"At the office you register and procure tickets, and then have from one-half to three-quarters of an hour in which to eat lunch or dine at the hotel. Then all congregate in the office, from whence the start is made, after every one has put on a cave cap, _not a suit, as such is entirely unnecessary_. The guide leads the way to the entrance of the cave which is separated from the office by some little distance, and is located in the bed of a long since dry run, which in former times has bared the carboniferous strata, and within this kind of rock the cave is found.

"As the author has asked me for an article descriptive of the cave, I will only attempt to say something of our medium length route to the Fair Grounds, or in other words, the Fair Grounds' Route. A collective description of the whole cave would take months--even years--to complete. Besides, the above route is the one most used by visitors at the present time.

"On entering the Cave House (a log structure) you will in all probability ask from whence comes the murmur of a waterfall. The guide answers that it is the rushing current of air at the mouth of the cave, sometimes in and sometimes out. Prof. J.E. Todd, in bulletin No. 1, S.

Dakota Geological Survey, p. 48, says: 'This phenomenon is found to correspond with the varying pressure of the barometer, and with its single opening and capacious chambers is easily accounted for.'

"The rushing air is sometimes strong enough to require a man's weight to open the entrance door. Five days and nights is the longest time the wind has been known to move in one direction without ceasing. This is one of nature's greatest atmospherical phenomena.

"Some one says, 'Tickets, please!' and into the hole we go, single file down a lighted pa.s.sageway to where we can light our candles. After descending about one hundred and fifty-five feet we come into the Bridal Chamber (named by some of the earlier explorers before the present management took hold of the property), which is eight or ten feet in length by twenty feet in breadth. Pa.s.sing along some distance, the Snow-ball Room is entered. It carries this name on account of little rosettes of carbonate of lime sticking to the irregular ceiling. This room is pretty narrow and some fifty feet in length.

"The Post Office is next and soon reached. The ceiling is covered with the box work formation somewhat resembling Post Office boxes. You will no doubt wonder why it carries such a common name.

"Just because after searching in what books on geology and other sciences we could get, we could not find it described nor any formation resembling it; hence its common name, as we have named the pop-corn work, frost work etc., from their appearance.

"The dimensions of the Post Office are some eighty feet in length by twenty feet in width, with an average ceiling height of probably twelve feet. Red Hall is the room next in order, and has on either side a red bank of sandy, micaceous clay.

"Just to the left is a very pretty little grotto of box work. This room is very odd in make-up. The floor is very rough and dips about fifteen feet in its length of sixty feet, and includes a short flight of stairs.

The lowest end of the room is prettily decorated, and some pleasing blends of color attract the eye. To the left is the Old Maids' Grotto, a pretty little nook that would please any maid old or young.

"After pa.s.sing through the White Room we turn to the left along the crevice, and after traveling some little distance reach The Grand Opera, a very narrow room but some forty feet in length. Chopin's Nocturne is a small grotto in the right hand wall named by the famous violinist, Edouard Remenji.

"The Devil's Lookout is reached by a few steps. It is a crevice about ten feet wide at the base and sixty-five feet in height. This place is remarkable for its columns of rock just over head. The pathway leads to Milton's Study, some fifty feet distant. Turning into the crevice again, some twenty feet are traveled when attention is called to Seal Rocks.

Sampson's Palace is the next room in order: here we see some stalagmitic water formation on the left wall and the ceiling is one of the most beautiful yet seen on the trip.

"We pa.s.s along to Swiss Scenery, a very prettily decorated room fifty feet in length by fifteen in height. The box work is very pretty, shading from yellow to dark brown. The general appearance of the room would suggest its name, it being rougher than any other in the immediate vicinity. Pa.s.sing under an arch we enter the Queen's Drawing-room. Here the box work has been developed beyond any on our pathway thus far. From the ceiling it hangs like draperies and on the left wall is about twenty-four inches in depth. On the whole this room is elegant enough for the most exacting queen. We step from this room into the M.E.

Church. Rev. Mr. Hancher, President of the Black Hills Methodist College, was I believe the first to hold song and prayer service in this room; the pulpit is on the left as you pa.s.s through. The guides always ask if any wish to sing or worship, as any one has a perfect right in a dedicated Chapel.

"The Giant's Causeway is only a few steps beyond. This bit of scenery has some resemblance to the famed basalt attraction on the coast of Ireland. We 'duck' our heads under the Arch of Politeness and rise to a standing position in Lena's Arbor, a very irregular shaped room admired by a great many of our visitors.

