An episode in the Tootmanyoso's life when, alone and unarmed in his study, he was surrounded by a band of armed men, who had bound themselves by oath to murder him unless he complied with their rebellious demands, is here recorded in a picture, in which is portrayed the n.o.ble figure of the Tootmanyoso, unarmed and bareheaded, at the mercy of these furious armed men, who have the expression of wild beasts in their rage. The painter nevertheless has succeeded in giving to the faces of the rebels a cowering expression, as if they were inwardly awed by the undaunted calmness and aspect of the man they had come to destroy.

XIV. THE MOUNTAIN SUPPORTER.

Besides the most remarkable views of this wondrous work, the different interesting incidents attending its construction are recorded. Here, also, is portrayed the unsupported Mountain Arm, threatening many cities with destruction, as it appeared before the construction of the Supporter.

XV. INVENTION OF THE LEAF INSTRUMENT.

The discovery of the properties of leaves, and the invention of the "Leaf Instrument," by the aid of which fallen leaves are utilised as a valuable means of enriching the Earth. This was a great boon to my world, greatly increasing the fertility of the land and the excellence of the crops.

XVI. SUN-POWER.

The discovery of Sun-power; its application to manufactures and the arts; to various medicinal purposes, and to invigorating the const.i.tution and brain of man.

XVII. THE ELECTRIC THEATRE.

The opening of the first Electric Theatre, and the exhibition of the wondrous feats accomplished by Electricity.

XVIII. INFANTS' EXERCISING MACHINES.

The Tootmanyoso suggesting to one of his scientific men, Drahna by name, the machines, the use of which prevented many of the accidents and diseases incident to infancy. There are many other pictures ill.u.s.trating the discoveries by which health and beauty are preserved, and man's life is prolonged.[1]

[Footnote 1: See p. 187.]

XIX. INSTALLATION OF CHARACTER-DIVERS.

The Installation of Character-Divers and Preceptors is a ceremony of a very solemn character, and takes place in public, the Twelve Kings presiding. The candidate engages solemnly to fulfil the duties strictly and impartially.

XX. THE VALLEY OF THE ROCKS.

The Tootmanyoso addressing the people in the Valley of the Rocks; an extremely picturesque locality, studded with rocks, which, by his orders were sculptured into groups of gigantic statuary, calculated to impress the people's minds with grandeur and beauty.

XXI. THE CONSUMMATION.

The Tootmanyoso, on the completion of his work, is seen offering up thanks to Heaven.

The princ.i.p.al figure stands out from the picture in a marvellous way. A glory of light shines on the monarch's brow, and his eyes are illumined with heavenly fire and inspiration. In the background are the people, surrounded by plenty, and guarded by myriads of angels. Our painters have the art of giving to their delineations of angels an incorporeal vapoury appearance, like that of forms sometimes seen in sleep. The Tootmanyoso is in the act of accompanying his hymn of praise with the grand music of the harp. This instrument with us is of gigantic proportions, and, touched by a skilful player, produces lovely effects.

It is not supported by the executant, but revolves easily on a ball and socket, to which, having been placed at the exact inclination required, it is fixed by a small bolt before he intones his hymns.[1]

[Footnote 1: See p. 243.]

It was delightful for me to go down occasionally to the great room, and to meditate on these pictures, and the subjects that had inspired the painters. The light and tone of the place, and the general impression made upon me, seemed to savour more of heaven than of earth.

XIX.

WOMAN.

CHOOSING BY HAND--CHOOSING BY FOOT--GIRLS'

DOBMITORIES--EARLY RISING--PRAYERS.

"Let woman be as soft as down, as sharp as a lancet, as sparkling as the diamond, and as pure as Stainer's fount." [1]

[Footnote 1: See p. 149.]

Woman is the object of much solicitude and consideration, and enjoys many privileges. The tendency of her education is to qualify her for the position which nature intended her to hold as the companion and helpmate of man. However she is instructed, though not to so great in degree, in many branches of art and science, cultivated by the stronger s.e.x, the design being to enable her to appreciate the efforts of man and to encourage and comfort him in his progress, but not to take his place.

With us women are happy and contented, and words of complaint rarely fall from their lips.

Great precaution, however, is taken lest they should overwork themselves in the severer studies, or even in the lighter occupations, the tendrils of their nerves being so delicate, that, if once injured, they would seldom be restored to their normal condition.

There is this marked difference in the education of the two s.e.xes. Boys are educated in manly and athletic sports, in all that can give them strength and physical development, and call out their masculine qualities, while the occupations and exercises allotted to girls tend to confirm and develope their natural delicacy, gentleness, and sweetness.

