PHIL. You are advancing towards the middle of the 18th century, in enumerating foreign publications, without calling to mind that we have, at home, many laudable publications relating to typography and bibliography, which merit at least some notice, if not commendation.
LYSAND. I thank you for the reproof. It is true, I was running precipitately to introduce a crowd of foreigners to your notice, without paying my respects, by the way, to the _Historical Libraries_ of Bishop NICOLSON, the _Bibliotheca Literaria_ of WASSE, and the _Librarian_ of WILLIAM OLDYS. Nor should I omit to mention the still more creditable performance of Bishop TANNER: while the typographical publications of WATSON, PALMER, and MIDDLETON,[136] may as well be admitted into your libraries, if you are partial to such works; although upon this latter subject, the elegant quarto volume of AMES merits particular commendation.
[Footnote 136: Let us go gently over this _British_ ground, which Lysander depictures in rather a flowery manner. The first edition of BISHOP NICOLSON'S _English Historical Library_ was published in the years 1696, 1697, and 1699--comprehending the entire three parts. In 1702, came forth the _Scottish_ Historical library; and in 1724, the _Irish_ Historical Library. These three libraries, with the author's letter to Bishop Kennet in defence of the same, are usually published in one volume; and the last and best editions of the same are those of 1736, fol., and 1776, 4to.
Mr. John Nichols has recently published an entertaining posthumous work of the bishop's _Epistolary Correspondence_, in two octavo volumes, 1809. Some of these letters throw light and interest upon the literature of the times. As to the authority of Bishop Nicolson, in his historical matters, I fear the sharp things which are said of his libraries by Tyrrell (Pref. to _Hist. Engl._, vol. ii., p. 5.), and Wood (_Athen. Brit._, vol. ii., col. 980, ed. 1721), all which authorities are referred to by Mr. Nichols, are sufficiently founded upon truth. He was a violent and wrong-headed writer in many respects; but he had acumen, strength, and fancy.
The _Bibliotheca Literaria_ of WASSE (although his name does not appear as the professed editor) is a truly solid and valuable publication; worthy of the reputation of the learned editor of Sallust. The work was published in numbers, which were sold at one shilling each; but, I suppose from the paucity of classical readers, it could not be supported beyond the 10th number (1724); when it ceased to be published. Some of the dissertations are very interesting as well as erudite. OLDYS'S _British Librarian_ was published in six numbers, during the first six months of the year 1737; forming, with the index, an octavo volume of 402 pages. It is difficult to say, from the conclusion (p.
373-4), whether the work was dropped for want of encouragement, or from the capriciousness or indolence of the author: but I suspect that the ground was suffered "to lie fallow" (to use his own words) till it was suffocated with weeds--owing to the _former_ cause: as Oldys never suffered his pen to lie idle while he could "put money in his purse" from his lucubrations. We shall speak of him more particularly in PART V. Meanwhile, the reader is informed that the _British Librarian_ is a work of no common occurrence, or mean value. It is rigidly correct, if not very learned, in bibliographical information. I once sent three guineas to procure a copy of it, according to its description, upon LARGE PAPER; but, on its arrival, I found it to be not quite so large as my own tolerably amply-margined copy. Bishop TANNER'S _Bibliotheca Britanico-Hibernica_, which cost the author forty years'
labour, was published in 1748, folio; with a preface by Dr.
Wilkins. We must receive it with many thanks, imperfect and erroneous as many parts of it are; but I hope the period is not very remote when a literary friend, living, as he constantly is, in an inexhaustible stock of British literature of all kinds, will give us a new edition, with copious additions and corrections, translated into our native tongue. _The History of the Art of Printing_ by WATSON, Edit., 1713, 8vo., is at best but a meagre performance. It happens to be rare, and, therefore, bibliomaniacs hunt after it. My copy of it, upon LARGE PAPER, cost me 1_l._ 8_s._ It was formerly Paton's, of Edinburgh, a knowing antiquary in Scottish printing. The _History of Printing_, by PALMER, 1733, 4to., and Dr.
MIDDLETON'S _Dissertations upon the same_, 1735, 4to., have been particularly treated by me, as well as the similar works of AMES and HERBERT, in the first volume of my new edition of Herbert's _British Typographical Antiquities_; and the public is too well acquainted with the merits and demerits of each to require their being pointed out in the present place. I will close this note by observing that the _Censuria Literaria_, in ten volumes octavo; and the _British Bibliographer_ (now publishing) which grew out of it; Mr. BELOE'S _Anecdotes of Literature and Scarce Books_, six volumes, 8vo.; and Mr. Savage's continuation of _The British Librarian_; are works which render the list of English publications, relating to typography and curious books, almost complete. I believe I may safely affirm that the period is not very distant when some of these latter publications, from the comparatively few copies which were struck off, will become very rare.]