"We enter Capitol Hall at the side, about midway between the ends. It is the largest room yet visited, being some two hundred feet from end to end, with a very high ceiling. Here we notice the walls and ceiling are bare of box work and other formation, and are clean and white. The decorative appearance exceeds any room yet visited. After getting into line again we go down a flight of stairs to Odd Fellows' Hall, a chamber that on examination suggests its name. In the ceiling is situated the 'All seeing eye,' one of the emblems of that august body, and at a little distance the 'Three links;' also in the ceiling, and just under the latter is situated a rock very much resembling a goat. Attention is called to the first appearance of pop-corn work, a very peculiar formation resembling pop-corn after it has broken open, and in this part of the cave it is quite plentiful.

"We now descend another flight of stairs into Turtle Pa.s.s, where a large turtle rests beside the path, and just beyond is the Confederate Cross-roads, where the fissure is crossed by another forming a cross with perfect right angles. The right hand pa.s.sage is used for specimens only; straight ahead leads to the Garden of Eden, the end of our shortest route; we take the left hand path and journey through Summer Avenue, some seventy feet in length, and reach the Scenes of Wiclow, a large and high room, beautifully decorated with box work and pop-corn.

The ceiling and the left wall from floor to ceiling are fine box work.

On the right you see dark s.p.a.ce, as a very large portion of this room is unused, but we pa.s.s the Piper's Pig. List! The guide is pounding on the Salvation Army Drum, a large projecting rock that on being struck with the closed hand gives a sound very much like a ba.s.s drum.

"After walking across a short plank we enter Kimball's Music Hall, a very beautiful room settled between two crevices and lined with box work. Viewing the ceiling from the fissure on the right it is seen to be smooth and fringed with pop-corn. In some places the boxes are closed, resembling finished honey-comb. Over head box work can be seen as high as the light penetrates. On the whole, I think this is the finest crevice in the explored cave.

"Looking straight ahead you wonder how the party can travel over such a road as presents itself to view, but the guide turns into an arch in the right hand wall and enters Whitney Avenue. After walking across the bridge over shadowy depths, our pathway lies for some fifty feet in one of the most interesting ovens in the cave, at the end of which we enter Monte Cristo's Palace by going down a flight of stairs. This room has the greatest depth beneath the surface of any of the Fair Grounds'

Route, which is four hundred and fifty feet. In this room is noticed a decided change in the box work, which is much heavier than any seen, or that will be seen on this route, and the color is light blue.

"I guess I will give the party a talk while we rest under Monte Cristo's Diamonds, a very sparkling cl.u.s.ter, about six inches in diameter, of silica crystals.

"After studying the cave, it appears that it did not form in the same manner as most others; on account of the absence of sink holes, the regular arrangement of the chambers, the regular dip of the rock to the south-east from five to ten degrees, and the regularity of the long vertical fissures running north-west south-east. In fact, the whole cave is made up of these fissures and it seems that the water has entered narrow crevices opened by some eruptive force.

"You see small holes eaten in the ceilings and walls in every direction, which indicates that the water came from a higher level, and being under great pressure, wanted pa.s.sage out. It seems the cave was a reservoir for a long time, then after the water stopped flowing in it slowly receded, and in settling the overcharged waters covered the rocks and specimens with a calcareous coating, very thin in the upper portions of the cave and getting thicker the deeper you go, giving evidence as you see, of slowly settling. Had the waters rushed out they would in all probability have left the rocks uncoated as in all other caves, with one exception, the Crystal Cave, some seventy-five miles to the north of Wind Cave.

"As we have some more caves to see we must journey on.

"Taking one last look at Monte Cristo's Diamonds we pa.s.s into Milliner's Avenue, a very pretty avenue indeed with nearly as many colors as a milliner's show-window would present. About mid-way of this avenue we cross the bridge over Castle Garden, a room in the eighth tier beneath the surface. From this avenue we step into the a.s.sembly Room. Here the formations are covered with a gypsum crystal that sparkles with wonderful brilliancy. On the right is a pa.s.sage leading to the Masonic Temple, a room that any body of Masons would be proud of could they hold lodge meetings in it. The pa.s.sage on the left is the terminus of the Pearly Gates' Route, the longest developed route in the cave. After moving along some distance we see the Bad Lands, and then come into the Tennis Court. This room has the net in the ceiling and I suppose the party can furnish the raquet (racket). On the right hand side of this room there is tier upon tier of box work; looking to the left, you shudder at the almost bottomless pit just beside the pathway. Here we take a rest preparatory to climbing up to the Marble Quarry, a task of two flights of stairs. This is a very large room and has the most uneven floor, ceiling and walls of any that our visitors see, and is barren of specimens excepting in the first part over the stairs where there is some box work of very pretty structure and color. Some distance up the path we see on one side the Ghost of 'She,' and on the other the Devil's Punch Bowl, a large rock with a basin-shaped hole about thirty-six inches across and sixteen inches deep, but lo! the bottom has been broken out: which is very appropriate as South Dakota is at present a prohibition state. A winding path is followed until attention is called to the Sheep's Head above an arch over the pa.s.sage, and the ceiling here is of flint, the ledge of which is four inches thick.

