One more thing--don't trust letters to stand between you and the toy in the dressing-table drawer. Any barrier there, to be in the least effective, will have to be of your own building.

GEOFFREY McBIRNEY.

About a month after the above letter had been received, on September 10th, Geoffrey McBirney, dashing down the three flights of stairs in the Parish House from his quarters on the top floor, peered into the letter-box on the way to morning service. He peered eagerly. There had been no answer to his letter; it was a month; he was surprisingly uneasy. But there was nothing in the mail-box, so he swept along to the vestry-room, and got into his ca.s.sock and read service to the handful of people in the chapel, with a sense of sick depression which he manfully choked down at every upheaval, but which was distinctly there quite the same. Service over, there were things to be done for three hours; also there was to be a meeting in his rooms at twelve o'clock to consider the establishment of a new mission, his special interest, in the rough country at the west of the city; the rector and the bishop and two others were coming. He hurried home and up to his place, at eleven-forty-five, and gave a hasty look about to see if things were fairly proper for august people. Not that the bishop would notice. He dusted off the library table with his handkerchief, put one book discreetly on the back side of the table instead of in front, swept an untidy box of cigarettes into a drawer, and gathered up the fresh pile of wash from a chair and put it on the bed in his sleeping-room and shut the door hard. Then he gazed about with the air of a satisfied housekeeper. He lifted up a loudly ticking clock which would not go except lying on its face, and regarded it. Five minutes to twelve, and they were sure to be late. He extracted a cigarette from the drawer and lighted it; his thoughts, loosened from immediate pressure, came back slowly, surely, to the empty mailbox, his last letter, the girl whom he knew grotesquely as "August First." Why had she not written for four weeks? He had considered that question from many angles for about three weeks, and the question rose and confronted him, always new, at each leisure moment. It was disproportionate, it showed lack of balance, that it should loom so large on the horizon, with the hundred other interests, tragedies, which were there for him; but it loomed.

Why had he written her that hammer-and-tongs answer? he demanded of himself, not for the first time. Of course, it was true, but when one is drowning, one does not want reams of truth, one wants a rope. He had stood on the sh.o.r.e and lectured the girl, ordered her to strike out and swim for it, and not be so criminally selfish as to drop into the ocean; that was what he had done. And the girl--what had she done?

Heaven only knew. Probably gone under. It looked more so each day.

Why could he not have been gentler, even if she was undeveloped, narrow, asleep? Because she was rich--he answered his own question to himself--because he had no belief in rich people; only a hard distrust of whatever they did. That was wrong; he knew it. He blew a cloud of smoke to the ceiling and spoke aloud, impatiently. "All the same, they're none of them any good," said Geoffrey McBirney, and directed himself to stop worrying about this thing. And with that came a sudden memory of a buoyant, fresh voice saying tremendous words like a gentle child, of the blue flash of eyes only half seen in a storm-swept darkness, of roses bobbing.

McBirney flung the half-smoked cigarette into the fireplace and lifted the neurotic clock: twelve-twenty. The postman came again at twelve.

He would risk the rector and the bishop. Down the stairs he plunged again and brought up at the mail-box. There was a letter. Hurriedly, he s.n.a.t.c.hed it out and turned the address up; a miracle--it was from the girl. The street door darkened; McBirney looked up. The rector and the bishop were coming in, the others at their heels. He thrust the envelope into his pocket, his pulse beating distinctly faster, and turned to meet his guests.

When at three o'clock he got back to his quarters, after an exciting meeting of an hour, after lunch at the rectory, after seeing the bishop off on the 2.45 to New York, he locked his door first, and then hurriedly drew out the letter lying all this time unread. He tore untidily at the flap, and with that suddenly he stopped, and the luminous eyes took on an odd, sarcastic expression. "What a fool!" he spoke, half aloud, and put the letter down and strolled across the room and gazed out of the window. "What an a.s.s! I'm allowing myself to get personally interested in this case; or to imagine that I'm personally interested. Folly. The girl is nothing to me. I'll never see her again. I care about her as I would about anybody in trouble.

And--that's all. This lunacy of restlessness over the situation has got--to--stop." He was firm with himself. He sat down at his table and wrote a business note before he touched the letter again; but he saw the letter out of the tail of his eye all the time and he knew his pulse was going harder as, finally, he lifted the torn envelope with elaborate carelessness, and drew out the sheets of writing.

