4. As Beethoven wishes from time to time to produce before the public at large his new great works, he desires an a.s.surance from the present directors of the theatre on their part, and that of their successors, that they will authorize him to give a concert for his own benefit every year on Palm Sunday, in the Theatre "an der Wien." In return for which Beethoven agrees to arrange and direct an annual concert for the benefit of the poor, or, if this cannot be managed, at all events to furnish a new work of his own for such a concert.

50.

TO ZMESKALL.

December, 1808.

MY EXCELLENT FRIEND,--

All would go well now if we had only a curtain, without it the _Aria_ ["Ah!

Perfido"] _will be a failure_.[1] I only heard this to-day from S.

[Seyfried], and it vexes me much: a curtain of any kind will do, even a bed-curtain, or merely a _kind of gauze screen_, which could be instantly removed. There must be something; for the Aria is in the _dramatic style_, and better adapted for the stage than for effect in a concert-room.

_Without a curtain, or something of the sort, the Aria will be devoid of all meaning, and ruined! ruined! ruined!! Devil take it all!_ The Court will probably be present. Baron Schweitzer [Chamberlain of the Archduke Anton] requested me earnestly to make the application myself. Archduke Carl granted me an audience and promised to come. The Empress _neither promised nor refused_.

A hanging curtain!!!! or the Aria and I will both be hanged to-morrow.

Farewell! I embrace you as cordially on this new year as in the old one.

_With or without a curtain!_ Your

BEETHOVEN.

[Footnote 1: Reichardt, in his _Vertraute Briefe_ relates among other things about the concert given by Beethoven in the Royal Theatre "an der Wien," Oct. 22, 1808, as follows:--"Poor Beethoven, who derived from this concert the first and only net profits which accrued to him during the whole year, met with great opposition and very slender support in arranging and carrying it out. First came the _Pastoral Symphony; or, Reminiscences of Rural Life_; then followed, as the sixth piece, a long Italian _scena_, sung by Demoiselle Killitzky, a lovely Bohemian with a lovely voice." The above note [to Zmeskall?] certainly refers to this concert.]

51.

TO FERDINAND RIES.[1]

1809.

MY DEAR FELLOW,--

Your friends have at any rate given you very bad advice; but I know all about them: they are the very same to whom you sent that fine news about me from Paris; the very same who inquired about my age--information that you contrived to supply so correctly!--the very same who have often before injured you in my opinion, but now permanently. Farewell!

BEETHOVEN.

[Footnote 1: Ries himself gives the date of this note as 1809, though he cannot recall what gave rise to it. It is probably connected with a fact mentioned by Wegeler, p. 95, that Reichardt, who was at that time in Vienna, had advised Beethoven's young pupil, Ries, to apply to the King of Westphalia for the appointment of Kapellmeister, which he had recently given up. This was reported to Beethoven, and roused his ire. Ries, too, had written from Paris that the taste in music there was very indifferent; that Beethoven's works were little known or played in that city. Beethoven was also very susceptible with regard to his age. At the request of some of Beethoven's friends, Ries, in 1806, obtained Beethoven's baptismal certificate, and sent it to Vienna. But the _maestro's_ wrath on this occasion pa.s.sed away as quickly as usual.]

52.

TO ZMESKALL.[1]

March 7, 1809.

It is just what I expected! As to the blows, that is rather far-fetched.

The story is at least three months' old, and very different from what he now makes it out to be. The whole stupid affair was caused by a female huckster and a couple of low fellows. I lose very little. He no doubt was corrupted in the very house where I am now living.

[Footnote 1: [See No. 10.] The notes to Zmeskall generally have the dates written by himself. This one bears the date March 7, 1809. In all points connected with domestic life, and especially in household matters and discords, Zmeskall was always a kind and consolatory friend. Beethoven at that time lived in the same house with Countess Erdody. [See No. 74.]]

53.

TO ZMESKALL.

My most excellent, high, and well-born Herr v. Zmeskall, Court Secretary and Member of the Society of the Single Blessed,--If I come to see you to-day, ascribe it to the fact that a person wishes to speak to me at your house whom I could not refuse to see. I come without any _card_ from you, but I hope you will not on that account _discard_ me.

Yours truly--most truly,

L. V. BEETHOVEN.

54.

TO ZMESKALL.

It seems to me, dear Zmeskall, if war really does break out, when it comes to an end you will be the very man for an appointment in the Peace Legation. What a glorious office!!! I leave it entirely to you to do the best you can about my servant, only henceforth Countess Erdody must not attempt to exercise the smallest influence over him. She says she made him a present of twenty-five florins, and gave him five florins a month, solely to induce him to stay with me. I cannot refuse to believe this trait of generosity, but I do not choose that it should be repeated. Farewell! I thank you for your friendship, and hope soon to see you.

Yours ever,

BEETHOVEN.

55.

TO ZMESKALL.[1]

April 16, 1809.

If I cannot come to-day, dear Zmeskall which is very possible, ask Baroness von ---- [name illegible] to give you the pianoforte part of the Trios, and be so good as to send them and the other parts to me to-day.

In haste, your

BEETHOVEN.

[Footnote 1: April 16, 1809. By the Terzetts he no doubt means the Trios, Op. 70, dedicated to Countess Erdody.]

56.

TO ZMESKALL.

April 17, 1809.

DEAR Z.,--

A suitable lodging has just been found out for me, but I need some one to help me in the affair. I cannot employ my brother, because he only recommends what costs least money. Let me know, therefore, if we can go together to look at the house. It is in the Klepperstall.[1]

[Footnote 1: An der Molker Bastei.]