LIS. I am glad to hear such handsome things said of the performances of our own countrymen. I was fearful, from your frequent sly allusions, that we had nothing worth mentioning. But proceed with your Germans, Italians, and Frenchmen.
LYSAND. You draw too severe a conclusion. I have made no sly allusions. My invariable love of truth impels me to state facts as they arise. That we have philosophers, poets, scholars, divines, lovers and collectors of books, equal to those of any nation upon earth is most readily admitted. But bibliography has never been, till now, a popular (shall I say fashionable?) pursuit amongst the English.
LIS. Well, if what you call bibliography has produced such eminent men, and so many useful works, as those which have been just enumerated, I shall begin to have some little respect for this department of literature; and, indeed, I already feel impatient to go through the list of your bibliographical heroes.--Who is the next champion deserving of notice?
LYSAND. This confession gives me sincere pleasure. Only indulge me in my rambling manner of disquisition, and I will strive to satisfy you in every reasonable particular.
If ever you should be disposed to form a bibliographical collection, do not omit securing, when it comes across you, the best edition of Du Fresnoy's[137] _Methode pour etudier l'Histoire_: it is rare, and sought after in this country. And now--softly approach, and gently strew the flowers upon, the tomb of worthy NICERON:[138] Low lies the head, and quiescent has become the pen, of this most excellent and learned man!--whose productions have furnished biographers with some of their choicest materials, and whose devotion to literature and history has been a general theme of admiration and praise. The mention of this illustrious name, in such a manner, has excited in my mind a particular train of ideas. Let me, therefore, in imagination, conduct you both to yonder dark avenue of trees--and, descending a small flight of steps, near the bottom of which gushes out a salient stream--let us enter a spacious grotto, where every thing is cool and silent; and where small alabaster busts, of the greater number of those bibliographers I am about to mention, decorate the niches on each side of it. How tranquil and how congenial is such a resting place!--But let us pursue our inquires. Yonder sharp and well turned countenances, at the entrance of the grotto, are fixed there as representations of CARDINAL QUIRINI[139] and GOUJET; the _Bibliotheque Francoise_ of the latter of whom--with which I could wish book collectors, in general, to have a more intimate acquaintance--has obtained universal reputation.[140] Next to him, you may mark the amiable and expressive features of DAVID CLEMENT:[141] who, in his _Bibliotheque Curieuse_, has shown us how he could rove, like a bee, from flower to flower; sip what was sweet; and bring home his gleanings to a well-furnished hive. The principal fault of this bee (if I must keep up the simile) is that he was not sufficiently choice in the flowers which he visited; and, of course, did not always extract the purest honey. Nearly allied to Clement in sprightliness, and an equally gossipping bibliographer, was PROSPER MARCHAND;[142]
whose works present us with some things no where else to be found, and who had examined many curious and rare volumes; as well as made himself thoroughly acquainted with the state of bibliography previous to his own times.
[Footnote 137: The last edition of this work is the one which was printed in fifteen volumes, crown 8vo., at Paris, 1772: with a copious index--and proportionable improvements in corrections and additions. It is now rare. I threw out the old edition of 1729, four vols., 4to., upon LARGE PAPER; and paid three guineas to boot for the new one, neatly bound.]
[Footnote 138: It is quite delightful to read the account, in the _Dict. Hist._, published at Caen, 1789, (vol. vi., p.
475) of JEAN PIERRE NICERON; whose whole life seems to have been devoted to bibliography and literary history. Frank, amiable, industrious, communicative, shrewd, and learned--Niceron was the delight of his friends, and the admiration of the public. His "_Memoires pour servir a l'Histoire des Hommes Illustres, &c., avec un Catalogue raisonne de leur Ouvrages_," was published from the years 1729 to 1740, in forty crown 8vo. volumes. A supplement of three volumes, the latter of which is divided into _two parts_, renders this very useful, and absolutely necessary, work complete in 44 volumes. The bibliomaniac can never enjoy perfect rest till he is in possession of it!]