"Pa.s.sing under the arch we enter Johnstone's Camp Ground, so named because Paul Alexander Johnstone camped in this room while accomplishing the third of his greatest mind-reading feats, during which he remained in the cave seventy-two hours. He was locked in his room at the Evans Hotel while a committee secreted the head of a gold pin in the cave. On their return, after being blindfolded, he led them to the livery stable, and securing a team drove to the cave and found the pin in the Standing Rock Chamber, beyond the Pearly Gates, and then drove back to the city still blindfolded.

"Down one short flight of stairs and we are in the Waiting Room, so called on account of persons waiting here while the rest of their party finished the trip by climbing up the Alpine Way. This difficult climb was made until the route was developed via the Marble Quarry. A steep pathway and one flight of stairs now bring us to the Ticket Office, and another short stairway leads into the room above, which is the Fair Grounds. We enter the right wing, which measures two hundred and six links in length and forty-nine in width at the narrowest place. We are now in the third level and no box work is seen, but the ceiling (which is low) shows many interesting fossils. The central dome is some fifty feet in height, and pa.s.sing to the right the guide seats the party in such a position that the frost work on the wall can be seen to advantage. This is the largest part of the Fair Grounds and measures six hundred and forty-five links long, exclusive of the right wing, and has a width of fifty-three links, which with a number of wings added, makes it one of the largest under-ground rooms within American caverns.

"A great many visitors look at their cuff-b.u.t.tons when told we have twenty-five hundred rooms included in ninety-seven miles of pa.s.sageways.

Of course they do not understand how we get the mileage. In going to the Fair Grounds we travel about three miles. In each fissure there are eight levels, which makes twenty-four miles of cave from the entrance to the Fair Grounds.

"Of the formations in the cave, the different kinds are on different levels, the stalact.i.tes and stalagmites nearest the surface on the second, the frost work on the third. This formation is in most instances as colorless as snow. The mode of its formation is not thoroughly understood, but is found in such positions as suggest its being formed by vapors overcharged as spoken of about the water. It is almost always on an over-hanging rock, over or near some fissure leading to a deeper portion of the cave. Box work in this level is scattering and fragile: in the fourth it is the prevailing formation: in the fifth it is heavier and a little darker; in the sixth it varies in style and color, and pop-corn appears, a queer formation resembling pop-corn ready to eat. It is not so purely white here as in the lower levels, seventh and eighth.

In the seventh the box work is heavier than any seen on the Fair Grounds' Route and the color is nearly blue, having a faded appearance.

In this tier is also found a good deal of mineral wool, which must not be mistaken for asbestos. It sometimes attains a length of eighteen inches and at one place where it seems to come out of a hole two inches in diameter, and drops down like a grey beard, we have named it Noah's Beard.

"In the eighth tier we find very beautiful formations of carbonate of lime, and the box work is decidedly blue, the boxes larger, and their part.i.tions one half inch thick.

"We have been deeper than the eighth tier but in narrow crevices barely admitting a man of average stature. In these the calcareous coating is much thicker than in any higher portions of the cave, but very little sign of box work is seen.

"Sometimes we make a comparison between the cave and a sponge. Take for instance a sponge as large as an apple barrel and there would be holes in it as big as a man's thumb and closed hand. Now take a sponge, four miles square and five hundred feet deep with holes in proportion to the little sponge, and you have an ill.u.s.tration of The Wonderful Wind Cave, of Custer County, South Dakota."

CHAPTER XI.

WIND CAVE CONTINUED.

PEARLY GATES AND BLUE GROTTO ROUTE.

A very much longer, more beautiful, and also more difficult journey than the one just described may be taken by those in whom the desire to see is greater than the fear of fatigue, or possibly, some little danger.

With this object in view the Fair Grounds' Route is followed through Monte Cristo's Palace and into Milliner's Avenue. Here we leave it by dropping off the bridge into a rough hole, which proves to be a pa.s.sage descending into Castle Garden directly beneath the Avenue, and a room of considerable size, plentifully supplied with bowlders. Although interesting to visit, it has no points of such special merit as would seem to require a detailed account, the main importance attaching to it being the fact that it is the first portion of the eighth level visited.

