That seemed hopeful and with a light heart I took Bea home to her apartment. I am not sure what I had in mind, but if I did have anything in mind that was not completely proper (surely not!) I was foiled. Bea managed to get into that apartment, leaving me standing in the hallway, without my ever having seen the door open.

EVEREST.

In 1952 they were about ready to give up trying to climb Mount Everest. It was the photographs that kept them going.

As photographs go, they weren't much; fuzzy, streaked, and with just dark blobs against the white to be interested in. But those dark blobs were living creatures. The men swore to it.

I said, "What the h.e.l.l, they've been talking about creatures skidding along the Everest glaciers for forty years. It's about time we did something about it."

Jimmy Robbons (pardon me, James Abram Robbons) was the one who pushed me into that position. He was always nuts on mountain climbing, you see. He was the one who knew all about how the Tibetans wouldn't go near Everest because it was the mountain of the G.o.ds. He could quote me every mysterious manlike footprint ever reported in the ice twenty-five thousand feet up; he knew by heart every tall story about the spindly white creatures, speeding along the crags just over the last heart-breaking camp which the climbers had managed to establish.

It's good to have one enthusiastic creature of the sort at Planetary Survey headquarters.

The last photographs put bite into his words, though. After all, you might might just barely think they were men. just barely think they were men.

Jimmy said, "Look, boss, the point isn't that they're there, the point is that they move fast. Look at that figure. It's blurred."

"The camera might have moved."

"The crag here is sharp enough. And the men swear it was running. Imagine the metabolism it must have to run at that oxygen pressure. Look, boss, would you have believed in deep-sea fish if you'd never heard of them? You have fish which are looking for new niches in environment which they can exploit, so they go deeper and deeper into the abyss until one day they find they can't return.

They've adapted so thoroughly they can live only under tons of pressure."

"Well-"

"d.a.m.n it, can't you reverse the picture? Creatures can be forced up a mountain, can't they? They can learn to stick it out in thinner air and colder temperatures. They can live on moss or on occasional birds, just as the deep-sea fish in the last a.n.a.lysis live on the upper fauna that slowly go filtering down. Then, someday, they find they can't go down again. I don't even say they're men. They can be chamois or mountain goats or badgers or anything."

I said stubbornly, "The witnesses said they were vaguely manlike, and the reported footprints are certainly manlike."

"Or bearlike," said Jimmy. "You can't tell."

So that's when I said, "It's about time we did something about it."

Jimmy shrugged and said, "They've been trying to climb Mount Everest for forty years." And he shook his head.

"For gossake," I said. " All you mountain climbers are nuts. That's for sure. You're not interested in getting to the top. You're just interested in getting to the top in a certain way. It's about time we stopped fooling around with picks, ropes, camps, and all the paraphernalia of the Gentlemen's Club that sends suckers up the slopes every five years or so."

"What are you getting at?"

"They invented the airplane in 1903, you know?"

"You mean fly over Mount Everest!" He said it the way an English lord would say, "Shoot a fox!" or an angler would say, "Use worms!"

"Yes," I said, "fly over Mount Everest and let someone down on the top. Why not?"

"He won't live long. The fellow you let down, I mean."

"Why not?" I asked again. "You drop supplies and oxygen tanks, and the fellow wears a s.p.a.cesuit. Naturally."

It took time to get the Air Force to listen and to agree to send a plane and by that time Jimmy Robbons had swiveled his mind to the point where he volunteered to be the one to land on Everest's peak. "After all," he said in a half whisper, "I'd be the first man ever to stand there."

That's the beginning of the story. The story itself can be told very simply, and in far fewer words.

The plane waited two weeks during the best part of the year (as far as Everest was concerned, that is) for a siege of only moderately nasty flying weather, then took off. They made it. The pilot reported by radio to a listening group exactly what the top of Mount Everest looked like when seen from above and then he described exactly how Jimmy Robbons looked as his parachute got smaller and smaller.

Then another blizzard broke and the plane barely made it back to base and it was another two weeks before the weather was bearable again.

And all that time Jimmy was on the roof of the world by himself and I hated myself for a murderer.

The plane went back up two weeks later to see if they could spot his body. I don't know what good it would have done if they had, but that's the human race for you. How many dead in the last war? Who can count that high? But money or anything else is no object to the saving of one life, or even the recovering of one body.

They didn't find his body, but they did find a smoke signal; curling up in the thin air and whipping away in the gusts. They let down a grapple and Jimmy came up, still in his s.p.a.cesuit, looking like h.e.l.l, but definitely alive.