[Footnote 139: QUIRINI published his "_Specimen variae Literaturae quae in urbe Brixiae ejusque Ditione paulo post Typographiae incunabula florebat_," _&c._, at Brescia, in 1739; two vols., 8vo.: then followed "_Catalogo delle Opere del Cardinale Quirini uscite alla luce quasi tuttee da'
Torchi di mi Gian Maria Rizzardi Stampatore in Brescia_,"
8vo. In 1751, Valois addressed to him his "_Discours sur les Bibliotheques Publiques_," in 8vo.: his Eminence's reply to the same was also published in 8vo. But the Cardinal's chief reputation, as a bibliographer, arises from the work entitled "_De Optimorum Scriptorum Editionibus_." Lindaugiae, 1761, 4to. This is Schelhorn's edition of it, which is chiefly coveted, and which is now a rare book in this country. It is a little surprising that Lysander, in his love of grand national biographical works, mingled with bibliographical notices, should have omitted to mention the _Bibliotheca Lusitana_ of Joaov and Barbosa, published at Lisbon, 1741, in four magnificent folio volumes. A lover of Portuguese literature will always consider this as "opus splendidissimum et utilissimum."]
[Footnote 140: _La Bibliotheque Francoise, ou Histoire de la Litterature Francoise_, of CLAUDE PIERRE GOUJET, in eighteen volumes, crown 8vo., 1741, like the similar work of Niceron, is perhaps a little too indiscriminate in the choice of its objects: good, bad, and indifferent authors being enlisted into the service. But it is the chef-d'oeuvre of Goujet, who was a man of wonderful parts; and no bibliographer can be satisfied without it. Goujet was perhaps among the most learned, if not the "facile princeps," of those who cultivated ancient French literature. He liberally assisted Niceron in his Memoires, and furnished Moreri with 2000 corrections for his Dictionary.]
[Footnote 141: The "_Bibliotheque Curieuse, Historique et Critique, ou Catalogue raisonne de Livres difficiles a trouver_," of DAVID CLEMENT, published at Gottingen, Hanover, and Leipsic, in 9 quarto volumes, from the year 1750 to 1760--is, unfortunately, an unfinished production; extending only to the letter H. The reader may find a critique upon it in my _Introduction to the Greek and Latin Classics_, vol. i., p. 370; which agrees, for the greater part, with the observations in the _Bibl. Crevenn._, vol.
v., 290. The work is a _sine qua non_ with collectors; but in this country it begins to be--to use the figurative language of some of the German bibliographers--"scarcer than a white crow,"--or "a black swan." The reader may admit which simile he pleases--or reject both! But, in sober sadness, it is very rare, and unconscionably dear. I know not whether it was the same CLEMENT who published "_Les cinq Annees Litteraires, ou Lettres de M. Clement, sur les ouvrages de Litterature, qui ont parus dans les Annees 1748--a 1752_;" Berlin, 1756, 12mo., two volumes. Where is the proof of the assertion, so often repeated, that Clement borrowed his notion of the above work from WENDLER'S _Dissertatio de variis raritatis librorum impressorum causis_, Jen., 1711, 4to.?--Wendler's book is rare among us: as is also BERGER'S _Diatribe de libris rarioribus, &c._, Berol. 1729, 8vo.]
[Footnote 142: The principal biographical labours of this clever man have the following titles: "_Histoire de l'Imprimerie_," La Haye, 1740, 4to.--an elegant and interesting volume, which is frequently consulted by typographical antiquaries. Of MERCIER'S supplement to it, see note in the ensuing pages under the word "Mercier." His "_Dictionnaire Historique, ou Memoires Critiques et Litteraires_," in two folio volumes, 1758, was a posthumous production; and a very extraordinary and amusing bibliographical common-place book it is! My friend Mr.
Douce, than whom few are better able to appreciate such a work, will hardly allow any one to have a warmer attachment to it, or a more thorough acquaintance with its contents, than himself--and yet there is no bibliographical work to which I more cheerfully or frequently turn! In the editor's advertisement we have an interesting account of Marchand: who left behind, for publication, a number of scraps of paper, sometimes no bigger than one's nail; upon which he had written his remarks in so small a hand-writing that the editor and printer were obliged to make use of a strong magnifying glass to decypher it--"et c'est ici (continues the former) sans doute le premier livre qui n'ait pu etre imprime sans le secours continuel du Microscope." Marchand died in 1753, and left his MSS. and books, in the true spirit of a bibliomaniac, to the University of Leyden. I see, from the conclusion of this latter authority, that a new edition of Marchand's History of Printing was in meditation to be published, after the publication of the Dictionary. Whether Mercier availed himself of Marchand's corrected copy, when he put forth his supplement to the latter's typographical history, I have no means of ascertaining. Certainly there never was a second edition of the _Histoire de l'Imprimerie_, by Marchsnd [Transcriber's Note: Marchand].]