My dear Mr. McBirney [the girl began], did anybody ever tell a story about a big general who limbered up his artillery, if that's the thing they do, and shouted orders, and cracked whips and rattled wheels and went through evolutions, and finally, with thunder and energy, trained a huge Krupp gun--or something--on a chipmunk? If there is such a story, and you've heard it, doesn't it remind you of your last letter at me? Not to me, I mean _at_ me. It was a wonderful letter again, but when I got through I had a feeling that what I needed was not suicide--I do dare say the word, you see--but execution. Maybe shooting is too good for me. And you know I appreciate every minute how unnecessary it is for you to bother with me, and to put your time and your strength, both of which mean much to many people, into hammering me. And how good you are to do that. I am worthless, as you say between every two lines. Yet I'm a soul--you say that too, and so on a par with those tragic souls in North Baxter Court. Only, I feel that you have no patience with me for getting underfoot when you're on your way to big issues. But do have patience, please--it means as much to me as to anybody in your tenements. I'm far down, and I'm struggling for breath, and there seems to be no land in sight, nothing to hold to except you. I'm sorry if you dislike to have it so, but it is so; your letters mean anchorage. I'd blow out to sea if I didn't have them to hope for. You ought to be glad of that; you're doing good, even if it is only to a flippant, shallow, undeveloped doll. I can call myself names--oh yes.

I have been slow answering, though likely you haven't noticed [McBirney smiled queerly], because I have been doing a thing. You said you didn't advise me to go slumming--though I think you did--what else?

You said I ought to get beyond the view-point of a child; to realize the world outside myself.

I sat down, and in my limited way--I mean that, sincerely, humbly--I considered what I could do. No slumming--and, in any case, there's none to be done in Forest Gate. So I thought I'd better clear my vision with great books. I went to Robert Halarkenden, the only bookish person in my surroundings, and asked him about it--about what would open up a larger horizon for me. And he, not understanding much what I was at, recommended two or three things which I have been and am reading. I thought I'd try to be a little more intelligent at least before I answered your letter. Don't thunder at me--I'm stumbling about, trying to get somewhere. I've read some William James and some John Fiske, and I realize this--that I did more or less think G.o.d was a very large, stately old man. An "anthropomorphic deity." Fiske says that is the G.o.d of the lower peoples; that was my G.o.d. Also I realize this--that, somehow, some G.o.d, _the_ G.o.d if I can get to Him, might help might be my only chance. What do you think? Is this any better?

Is it any step? If it is, it's a very precarious one, for though it thrills me to my bones sometimes to think that a real power might lift me and bring me through, if I just ask Him, yet sometimes all that hope goes and I drop in a heap mentally with no starch in me, no grip to try to hold to any idea--just a heap of tired, dull mind and nerves, and for my only desire that subtle, pushing desire to end it all quickly.

Once an odd thing happened. When I was collapsed like that, just existing, suddenly there was a feeling, a brand-new feeling of letting go of the old rubbish that was and somebody else pervading it through and through and taking all the responsibility. And I held on tight, something as I do to your letters, and the first thing, I was believing that help was coming--and help came. That was the best day I've had since I saw those devil doctors. Do you suppose that was faith? Where did it come from? I'd been praying--but awfully queer prayers; I said "Oh just put me through somehow; give me what I need; _I_ don't know what it is; how can you expect me to--I'm a worm." I suppose that was irreverent, but I can't help it. It was all I could say. And that came, whatever it was. Do you suppose it was an answer to my blind, gasping prayer?

Now I'm going to ask you to do a thing--but don't if it's the least bother. I don't want you to talk to me about myself just now, any more. And I want to hear more about North Baxter Court and such. You don't know how that stirred me. What a worth-while life you lead, doing actual, life-and-death things for people who bitterly need things done. It seems to me glorious. I could give up everything to feel a stream of genuine living through me such as you have, all your rushing days. Yes--I could--but yet, maybe I wouldn't make good. But I do care for "life, and life more abundantly," and the only way of getting it that I've known has been higher fences to jump, and more dances and better tennis and such. I never once realized the way you get it--my!

what a big way. And how heavenly it must be to give hope and health and help to people. I adore sending the maids out in the car, or giving them my clothes. I just selfishly like pleasing people, and I think giving is the best amus.e.m.e.nt extant--and you give your very self from morning to night. You lucky person! How could I do that? Could I? Would I balk, do you think? You say I'm not capable of loving anything or anybody. I think you are wrong. I think I could, some day, love somebody as hard as any woman or man has, ever. Not Alec.

What will happen if I marry Alec and then do that--if the somebody comes? That would be a mess; the worst mess yet. The end of the world; but I forget; my world ends anyhow. I'll be a stone image in a chair--a cold, unloveable stone image with a hot, boiling heart. I won't--I _won't_. This world is just five minutes, maybe--but me--in a chair--ten years. Oh--I _won't_.