The p.s. to the story involves my visit to the hospital last week to see him. He was recovering very slowly. The doctors said shock, they said exhaustion, but Jimmy's eyes said a lot more.

I said, "How about it, Jimmy, you haven't talked to the reporters, you haven't talked to the government. All right How about talking to me?"

"I've got nothing to say," he whispered. "Sure you have," I said. "You lived on top of Mount Everest during a two-week blizzard. You didn't do that by yourself, not with all the supplies we dumped along with you. Who helped you, Jimmy boy?"

I guess he knew there was no use trying to bluff. Or maybe he was anxious to get it off his mind.

He said, "They're intelligent, boss. They compressed air for me. They set up a little power pack to keep me warm. They set up the smoke signal when they spotted the airplane coming back."

"I see." I didn't want to rush him. "It's like we thought. They've adapted to Everest life. They can't come down the slopes."

"No, they can't. And we can't go up the slopes. Even if the weather didn't stop us, they would!"

"They sound like kindly creatures, so why should they object? They helped you." you."

"They have nothing against us. They spoke to me, you know. Telepathy."

I frowned. "Well, then."

"But they don't intend to be interfered with. They're watching us, boss. They've got to. We've got atomic power. We're about to have rocket ships. They're worried about us. And Everest is the only place they can watch us from!"

I frowned deeper. He was sweating and his hands were shaking.

I said, "Easy, boy. Take it easy. What on Earth are these creatures?"

And he said, "What do you suppose would be so adapted to thin air and subzero cold that Everest would be the only livable place on earth to them. That's the whole point. They're nothing at all on Earth. They're Martians."

And that's it.

And now let me explain the reason I frequently discuss EVEREST. Naturally, I did not actually believe that there were Martians on Mount Everest or that anything would long delay the eventual conquest of the mountain. I just thought that people would have the decency to refrain from climbing it until the story was published.

But no! On May 29, 1953, less than two months after I had written and sold EVEREST, Edmund Hillary and Tenzing Norgay stood upon Everest's highest point and saw neither Martians nor Abominable Snowmen. had written and sold EVEREST, Edmund Hillary and Tenzing Norgay stood upon Everest's highest point and saw neither Martians nor Abominable Snowmen.

Of course, Universe Universe might have sacrificed thirty dollars and left the story unpublished; or I might have offered to buy back the story. Neither of us made the gesture and EVEREST appeared in the December 1953 issue of might have sacrificed thirty dollars and left the story unpublished; or I might have offered to buy back the story. Neither of us made the gesture and EVEREST appeared in the December 1953 issue of Universe. Universe.

Since I am frequently called on to discuss the future of man, I can't help using EVEREST to point out what an expert futurist I am. After all, I predicted that Mount Everest would never be climbed, five months after after it was climbed. it was climbed.

Nowadays it is quite fashionable to publish anthologies of original science fiction stories, and I rather disapprove of this. It drains off some of the stories and readers that might otherwise go to the magazines. I don't want that to happen. I think that magazines are essential to science fiction.

Is my feeling born of mere nostalgia? Does it arise out of the memory of what science fiction magazines meant to me in my childhood and of how they gave me my start as a writer? In part, yes, I suppose; but in part it is the result of an honest feeling that they do playa vital role.

Where can a young writer get a start? Magazines, appearing six or twelve times a year, simply must must have stories. An anthology can delay publication till the desired stories come in; a magazine cannot. Driven by unswervable deadlines, a magazine must accept an occasional substandard story, and an occasional young writer gets a start while he is still perhaps of only marginal quality. That was how I got my start, in fact. have stories. An anthology can delay publication till the desired stories come in; a magazine cannot. Driven by unswervable deadlines, a magazine must accept an occasional substandard story, and an occasional young writer gets a start while he is still perhaps of only marginal quality. That was how I got my start, in fact.

It means, to be sure, that the reader is subjected to an occasional amateurish story in the magazine, but the amateur writer who wrote it gets enough encouragement to continue working and to become (just possibly) a great writer. to continue working and to become (just possibly) a great writer.

When the anthologies of original science fiction first appeared, however, they were novelties. I never really thought they would come to much, and had no feeling of contributing to an impending doom when I wrote for them. In fact, since they paid better than the magazines usually did, I felt good about writing for them.

The first of the breed was New Tales of s.p.a.ce and Time, New Tales of s.p.a.ce and Time, edited by Raymond J. Healy (Henry Holt, 1951), edited by Raymond J. Healy (Henry Holt, 1951), and for it I wrote In a Good Cause-a In a Good Cause-a story that was eventually included in NIGHTFALL AND OTHER STORIES. story that was eventually included in NIGHTFALL AND OTHER STORIES.