Perhaps I ought to have noticed the unoccupied niche under which the name of VOGT[143] is inscribed; the title of whose work has been erroneously considered more seductive than the contents of it. As we go on, we approach FOURNIER; a man of lively parts, and considerable taste. His works are small in size, but they are written and printed with singular elegance.[144] See what a respectable and almost dignified air the highly finished bust of the pensionary MEERMAN[145]
assumes! Few men attained to greater celebrity in his day; and few men better deserved the handsome things which were said of him.
Polite, hospitable, of an inquisitive and active turn of mind--passionately addicted to rare and curious books--his library was a sort of bibliographical emporium, where the idle and the diligent alike met with a gracious reception. Peace to the manes of such a man!
Turn we now round to view the features of that truly eminent and amiable bibliographer, DE BURE!
[Footnote 143: The earliest edition of VOGT'S _Catalogus Librorum Rariorum_ was published in 1732; afterwards in 1737; again in 1748; again in 1752, much enlarged and improved; and, for the last time, greatly enlarged and corrected, forming by far the "editio optima," of the work--at Frankfort and Leipsic, 1793, 8vo.--We are told, in the new preface to this last edition, that the second and third impressions were quickly dispersed and anxiously sought after. Vogt is a greater favourite with me than with the generality of bibliographers. His plan, and the execution of it, are at once clear and concise; but he is too prodigal of the term "rare." Whilst these editions of Vogt's amusing work were coming forth, the following productions were, from time to time, making their appearance, and endeavouring perhaps to supplant its reputation. First of all BEYER put forth his _Memoriae Historico-Criticae Librorum Rariorum_. Dresd. and Lips., 1734, 8vo.; as well has [Transcriber's Note: as] his _Arcana Sacra Bibliothecarum Dresdensium_, 1738, 8vo.--with a continuation to the latter, preceded by an epistle concerning the electoral library, separately published in the same year. Then ENGEL (in Republica Helveto-Bernensi Bibliothecarius primus) published his _Bibliotheca selectissima, sive Catalogus librorum in omni genere scientiarum rarissimorum_, &c., Bernae, 1743, 8vo.; in which work some axioms are laid down concerning the rarity of books not perhaps sufficiently correct; but in which a great deal of curious matter, very neatly executed, will repay the reader for any expense he may incur in the purchase of it.
Afterwards FREYTAG'S _Analecta Literaria de libris rarioribus_, Lips., 1750, two vols. 8vo.;--and his _Adparatus Literarius ubi libri partim antiqui partim rari recensentur_, Lipsiae, 1755, three volumes 8vo., highly gratified the curious in bibliography. In the former work the books are described alphabetically, which perhaps is the better plan: in the latter, they are differently arranged, with an alphabetical index. The latter is perhaps the more valuable of the two, although the former has long been a great favourite with many; yet, from Freytag's own confession, he was not then so knowing in books, and had not inspected the whole of what he described. They are both requisite to the collector; and their author, who was an enthusiast in bibliography, ranks high in the literature of his country. In the last place we may notice the _Florilegium Historico-Criticum Librorum Rariorum, cui multa simul scitu jucunda intersperguntur_, &c., of DANIEL GERDES; first published at Groningen, in 1740; but afterwards in 1763, 8vo., at the same place, the third and best edition.
It was meant, in part, to supply the omission of some rare books in Vogt: and under this title it was published in the _Miscellaneae Groninganae_, vol. ii., and vol. iii. This work of Gerdes should have a convenient place in every bibliographical cabinet. I will close this attempt to supply Lysander's omission of some very respectable names connected with bibliography by exhorting the reader to seize hold of a work (whenever it comes across him, which will be rarely) entitled _Bibliotheca Librorum Rariorum Universalis_, by JOHN JACOB BAUER, a bookseller at Nuremberg, and printed there in 1770, 8vo., two vols.; with three additional volumes by way of Supplement, 1774-1791, which latter are usually bound in one. It is an alphabetical Dictionary, like Vogt's and Fournier's, of what are called rare books. The descriptions are compendious, and the references respectable, and sometimes numerous. My copy of this scarce, dear, and wretchedly-printed, work, which is as large and clean as possible, and bound in pale Russia, with marbled edges to the leaves--cost me 5_l._ 5_s._]
[Footnote 144: We are indebted to PIERRE SIMON FOURNIER le jeune, for some very beautiful interesting little volumes connected with engraving and printing. 1. _Dissertation sur l'Origine et les Progres de l'art de Graver en Bois, &c._, Paris, 1758, 8vo. 2. _De l'Origine et des Productions de l'Imprimerie primitive en taille de bois_, Paris, 1759, 8vo.
