often pleased him, and he had a genuine admiration for the splendidly violent contrasts which it develops when roused by pa.s.sion. He could read it like an open book, and predict what it would do in almost any circ.u.mstances.
For the first time in his life, he felt something of its directness in himself, moving to a definite aim through the maze of useless complications, hesitations, and turns and returns of thought with which he was familiar in his own character. He smiled at the idea that he might end by resembling Lamberti, with whom to think was to feel, and to feel was to act. Were there two selves in him, of which the one was in love, and the other was not? That was an amusing theory, and a fortnight ago it would have been pleasant to sit in his room at night, among his Durers, his Rembrandts, and his pictures, with an old book on his knee, dreaming about his two conflicting individualities. But somehow dreaming had lost its charm of late. He thought only of one question, and asked only one of the future. Was Cecilia Palladio's friendship about to turn into anything that could be called love, or not? His intention warned him that if the change had come she herself was not conscious of it. He was authorised to ask her, now that the Countess had spoken--formally authorised, but he was quite sure that if he had believed that she already loved him, he would not have waited for any such permission. His father's blood resented the restraint of all ordinary conventions, and in the most profound inaction he had always morally and inwardly reserved the right to do what he pleased, if he should ever care to do anything at all.
He was just going to dress for dinner that evening when Lamberti came in, a little more sunburned than usual, but thinner, and very restless in his manner. Guido explained that he was going to dine with the Countess Fortiguerra. He offered to telephone for permission to bring Lamberti with him.
"Do you know them well enough for that already?" Lamberti asked.
"Yes. I have seen them a great deal since you left. Shall I ask?"
"No, thank you. I shall dine at home with my people."
"Shall you go to the garden party to-morrow?"
"No."
Guido looked at him curiously, and he immediately turned away, unlike himself.
"Have you had any more strange dreams since I saw you?" Guido asked.
"Yes."
Lamberti did not turn round again, but looked attentively at an etching on the table, so that Guido could not see his face. His monosyllabic answers were nervous and sharp. It was clear that he was under some kind of strain that was becoming intolerable, but of which he did not care to speak.
"How is it going?" he asked suddenly.
"I think everything is going well," answered Guido, who knew what he meant, though neither of them had spoken to the other of Cecilia, except in the most casual way, since they had both met her.
"So you are going to marry an heiress after all," said Lamberti, with something like a laugh.
"I love her," Guido replied. "I cannot help the fact that she is rich."
"It does no harm."
"Perhaps not, but I wish she had no more than I. If she had nothing at all, I should be just as anxious to marry her."
"You do not suppose that I doubt that, do you?" Lamberti asked quickly.
"No. But you spoke at first as if you were reproaching me for changing my mind."
"Did I? I am sorry. I did not mean it in that way. I was only thinking that fate generally makes us do just what we do not intend. There is something diabolically ingenious about destiny. It lies in wait for you, it seems to leave everything to your own choice, it makes you think that you are a perfectly free agent, and then, without the least warning, it springs at you from behind a tree, knocks you down, tramples the breath out of you, and drags you off by the heels straight to the very thing you have sworn to avoid. Man a free agent? Nonsense! There is no such thing as free will."
"What in the world has happened to you?" Guido asked, by way of answer.
"Is anything wrong?"
"Everything is wrong. Good night. You ought to be dressing for dinner."
"Come with me."
"To dine with people whom I hardly know, and who have not asked me?
Besides, I told you that I meant to dine at home."
"At least, promise me that you will go with me to-morrow to the Villa Madama."
"No."
"Look here, Lamberti," said Guido, changing his tone, "you and I have known each other since we were boys, and I do not believe there exist two men who are better friends. I am not sure that the Contessina Palladio will marry me, but her mother wishes it, and heaven knows that I do. They are both perfectly well aware that you are my most intimate friend. If you absolutely refuse to go near them they can only suppose that you have something against them. They have already asked me if they are never to see you. Now, what will it cost you to be decently civil to a lady who may be my wife next year, and to her mother, who was your mother's friend long ago? You need not stay half an hour at the villa unless you please. But go with me. Let them see you with me. If I really marry, do you suppose I am going to have any one but you for my best man?"
Lamberti listened to this long speech without attempting to interrupt Guido. Then he was silent for a few moments.
"If you put it in that light," he said, rising to go, "I cannot refuse.
What time shall you start? I will come here for you."
"Thank you," said Guido. "I should like to get there early. At four o'clock, I should say. I suppose we ought not to leave here later than half-past three."
"Very well. I shall be here in plenty of time. Good night."
When Guido pressed his hand, it was icy cold.
CHAPTER VIII
On the following morning Lamberti went out early, and before nine o'clock he was in the private study of a famous physician, who was a specialist for diseases of the nerves. Lamberti had never seen him and had not asked for an appointment, for the simple reason that his visit was spontaneous and unpremeditated. He had spent a wretched night, and it suddenly struck him that he might be ill. As he had never been ill in his life except from two or three wounds got in fight, he had been slow to admit that anything could be wrong with his physical condition. But it was possible. The strongest men sometimes fell ill unaccountably. A good doctor would see the truth at a glance.
The specialist was a young man, squarely built, with a fresh complexion, smooth brown hair, and a well-trimmed chestnut beard. At first sight, no one would have noticed anything remarkable in his appearance, except, perhaps, that he had unusually bright blue eyes, which had a fixed look when he spoke earnestly.
"I am a naval officer," said Lamberti, as he took the seat the doctor offered him. "Can you tell me whether I am ill or not? I mean, whether I have any bodily illness. Then I will explain what brings me."
The doctor looked at him keenly a few seconds, felt his pulse, pressed one ear on his waistcoat to listen to his heart, and then against his back, made him face the light and gently drew down the lower lids of his eyes, and finally stood off and made a sort of general survey of his appearance. Then he made him stretch out one hand, with the fingers spread out. There was not the least tremor. Last of all, he asked him to shut his eyes tightly and walk slowly across the room, turn round, and walk back. Lamberti did so, steadily and quietly.
"There is nothing wrong with your body," said the doctor, sitting down.
"Before you tell me why you come here, I should like to know one thing more. Do you come of sound and healthy people?"
"Yes. My father is the Marchese Lamberti. My brothers and sisters are all alive and well. So far as I know, there was never any insanity in my family."
"Were your father and mother cousins?" enquired the doctor.