The result, is, that whilst men are large of frame and endowed with great force and strength, the women in Montalluyah scarcely ever exceed the middle size. They are beautiful, and thoroughly feminine in form and feature, while in disposition they are sprightly, ingenuous, and truthful. Their carriage and movement are marked by elegance and grace, their voice is of melodious softness, and they are altogether distinguished by a peculiar charm and fascination.

Most of our women are brunettes, with rich black silky hair and eyes-- large and beautiful as those of the gazelle; but the fair with blue eyes are considered the more beautiful--probably on account of their rarity.

The beauty of the woman, like the muscular development of the man, is greatly aided by the care now taken of children from their birth. Women were formerly left to themselves, and many, either from ignorance or want of thought, neglected to do justice to their proper qualities and charms, whilst they became enamoured of ostentation and indulged in a thoughtless extravagance which served to kindle the envy of their neighbours, and to bring ruin to their husbands. Whilst seeking extraneous aids to beauty, they neglected the simplest precautions for its preservation, though, when their charms had faded, they eagerly sought means to repair what were incorrectly called the ravages of time, but were only the unavoidable consequences of their own neglect. The heavenly light of their eyes had become dim; their complexions, originally of a warm purity, had become of a yellow tinge; their skin, soft to the touch and beautiful to the eye, had become shrivelled and hard; their dark and beautiful hair had become grey or fallen off, deprived of the nourishment which had been prodigally wasted, and the undulating and elegant form had often sunk into a misshapen ma.s.s.

We have now a belief that the harmonious development of the body is not only physically and aesthetically desirable, but a.s.sists in the healthful development of the mind, to which, for a time, that body belongs; beauty being regarded as "a precious gift from Heaven which it behoves every woman to preserve and improve." The exceptions to beauty are now rare, and women are scarcely less lovely in age than they were in youth. In many cases time has actually enhanced their attractions, improved, through the additional charm impressed on the countenance, by the sweetness and gracefulness of their nature.

Cosmetics for the reparation of beauty are not needed, but women of all ranks are enjoined to use various precautions for its preservation. We have cosmetics very efficacious for protecting the face from the burning sun, for keeping cool the natural moisture, for preserving the complexion, and for preventing wrinkles. In our climate the heat distends the skin, and by inducing excessive perspiration, reduces the fat required to support it. But for our cosmetics, wrinkles would be formed at an early age. As it is, the skin and complexion, as well as the form and features, are now preserved to the last period of life.

The hands and feet, and indeed all the details of beauty, are much cared for. The toes of the feet are exercised in a variety of ways, and are almost as elastic and pliable as the fingers, being, as well as the ankles ornamented with jewels. Soles, secured with sandals protect the under part of the foot. On many great occasions the sandals are dispensed with, the sole being secured by a preparation rendered adhesive by the warmth of the foot. This preparation is easily removed by the application of a sponge and water.

CHOOSING BY HANDS.

A lady's hands and feet form so great a feature in the estimation of her beauty, that they are made a distinctive test for deciding preferences on certain occasions.

Thus, partners for the dance are sometimes chosen in a way that excites a great deal of mirth. The custom is called "choosing by hands."

A large round screen, made expressly for the purpose, stands at one end of a ball-room; behind this a certain number of ladies--generally twelve at a time--place themselves, accompanied by the master of the ceremonies. The opening in the doorway is then closed. The screen, though not closed at the top, is sufficiently high to completely mask the ladies, and there are in it twelve or more small apertures, lined or faced with a soft crimson or other warm-coloured velvet, sufficiently large to admit of a hand being pa.s.sed through, so that it may be seen and criticised on the exposed side of the screen. Through one of these openings each of the ladies pa.s.ses her right hand, and the gentlemen choose the hand they prefer, each by touching a spring nearest the hand selected, and at the same time announcing his name. The chosen one is immediately led out from behind the screen and presented by the master of ceremonies to the gentleman, in the midst of the applause or merriment of the company before the screen, and of the rest of the ladies behind it. Ladies are very particular about their hands and nails, and, as may easily be conceived, give them a little extra attention before going to a party.

CHOOSING BY FOOT.

There is another peculiar mode of choosing partners--"by foot"--but this is conducted in a different manner, and is made to depend on the superior beauty of the foot, as decided by an arbiter, who is chosen by the company, and who is, of course, a man famous for his taste and knowledge of the beautiful.