3. _Traite sur l'Origine et les Progres de l'Imprimerie_, Paris, 1764. 4. _Observations sur un Ouvrage intitule Vindiciae Typographicae_, Paris, 1760. These treatises are sometimes bound in one volume. They are all elegantly printed, and rare. We may also mention--5. _Epreuves de deux petits caracteres nouvellement graves, &c._, Paris, 1757; and especially his chef-d'oeuvre. 6. _Manuel Typographique_, Paris, 1764-6, 8vo., two vols.: of which some copies want a few of the cuts: those upon LARGE PAPER (there is one of this kind in the Cracherode collections) are of the first rarity. Fournier's typographical manual should be in every printing office: his types "are the models (says his namesake,) of those of the best printed books at Paris at this day." _Dict. Port. de Bibliogr._, p.
218, edit. 1706.]
[Footnote 145: The _Origines Typographicae_ of MEERMAN, which was published at the Hague in two handsome quarto volumes, 1765, (after the plan or prospectus had been published in 1761, 8vo.), secured its author a very general and rather splendid reputation, till the hypothesis advanced therein, concerning Laurence Coster, was refuted by Heinecken. The reader is referred to a note in the first volume of my new edition of the _Typographical Antiquities of Great Britain_, p. xxxi. It is somewhat singular that, notwithstanding Meerman's hypothesis is now exploded by the most knowing bibliographers, his dissertation concerning the claims of Haerlem should have been reprinted in French, with useful notes, and an increased catalogue of all the books published in the Low Countries, during the 15th century. This latter work is entitled "_De l'Invention de l'Imprimerie, ou analyse des deux ouvrages publies sur cette matiere par M.
Meerman, &c.; suivi d'une notice chronologique et raisonnee des livres avec et sans date_," Paris, 1809, 8vo. The author is Mons. Jansen. Prefixed there is an interesting account, of Meerman. Lysander might have noticed, with the encomium which it justly merits the _Vindiciae Typographicae_ of SCHOEPFLIN, printed at Strasburg, in 1760, 4to.; where the claimes of Gutenburg (a native of the same city) to the invention of the typographic art are very forcibly and successfully maintained.]
LIS. You absolutely transport me! I see all these interesting busts--I feel the delicious coolness of the grotto--I hear the stream running over a bed of pebbles--The zephyrs play upon my cheeks--O dolt that I was to abuse----
PHIL. Hear him, hear him![146]
[Footnote 146: Vide note at p. 37, ante.]
LYSAND. From my heart I pity and forgive you. But only look upon the bust of DE BURE; and every time that you open his _Bibliographie Instructive_,[147] confess, with a joyful heart, the obligations you are under to the author of it. Learn, at the same time, to despise the petty cavils of the whole Zoilean race; and blush for the Abbe RIVE,[148] that he could lend his name, and give the weight of his example, to the propagation of coarse and acrimonious censures.
[Footnote 147: The works of GUILLAUME-FRANcOIS DE BURE deserve a particular notice. He first published his _Musaeum Typographicum_, Paris, 1755, 12mo.; of which he printed but TWELVE copies, and gave away every one of them (including even his own) to his book-loving friends. It was published under the name of G.F. Rebude. Peignot is very particular in his information concerning this rare morceau of bibliography--see his _Bibliographie Curieuse_, p. 21.
Afterwards appeared the _Bibliographie Instructive_, in seven volumes, 8vo., 1763-68--succeeded by a small volume of a catalogue of the anonymous publications, and an essay upon Bibliography: this 8th volume is absolutely necessary to render the work complete, although it is frequently missing.
Fifty copies of this work were printed upon LARGE PAPER, of a quarto size. Its merits are acknowledged by every candid and experienced critic. In the third place, came forth his _Catalogue des Livres, &c., de L.J. Gaignat, Paris_, 1769, 8vo., two vols.: not, however, before he had published two brochures--"_Appel aux Savans_," _&c._, 1763, 8vo.--and "_Reponse a une Critique de la Bibliographie Instructive_,"
1763, 8vo.--as replies to the tart attacks of the Abbe RIVE.
The Catalogue of Gaignat, and the fairness of his answers to his adversary's censures, served to place De Bure on the pinnacle of bibliographical reputation; while Rive was suffered to fret and fume in unregarded seclusion. He died in the year 1782, aged 50: and was succeeded in his bibliographical labours by his cousin WILLIAM; who, with Mons. Van-Praet, prepared the catalogue of the Duke de la Valliere's library, in 1783, and published other valuable catalogues as late as the year 1801. But both are eclipsed, in regard to the _number_ of such publications, by their predecessor GABRIEL MARTIN; who died in the year 1761, aged 83--after having compiled 148 catalogues since the year 1705. This latter was assisted in his labours by his son Claude Martin, who died in 1788. See Peignot's _Dict. de Bibliologie_, vol. i., 221, 422: vol iii., 277.]