A little beyond, however, is something quite new. The floor is covered with a light yellow crust of calcite crystal, sufficiently strong to bear the weight of a limited number of guests without much fracture. It generally gives a hollow sound when struck, which is easily accounted for as there are small holes noticed by which steam evidently made its escape, and through these cavities can be seen but they are shallow. One place shows the crust broken up and with the edges of the pieces overlapped, like ice broken by a sudden rise of back-water, and in this position they have been firmly cemented.

This is where the slowly receding waters of the cave lingered in shallow pools above the small crevices long after the main portions had become dry. That the crust was formed on top of the water, instead of beneath its surface, has been proved by the only body of water now standing in the cave. This is called Silent Lake, and being situated on another route will be described in its proper place, but when discovered no water was visible nor its presence even suspected until the crust gave way under the weight of an explorer. The thin sheet of yellow calcite crystal thus broken was the same as that seen in great abundance in the now perfectly dry eighth level. The gradually decreasing volume of water has left a smooth yellow coat on portions of the walls where irregularities or slopes were favorable, and at least one such place is vividly remembered if once seen. A steep incline of about fifteen feet leads to a small oval hole through the wall; towards this we crawled with no great ease; but getting to the hole was far easier than going through it into a tiny cubby not high enough to sit comfortably upright in, and too small to permit an average sized human being to turn around.

Close on the left it is shut in by another wall pierced by two holes similar to that just pa.s.sed, and each revealing a miniature chamber scarcely more than three feet in either direction and eighteen inches high. Being directed to examine the ceiling of the first, it was done with some difficulty and much satisfaction, for there in the center was a most exquisite bit of art work, a circular disk of "drusy" quartz about twelve inches in diameter and having the appearance of a flat rosette of fine black lace, in open pattern with small diamonds thickly strung on every thread; a brilliant, sparkling ma.s.s of gems. After Mr.

McDonald had carefully removed a geode from the other little chamber, he slid down into a fourth, the last of the diminutive suite, having sufficient height to allow a sitting posture with raised head, and opened the small jewel case, while I examined the place it came from.

Here all was calcite crystal heavily ma.s.sed in various forms, and a harmony of blue and brown, with half a dozen round, unbroken, perfect geodes hanging from the ceiling like oriole nests. The geode taken proved on opening to be especially fine, being filled with pearly white calcite crystals of both the dog-tooth and nail-head forms, and was kindly presented to be added to the collection of cave specimens already purchased in town, to which were also added handsome pieces of "drusy"

quartz, cave coral, and tufa and mineral wool.

Following the guide I now slipped down into the larger nook just vacated, and saw with considerable chagrin that the next step was down a perpendicular wall more than ten feet in height, facing a high, narrow fissure, the floor of which was merely two shelves sloping to an open s.p.a.ce along the middle, almost two feet wide, with the darkness of continuing crevice below. Further progress seemed absolutely impossible.

All things are, however, possible to those who will, and it had been willed to pay a visit to the grandest portion of Wind Cave. In order to do so the descent must be made and was. Then some little distance must be traveled along the crevice, but the angle of elevation taken by both sides of the bisected floor served as a sort of prohibitory tax together with the calcite paving, since to maintain an upright position on such a surface would require long training of a certain professional character.

That difficulty, too, was overcome by placing a foot on either side of the open crevice; the first consideration, of course, being safety and not grace.

We now came to the enjoyment of the reward of merit. Flooded with the brilliant white light of magnesium ribbon, the crevice walls could be seen drawing together at a height of sixty-five feet, and both composed entirely of larger box work than any seen before and very heavily covered with calcite crystal, colored a bright electric blue and glowing with a pearly l.u.s.tre. This is the Centennial Gallery, and leaving it with reluctance we pa.s.sed on into the Blue Grotto to find it finer still. It is somewhat wider and higher, while even the extremely rough, uneven floor shows no spot bare of heavy box work of a yet deeper blue.

The wonderful beauty of this Blue Grotto necessarily stands beyond comparison because in all the known world there is nothing like it. The forms of crystal are chiefly aragonite.

From here we pa.s.s to the "Chamber de Norcutt," which would be considered a very handsome room if it had no superiors: and the same can be said of Union College, in which, however, is the Fan Rock to claim special notice; an immense piece of fallen box work shaped like a lady's fan half opened.

An imposing vestibule leads into the extensive but rather dreary Catacombs, from which we crawled through a little hole into the M.W.A.