What I want you to do is to write me just about the things you're doing, and the people--the poor people, and the pitiful things and the funny things--the atmosphere of it. Could you forget that you don't know me, and write as you would to a cousin or an old friend? That would be good. That would help. Only, anyhow, write, for without your letters I can't tell what bomb may burst. Don't thunder next time.

But even if you thunder, write. The letters do guard the pistol--I can't help it if you say not. It has to be so now, anyway. They guard it. Always--

AUGUST FIRST.

WARCHESTER, St. Andrew's Parish House, Sept. 12th.

You're right. It's idiotic to leap on people like that. I knew I was all wrong the moment after the letter went. And when nothing came from you--it wasn't pleasant. I nearly wrote--I more nearly telegraphed your Robert Halarkenden. Do you mind if I say that for two days, just lately--in fact, they were yesterday and the day before--I was on the edge of asking for leave of absence to go west? You see, if you had done it, it was so plainly my fault. And I had to know. Then I argued--it's ghastly, but I argued that it would be in the papers. And it wasn't. Of course, it might possibly have been kept out. But generally it isn't. My knowledge of happenings in Chicago and thereabouts, since my last letter, would probably surprise you a little. Yes, I "noticed" that you didn't write--more than I noticed the heat, which, now I think, has been bad. But when you're pretty sure you've blundered in a matter of life and death, you don't pray for rain.

You've turned a corner. _A_ corner. _The_ corner--the big one, is further along, and then there's the hill and the hot sun on the dusty road. You'll need your sporting instincts. But you've got them. So had St. Paul and those others who furnished the groundwork for that oft-mentioned Roman holiday. That's religion, as I see it. That's what _they_ did; pushed on--faced things down--went out smiling--"gentlemen unafraid." It's like swimming--you can't go under if you make the least effort. That's the law--of physics and, therefore, of G.o.d. The experience you tell of is exactly what you have the right to expect. The prayer you said; that's the only way to come at it, yourself--talking--with that Other. There's a poem--you know--the man who "caught at G.o.d's skirts and prayed."

But you said not to write about you. All right then, I've been to the theatre, the one at the end of our block. That may strike you as tame.

But you don't know Mrs. Jameson. She's the relict of the late senior warden. A disapproving party, trimmed with jet beads and a lorgnette.

A few days after the rector left me in charge she triumphed into the office, rattled the beads and got behind the lorgnette. She presumed I was the new curate. No loop-hole out of that. I had been seen at the theatre--not once nor twice. I could well believe it. The late Colonel Jameson, it appeared, had not approved of clergymen attending playhouses. She did not approve of it herself. She presumed I realized the standing of this parish in the diocese? She dwelt on the force of example to the young. Of course, the opera--but that was widely different. She would suggest--she did suggest--not in the least vaguely. Sometime, perhaps, I would come to luncheon? She had really rather interested herself in the sermon yesterday--a little abrupt, possibly, at the close--still, of course, a young man, and not very experienced--besides, the Doctor had spoiled them for almost anybody else. Naturally.

The room widened after she had gone. You know these ladies with the thick atmosphere.

That night I went to the theatre. There's a stock company there for the summer and I have come to know one of the actors. He belongs to us--was married in the church last summer. The place was packed--always is--it's a good company. And Everett--he's the one--kept the house shouting. He's the regular funny man. The play that week was very funny anyhow--one of those things the billboards call a "scream." It was just that. Everett was the play. He stormed and galloped through his scenes until everybody was helpless. People like him; it's his third summer here. Well, at the end, n.o.body went.

A lot of lads in the gallery began calling for Everett. We're common here; and not many of the quality patronize stock. Soon he pushed out from behind the curtain and made one of those fool speeches which generally fall flat. Only this one didn't.

Then I went "behind." The dressing rooms at the Alhambra are not home-like. Bare walls with a row of pegs along one side--a couple of chairs--a table piled with make-up stuff and over it a mirror flanked by electric lights with wire netting around them. Not gay. And grease paint, at close range, is not attractive. A man shouldn't cry after he's made up--that's a theatrical commandment, or ought to be.

Probably a man shouldn't anyhow. But some do. I imagined Everett had, and that he'd done it with his head in his arms and his arms in the litter of the big table. I think I shook hands with him--one does inane things sometimes--but I don't know what I said. I had something like your experience--I just wasn't there for a minute or two.