[Footnote 148: The mention of De Bure and the Abbe RIVE induces me to inform the reader that the _Chasse aux Bibliographes_, Paris, 1789, 8vo., of the latter, will be found a receptacle of almost every kind of gross abuse and awkward wit which could be poured forth against the respectable characters of the day. It has now become rare.
The Abbe's "_Notices calligraphiques et typographiques_," a small tract of 16 pages--of which only 100 copies were printed--is sufficiently curious; it formed the first number of a series of intended volumes (12 or 15) "_des notices calligraphiques de manuscrits des differens siecles, et des notices typographiques de livres du quinzieme siecle_," but the design was never carried into execution beyond this first number. The other works of Rive are miscellaneous; but chiefly upon subjects connected with the belles lettres. He generally struck off but few copies of his publications; see the _Bibliographie Curieuse_, pp. 58-9; and more particularly the _Dictionnaire de Bibliologie_, vol. iii., p. 277, by the same author, where a minute list of Rive's productions is given, and of which Fournier might have availed himself in his new edition of the _Dict. Portatif de Bibliographie_. From Peignot, the reader is presented with the following anecdotes of this redoubted champion of bibliography. When Rive was a young man, and curate of Molleges in Provence, the scandalous chronicle reported that he was too intimate with a young and pretty Parisian, who was a married woman, and whose husband did not fail to reproach him accordingly. Rive made no other reply than that of taking the suspicious Benedick in his arms, and throwing him headlong out of the window. Luckily he fell upon a dunghill! In the year 1789, upon a clergyman's complaining to him of the inflexible determination of a great lord to hunt upon his grounds--"_Mettez-lui une messe dans le ventre_"--repiled [Transcriber's Note: replied] Rive. The clergyman expressing his ignorance of the nature of the advice given, the facetious Abbe replied, "Go and tear a leaf from your _mass book_, wrap a musket-ball in it, and discharge it at the tyrant." The Duke de la Valliere used to say--when the knowing ones at his house were wrangling about some literary or bibliographical point--"Gentlemen, I'll go and let loose my bull dog,"--and sent into them the Abbe, who speedily put them all to rights. Rive died in the year 1791, aged seventy-one. He had great parts and great application; but in misapplying both he was his own tormentor. His library was sold in 1793.]
Next to the bust of De Bure, consider those of the five Italian bibliographers and literati, HAYM, FONTANINI, ZENO, MAZZUCHELLI, and TIRABOSCHI; which are placed in the five consecutive niches. Their works are of various merit, but are all superior to that of their predecessor DONI. Although those of the first three authors should find a place in every bibliographical collection, the productions of Mazzuchelli,[149] and especially of the immortal Tiraboschi, cannot fail to be admitted into every judicious library, whether vast or confined. Italy boasts of few literary characters of a higher class, or of a more widely-diffused reputation than TIRABOSCHI.[150] His diligence, his sagacity, his candour, his constant and patriotic exertions to do justice to the reputation of his countrymen, and to rescue departed worth from ill-merited oblivion, assign to him an exalted situation: a situation with the Poggios and Politians of former times, in the everlasting temple of Fame! Bind his _Storia della Letteratura Italiana_ in the choicest vellum, or in the stoutest Russia; for it merits no mean covering!
[Footnote 149: We may first observe that "_La Libraria del_ DONI _Fiorentino_;" Vinegia, 1558, 8vo., is yet coveted by collectors as the most complete and esteemed of all the editions of this work. It is ornamented with many portraits of authors, and is now rare. Consult _Bibl. Crevenn._, vol.
v., p. 275. Numerous are the editions of HAYM'S _Biblioteca Italiana_; but those of Milan, of the date of 1771, 4to., 2 vols., and 1803, 8vo. 4 vols., are generally purchased by the skilful in Italian bibliography. The best edition of FONTANINI'S _Biblioteca dell' Eloquenza Italiana_ is with the annotations of ZENO, which latter are distinguished for their judgment and accuracy. It was published at Venice in 1753, 4to., 2 vols.; but it must be remembered that this edition contains only the _third_ book of Fontanini, which is a library of the principal Italian authors. All the three books (the first two being a disquisition upon the orgin [Transcriber's Note: origin] and progress of the Italian language) will be found in the preceeding [Transcriber's Note: preceding] Venice edition of 1737, in one volume 4to.