A few years later, August Derleth was editing an anthology of originals, and for it I wrote THE PAUSE.

THE PAUSE.

The white powder was confined within a thin-walled, transparent capsule. The capsule was heat-sealed into a double strip of parafilm. Along that strip of parafilm were other capsules at six-inch intervals.

The strip moved. Each capsule in the course of events rested for one minute on a metal jaw immediately beneath a mica window. On another portion of the face of the radiation counter a number clicked out upon an unrolling cylinder of paper. The capsule moved on; the next took its place.

The number printed at 1:45 P.M. was 308. A minute later 256 appeared. A minute later, 391. A minute later, 477. A minute later, 202. A minute later, 251. A minute later, 000. A minute later, 000. A minute later, 000. A minute later, 000.

Shortly after 2 P.M. Mr. Alexander Johannison pa.s.sed by the counter and the comer of one eye stubbed itself over the row of figures. Two steps past the counter he stopped and returned.

He ran the paper cylinder backward, then restored its position and said, "Nuts!"

He said it with vehemence. He was tall and thin, with big-knuckled hands, sandy hair, and light eyebrows. He looked tired and, at the moment, perplexed.

Gene Damelli wandered his way with the same easy carelessness he brought to all his actions. He was dark, hairy, and on the short side. His nose had once been broken and it made him look curiously unlike the popular conception of the nuclear physicist.

Damelli said, "My d.a.m.ned Geiger won't pick up a thing, and I'm not in the mood to go over the wiring. Got a cigarette?"

Johannison held out a pack. "What about the others in the building?"

"I haven't tried them, but I guess they haven't all gone."

"Why not? My counter isn't registering either."

"No kidding. You see? All the money invested, too. It doesn't mean a thing. Let's step out for a c.o.ke."

Johannison said with greater vehemence than he intended, "No! I'm going to see George Duke. I want to see his machine. If it's it's off-" off-"

Damelli tagged along. "It won't be off, Alex. Don't be an a.s.s."

George Duke listened to Johannison and watched him disapprovingly over rimless gla.s.ses. He was an old-young man with little hair and less patience.

He said, "I'm busy."

"Too busy to tell me if your rig is working, for heaven's sake?"

Duke stood up. "Oh, h.e.l.l, when does a man have time to work around here?" His slide rule fell with a thud over a scattering of ruled paper as he rounded his desk.

He stepped to a cluttered lab table and lifted the heavy gray leaden top from a heavier gray leaden container. He reached in with a two-foot-long pair of tongs, and took out a small silvery cylinder.

Duke said grimly, "Stay where you are."

Johannison didn't need the advice. He kept his distance. He had not been exposed to any abnormal dosage of radioactivity over the past month but there was no sense getting any closer than necessary to "hot" cobalt.

Still using the tongs, and with arms held well away from his body, Duke brought the shining bit of metal that contained the concentrated radioactivity up to the window of his counter. At two feet, the counter should have chattered its head off. It didn't.

Duke said, "Guk!" and let the cobalt container drop. He scrabbled madly for it and lifted it against the window again. Closer.

There was no sound. The dots of light on the scaler did, not show. Numbers did not step up and up.

Johannison said, "Not even background noise." Damelli said, "Holy jumping Jupiter!"

Duke put the cobalt tube back into its leaden sheath, as gingerly as ever, and stood there, glaring.

Johannison burst into Bill Everard's office, with Damelli at his heels. He spoke for excited minutes, his bony hands knuckly white on Everard's shiny desk. Everard listened, his smooth, fresh-shaven cheeks turning pink and his plump neck bulging out a bit over his stiff, white collar.

Everard looked at Damelli and pointed a questioning thumb at Johannison. Damelli shrugged, bringing his hands forward, palms upward, and corrugating his forehead.

Everard said, "I don't see how they can all go wrong."

"They have, have, that's all," insisted Johannison. "They all went dead at about two o'clock. That's over an hour ago now and none of them is back in order. Even George Duke can't do anything about it. I'm telling you, it isn't the counters." that's all," insisted Johannison. "They all went dead at about two o'clock. That's over an hour ago now and none of them is back in order. Even George Duke can't do anything about it. I'm telling you, it isn't the counters."

"You're saying it is."

"I'm saying they're not working. But that's not their fault. There's nothing for them to work on."

"What do you mean?"

"I mean there isn't any radioactivity in this place. In this whole building. Nowhere."

"I don't believe you."