Afterward, I went home with him--a long half-hour on the trolley, then up three flights into "light housekeeping" rooms in the back. There was cold meat on the table, and bread. The janitor's wife, good soul, had made a pot of coffee. "Light housekeeping" is a literal expression, let me tell you, and doctor's bills make it lighter. I followed him into the last room of the three. It looked different from the way I remembered it the afternoon before. When he turned the gas higher I saw why--the bed was gone--one of those stretcher things takes less room. Besides, they say it's better. So there she was--all that he had left of all that he had had--the girl he'd been mad about and married in our church a year ago. He wasn't even with her when she died; there was the Sunday afternoon rehearsal to attend. She wouldn't let him miss that. "Go on," she told him. "I'll wait for you." She didn't wait.

And he faced it down, he jammed it through, that young chap did--and was funny, oh, as funny as you can think, for hours, in front of hundreds of people. He never missed a cue, never bungled a line, and all the time seeing, up there in the light-housekeeping rooms, in the last room of them all, how she lay, in the utter silence.

Perhaps I shall come across a braver thing than that before I die, but I doubt it. I tried, of course, to get him not to do it. But it was very simple to him. It was his job. n.o.body else knew the part; it was too late to subst.i.tute. The rest would lose their salaries if they closed down for the week, and G.o.d knew they needed them. So he said nothing--and was funny.

I don't know what you'd call it, but I think you know why I've told it to you. There's a splendor about it and a glory. To do one's job--isn't that the big thing, after all?

Meantime, mine's waiting for me on the other side of this desk. He has laid hands on every article in the room at least three times, and for the last few minutes has been groaning very loud. I think you'd like him--he's so alive.

Your letter saves me the cost of the western papers, and now that I know you'll--but you said not to write about you.

The Job has stopped groaning, and wants to know if I'm "writing all night just because, or, for the reason that."

It's night now--big night, and so still down-town here. Sometimes I stay up late to realize that I'm alive. The days are so crammed with happenings. And late at night seems so wide and everlasting. You've got the idea that I do things. Well, I don't. There are whole rows of days when it seems just a muddle of half-started attempts--a manner of hopeless confusion. There's a good deal of futility in it, first and last. That boy tonight for instance. And, sometimes, I get to wondering if, after all, one has the right to meddle in other people's lives. It's curious, but with you I've been quite sure. Always it has been as clear as light to me that you must come through this--that it will be right. I don't know how. Even that day you came, I was sure.

As soon as _you_ are sure, the thing is done. That man isn't to be worried about--or the doctors. Easy for me to say, isn't it?

Are you interested to know that I'm to have my building on the West Side? There was a meeting today. It's the best thing that's happened yet, that is, parochially. Maybe she's human after all. I mean Mrs.

Jameson. She's going to pay for it.

I think that's all. You can't say I've tried to thunder at you this time. I really didn't last time. I've known all along that you wouldn't be impressed by thunder. The answer to that young devil's question seems to be: I'm writing "for the reason that," and not, "just because." Every time I think of that boy's name I have to laugh.

GEOFFREY McBIRNEY.

September 17th.

MY DEAR MR. McBIRNEY--

What _is_ the boy's name? It must be queer if you laugh every time you think of it. Don't forget to tell me.

Your letters leave me breathless with things to say back. I suppose that's inspiration, to make people feel full of new ideas, and that you're crammed with it. In the first place I'm in a terrible hurry to tell you that something really big has touched the edge of my anaemic life, and that I have recognized it; I'm pleased that I recognized it.

Listen--please--this is it. Robert Halarkenden; I must tell you who he is. Thirteen years ago my uncle was on a camping trip in Canada and one of the guides was a silent Scotchman, mixed in with French-Canadian habitants and half-breed Indians. My uncle was interested in him--he was picturesque and conspicuous--but he would not talk about himself.

Another guide told Uncle Ted all that anyone has ever known about him, till yesterday. He was a guardian of the club and lived alone in a camp in the wildest part of it, and in summer he guided one or two parties, by special permission of the club secretary. This other guide had been to his cabin and told my uncle that it was full of books; the guide found the number astounding--"_effrayant_." Also he had a garden of forest flowers, and he knew everything about every wild thing that grew in the woods. Well, Uncle Ted was so taken with the man that he asked the secretary about him, and the secretary shook his head. All that he could tell was that he was a remarkable woodsman and a perfect guide and that he had been recommended to him in the first place by Sir Archibald Graye of Toronto, who had refused to give reasons but asked as a personal favor that the man should be given any job he wished.