In the year 1753-63, came forth the incomparable but unfinished work of COUNT MAZZUCHELLI, in two folio volumes, [the latter vol. being divided into four thick parts]
entittled [Transcriber's Note: entitled]: _Gli Scrittori d'Italia, cioe Notizie Storiche e Critiche intorno alle Vite e agli Scritti dei Letterati Italiani_. The death of the learned author prevented the publication of it beyond the first two letters of the alphabet. The Count, however, left behind ample materials for its execution according to the original plan, which lay shamefully neglected as late as the year 1776. See _Bibl. Crevenn._, vol. v., p. 274. This work is rare in our own country. If the lover of Italian philology wishes to increase his critico-literary stores, let him purchase the _Biblioteca degli Autori Antichi Greci, e Latini volgarizzati_, &c., of PAITONI, in five quarto volumes, 1766: the _Notizie Istorico-Critiche &c., degli Scrittori Viniziani_, [Transcriber's Note: corrected printer error in original; 'degli' was misplaced on preceding line]
of AGOSTINI, Venez., 1752, 4to., 2 vols.: and the _Letteratura Turchesca of_ GIAMBATISTA TODERINI, Venez., 1787, 8vo., 3 vols.--works nearly perfect of their kind, and (especially the latter one) full of curious matter.]
[Footnote 150: The best edition of his _Letteratura Italiana_ is that of Modena, 1787-94, 4to., in fifteen volumes, as it contains his last corrections and additions, and has the advantage of a complete index. An excellent account of the life and labours of its wonderful author appeared in the fifth volume of the _Athenaeum_, to the perusal of which I strongly recommend the reader.]
The range of busts which occupies the opposite niches represents characters of a more recent date. Let us begin with MERCIER;[151] a man of extraordinary, and almost unequalled, knowledge in every thing connected with bibliography and typography; of a quick apprehension, tenacious memory, and correct judgment; who was more anxious to detect errors in his own publications than in those of his fellow labourers in the same pursuit; an enthusiast in typographical researches--the Ulysses of bibliographers! Next to him stand the interesting busts of SAXIUS and LAIRE;[152] the latter of whom has frequently erred, but who merited not such a castigation as subsequent bibliographers have attempted to bestow upon him: in the number of which, one is sorry to rank the very respectable name of AUDIFFREDI[153]--whose bust, you observe, immediately follows that of Laire. Audiffredi has left behind him a most enviable reputation: that of having examined libraries with a curious eye, and described the various books which he saw with scrupulous fidelity. There are no lively or interesting sallies, no highly-wrought, or tempting descriptions--throughout his two quarto volumes: but, in lieu of this, there is sober truth, and sound judgment. I have mentioned Audiffredi a little out of order, merely because his name is closely connected with that of Laire: but I should have first directed your attention to the sagacious countenance of HEINECKEN;[154] whose work upon ancient printing, and whose _Dictionary of Engravers_ (although with the latter we have nothing just now to do) will never fail to be justly appreciated by the collector. I regret, Lisardo, for your own sake--as you are about to collect a few choice books upon typography--that you will have so much to pay for the former work, owing to its extreme rarity in this country, and to the injudicious phrenzy of a certain class of buyers, who are resolved to purchase it at almost any price.
Let me not forget to notice, with the encomiums which they deserve, the useful and carefully compiled works of SEEMILLER, BRAUN, WURDTWEIN, DE MURR, ROSSI, and PANZER, whose busts are arranged in progressive order. All these authors[155] are greatly eminent in the several departments which they occupy; especially Panzer--whose _Annales Typographici_, in regard to arrangement and fulness of information, leaves the similar work of his precedessor, Maittaire, far behind. It is unluckily printed upon wretched paper--but who rejects the pine-apple from the roughness of its coat? Get ready the wherry; man it with a choice bibliomanical crew, good Lisardo!--and smuggle over in it, if you can, the precious works of these latter bibliographers--for you may saunter "from rise to set of sun," from Whitechapel to Hyde-Park Corner--for them--in vain!
[Footnote 151: Barthelemy, MERCIER DE ST. LEGER, died in the year 1800, and in the sixty-sixth of his age, full of reputation, and deeply regretted by those who knew the delightful qualities of his head and heart. It is not my intention to enumerate _all_ his publications, the titles of which may be found in the _Siecles Litteraires_, vol. iv., p. 350: but, in the present place, I will only observe that his "_Supplement a l'Histoire de l'Imprimerie, par P.
Marchand_," was first published in 1773, and afterwards in 1775, 4to., a rare and curious work; but little known in this country. His _Bibliotheque des Romans, traduit de Grec_, was published in 1796, 12 vols. 12mo. His letter concerning De Bure's work, 1763, 8vo., betrayed some severe animadversions upon the _Bibliogr. Instruct._: but he got a similar flagellation in return, from the Abbe Rive, in his _Chasse aux Bibliographes_--who held him and De Bure, and all the bibliographical tribe, in sovereign contempt. His letter to Heinecken upon the rare editions of the 15th century, 1783, 8vo., and his other works, I never saw in any collection. The imperial library at Paris purchased his copy of Du Verdier's and La Croix du Maine's Bibliotheques, covered with his marginal annotations, as well as his copy of Clement's _Bibl. Curieuse_. Le Blond, member of the Institute, obtained his copy of De Bure's _Bibliographie Instructive_, also enriched with MS. notes. Mr. Ocheda, Lord Spencer's librarian, who knew well the Abbe de St. Leger, informed me that he left behind him ample materials for a History of Printing, in a new edition of his Supplement to Marchand's work, which he projected publishing, and which had received from him innumerable additions and corrections.
"He was a man," says Mr. Ocheda, "the most conversant with editions of books of all kinds, and with every thing connected with typography and bibliography, that I ever conversed with." The reader may consult Peignot's _Dict. de Bibliologie_, vol. i., p. 452, vol. iii., p. 212.]
[Footnote 152: The _Onomasticon Literarium_ of CHRISTOPHER SAXIUS, _Traject. ad Rhenum_, 1775-90, seven vols. 8vo., with a supplement, or eighth volume, published in 1803, is considered as a work of the very first reputation in its way. The notices of eminent men are compendious, but accurate; and the arrangement is at once lucid and new. An elegantly bound copy of this scarce work cannot be obtained for less than six and seven guineas. The first bibliographical production of the Abbe LAIRE was, I believe, the _Specimen Historicum Typographiae Romanae, xv. seculi, Romae_, 1778, large 8vo.; of which work, a copy printed UPON VELLUM (perhaps unique) was sold at the sale of M.
d'Hangard, in 1789, for 300 livres. _Dictionn. Bibliogr._, vol. iv., p. 250. In my Introduction, &c., to the Greek and Latin Classics, some account of its intrinsic merit will be found: vol. i., p. xviii. In the year 1784 Laire published a "_Dissertation sur l'origine et Progres de l'Imprimerie en Franche-Comte_," 8vo.; and, in the year 1791, came forth his Catalogue Raisonne of the early printed books in the library of Cardinal de Lomenie de Brienne; under the title of "_Index Librorum ab Inventa Typographia, ad annum 1500_," in two octavo volumes. See the article "LOMENIE," in the list of foreign catalogues, post. Laire was also the author of a few other minor bibliographical productions. All the books in his library, relating to this subject, were covered with marginal notes; some of them very curious. See Peignot's _Dict. de Bibliologie_, vol. i., p. 330: and _Les Siecles Litteraires_, (1801, 8vo.) vol. iv., p. 75.]
[Footnote 153: The works and the merits of AUDIFFREDI have been before submitted by me to the public; and Mr. Beloe, in the third volume of his "_Anecdotes of Literature_," &c., has justly observed upon the latter. In Lord Spencer's magnificent library at Althorpe, I saw a copy of the "_Editiones Italicae_," sec. xv., 1793, 4to., upon LARGE PAPER. It is much to be wished that some knowing bibliographer upon the Continent would complete this unfinished work of Audiffredi. His _Editiones Romanae_, sec.
xv., 1783, 4to., is one of the most perfect works of bibliography extant: yet Laire's "_Index Librorum_," &c.
(see preceeding note), is necessary to supply the omission of some early books printed at Rome, which had escaped even this keen bibliographer!]
[Footnote 154: HEINECKEN'S name stands deservedly high (notwithstanding his tediousness and want of taste) among bibliographical and typographical antiquaries. Of his "_Nachrichten von Kunstlern und Kunst-Sachen_," Leipzig, 1768, 8vo., two vols., (being "New Memoirs upon Artists and the objects of Art"--and which is frequently referred to by foreigners,) I never saw a copy. It was again published in 1786. His "_Idee Generale d'une Collection complette d'Estampes_," &c., Leips., 1771, 8vo., is a most curious and entertaining book; but unconscionably dear in this country.
His "_Dictionnaire des Artistes dont nous avons des Estampes_," &c., Leips. 1778, 8vo., four vols., is an unfinished performance, but remarkably minute as far as it goes. The remainder, written in the German language, continues in MS. in the Electorate library at Dresden, forming twelve volumes. Of the character of Heinecken's latter work, consult Huber's _Manuel, &c., des Amateurs de l'Art_, Zurich, 1797, 8vo.: and a recent work entitled "_Notices des Graveurs_," Paris, 1804, 8vo., two vols.
Heinecken died at the advanced age of eighty.]