This is getting rather a long story. Of course you know that the man was Halarkenden and you are now to know that my uncle brought him to Forest Gate as his gardener. He thought over it a day when Uncle Ted asked him and then said that he had lived fifteen years in the forest and that now he would like to live in a garden; he would come if Uncle Ted would let him make a garden as beautiful as he wished. Uncle Ted said yes, and he has done it. You have never seen such a garden--no one ever has. It is four acres and it lies on the bluff above the lake; that was a good beginning. If you had seen the rows of lilies last June, with pink roses blossoming through them, you would have known that Robert Halarkenden is a poet and no common man. Of course we have known it all along, but in thirteen years one gets to take miracles for granted. Yesterday I went down into the wild garden which lies between the woods and the flowers--this is a large place--and I got into the corner under the pines, and lay flat on the pink-brown needles, all warm with splashes of September sunlight, and looked at the goldenrod and purple asters swinging in the breeze and wondered if I could forget my blessed bones and live in the beauty and joy of just things, just the lovely world. Or whether it wouldn't be simpler to pull a trigger when I went back to my room, instead of kicking and struggling day after day to be and feel some other way. I get so sick and tired of fighting myself--you don't know. Anyhow, suddenly there was a rustle in the gold and purple hedge, and there was Robert Halarkenden. I wish I could make you see him as he stood there, in his blue working blouse, a pair of big clippers in his hand, his thick, half-gray, silvery thatch of hair bare and blowing around his scholar's forehead, his bony Scotch face solemn and quiet. His deep-set eyes were fixed with such a gentle gaze on me. We are good friends, Robin and I. I call him Robin; he taught me to when I was ten, so I always have. "You're no feeling well, la.s.sie?" he asked; he has known me a long time, you see. And I suddenly sat up and told him about my old bones. I didn't mean to; I have told no one but you; not Uncle Ted even. But I did. And "Get up, la.s.sie, and sit on the bench. I will talk to you," said Robin. So we both sat down on the rustic bench under the blowy pines, and I cried like a spring torrent, and Robin patted my hand steadily, which seems an odd thing for one's uncle's gardener to do, till I got through. Then I laughed and said, "Maybe I'll shoot myself." And he answered calmly, "I hope not, la.s.sie."

Then I said nothing and he said nothing for quite a bit, and then he began talking gently about how everybody who counted had to go through things. "A character has to be hammered into the likeness of G.o.d," he said. "A soul doesn't grow beautiful by sunlight and rich earth," and he looked out at his scarlet and blue and gold September garden and smiled a little. "We're no like the flowers." Then he considered again, and then he asked if it would interest me at all to hear a little tale, and I told him yes, of course. "Maybe it will seem companionable to know that other people have faced a bit of trouble,"

he said. And then he told me. I don't know if you will believe it; it seems too much of a drama to be credible to me, if I had not heard Robert Halarkenden tell it in his entirely simple way, sitting in his workingman's blouse, with the big clippers in his right hand. Thirty years before he had been laird of a small property in Scotland, and about to marry the girl whom he cared for. Then suddenly he found that she was in love with his cousin--with whom he had been brought up, and who was as dear as a brother--and his cousin with her. In almost no more words than I am using he told me of the crisis he lived through and how he had gone off on the mountains and made his decision. He could not marry the girl if she did not love him. His cousin was heir to his property; he decided to disappear and let them think he was dead, and so leave the two people whom he loved to be happy and prosperous without him. He did that. Two or three people had to know to arrange things, and Sir Archibald Graye, of Toronto, was one, but otherwise he simply dropped out of life and buried himself in Canadian forests, and then, just as he was growing hungry for some things he could not get in the forest, my uncle came along and offered him what he wanted.

"But how could you?" I asked him. "You're a gentleman; how could you make yourself a servant, and build a wall between yourself and nice people?"

Robin smiled at me in a shadowy, gentle way he has. "Those walls are a small matter of dust, la.s.sie," he said. "A real man blows on them and they're tumbling. And service is what we're here for. And all people are nice people, you'll find." And when, still unresigned, I said more, he went on, very kindly, a little amused it seemed. "Why should it be more important for me to be happy than for those two? I hope they're happy," he spoke wistfully. "The lad was a genius, but a wild lad too," and he looked thoughtful. "Anyhow, it was for me to decide, you see, and a man couldn't decide ungenerously. That would be to tie one's self to a gnawing beast, which is what is like the memory of your own evil deed. Take my word for it, la.s.sie, there was no other way."

"It seems all exaggerated," I threw at him; "there was no sense in your giving up your home and traditions and a.s.sociations--it was unreasonable, fantastic! And to those two who had taken away your happiness anyhow."