Part 5.
But she did not get away just then.
Ramage's bitterness pa.s.sed as abruptly as his aggression. "Oh, Ann Veronica!" he cried, "I cannot let you go like this! You don't understand. You can't possibly understand!"
He began a confused explanation, a perplexing contradictory apology for his urgency and wrath. He loved Ann Veronica, he said; he was so mad to have her that he defeated himself, and did crude and alarming and senseless things. His vicious abusiveness vanished. He suddenly became eloquent and plausible. He did make her perceive something of the acute, tormenting desire for her that had arisen in him and possessed him. She stood, as it were, directed doorward, with her eyes watching every movement, listening to him, repelled by him and yet dimly understanding.
At any rate he made it very clear that night that there was an ineradicable discord in life, a jarring something that must shatter all her dreams of a way of living for women that would enable them to be free and s.p.a.cious and friendly with men, and that was the pa.s.sionate predisposition of men to believe that the love of women can be earned and won and controlled and compelled.
He flung aside all his talk of help and disinterested friendship as though it had never been even a disguise between them, as though from the first it was no more than a fancy dress they had put quite understandingly upon their relationship. He had set out to win her, and she had let him start. And at the thought of that other lover--he was convinced that that beloved person was a lover, and she found herself unable to say a word to explain to him that this other person, the person she loved, did not even know of her love--Ramage grew angry and savage once more, and returned suddenly to gibe and insult. Men do services for the love of women, and the woman who takes must pay. Such was the simple code that displayed itself in all his thoughts. He left that arid rule clear of the least mist of refinement or delicacy.
That he should pay forty pounds to help this girl who preferred another man was no less in his eyes than a fraud and mockery that made her denial a maddening and outrageous disgrace to him. And this though he was evidently pa.s.sionately in love with her.
For a while he threatened her. "You have put all your life in my hands," he declared. "Think of that check you endorsed. There it is--against you. I defy you to explain it away. What do you think people will make of that? What will this lover of yours make of that?"
At intervals Ann Veronica demanded to go, declaring her undying resolve to repay him at any cost, and made short movements doorward.
But at last this ordeal was over, and Ramage opened the door. She emerged with a white face and wide-open eyes upon a little, red-lit landing. She went past three keenly observant and ostentatiously preoccupied waiters down the thick-carpeted staircase and out of the Hotel Rococo, that remarkable laboratory of relationships, past a tall porter in blue and crimson, into a cool, clear night.
Part 6.
When Ann Veronica reached her little bed-sitting-room again, every nerve in her body was quivering with shame and self-disgust.
She threw hat and coat on the bed and sat down before the fire.
"And now," she said, splintering the surviving piece of coal into indignant flame-spurting fragments with one dexterous blow, "what am I to do?
"I'm in a hole!--mess is a better word, expresses it better . I'm in a mess--a nasty mess! a filthy mess! Oh, no end of a mess!
Do you hear, Ann Veronica?--you're in a nasty, filthy, unforgivable mess!
"Haven't I just made a silly mess of things?
"Forty pounds! I haven't got twenty!"
She got up, stamped with her foot, and then, suddenly remembering the lodger below, sat down and wrenched off her boots.
"This is what comes of being a young woman up to date. By Jove! I'm beginning to have my doubts about freedom!
"You silly young woman, Ann Veronica! You silly young woman! The smeariness of the thing!
"The smeariness of this sort of thing! ... Mauled about!"
She fell to rubbing her insulted lips savagely with the back of her hand. "Ugh!" she said.
"The young women of Jane Austen's time didn't get into this sort of sc.r.a.pe! At least--one thinks so... . I wonder if some of them did--and it didn't get reported. Aunt Jane had her quiet moments. Most of them didn't, anyhow. They were properly brought up, and sat still and straight, and took the luck fate brought them as gentlewomen should. And they had an idea of what men were like behind all their nicety. They knew they were all Bogey in disguise. I didn't! I didn't! After all--"
For a time her mind ran on daintiness and its defensive restraints as though it was the one desirable thing. That world of fine printed cambrics and escorted maidens, of delicate secondary meanings and refined allusiveness, presented itself to her imagination with the brightness of a lost paradise, as indeed for many women it is a lost paradise.
"I wonder if there is anything wrong with my manners," she said. "I wonder if I've been properly brought up. If I had been quite quiet and white and dignified, wouldn't it have been different? Would he have dared? ..."
For some creditable moments in her life Ann Veronica was utterly disgusted with herself; she was wrung with a pa.s.sionate and belated desire to move gently, to speak softly and ambiguously--to be, in effect, prim.
Horrible details recurred to her.
"Why, among other things, did I put my knuckles in his neck--deliberately to hurt him?"
She tried to sound the humorous note.
"Are you aware, Ann Veronica, you nearly throttled that gentleman?"
Then she reviled her own foolish way of putting it.
"You a.s.s and imbecile, Ann Veronica! You female cad! Cad! Cad! ... Why aren't you folded up clean in lavender--as every young woman ought to be? What have you been doing with yourself? ..."
She raked into the fire with the poker.
"All of which doesn't help me in the slightest degree to pay back that money."
That night was the most intolerable one that Ann Veronica had ever spent. She washed her face with unwonted elaboration before she went to bed. This time, there was no doubt, she did not sleep. The more she disentangled the lines of her situation the deeper grew her self-disgust. Occasionally the mere fact of lying in bed became unendurable, and she rolled out and marched about her room and whispered abuse of herself--usually until she hit against some article of furniture.
Then she would have quiet times, in which she would say to herself, "Now look here! Let me think it all out!"
For the first time, it seemed to her, she faced the facts of a woman's position in the world--the meagre realities of such freedom as it permitted her, the almost unavoidable obligation to some individual man under which she must labor for even a foothold in the world. She had flung away from her father's support with the finest a.s.sumption of personal independence. And here she was--in a mess because it had been impossible for her to avoid leaning upon another man. She had thought--What had she thought? That this dependence of women was but an illusion which needed only to be denied to vanish. She had denied it with vigor, and here she was!
She did not so much exhaust this general question as pa.s.s from it to her insoluble individual problem again: "What am I to do?"
She wanted first of all to fling the forty pounds back into Ramage's face. But she had spent nearly half of it, and had no conception of how such a sum could be made good again. She thought of all sorts of odd and desperate expedients, and with pa.s.sionate petulance rejected them all.
She took refuge in beating her pillow and inventing insulting epithets for herself. She got up, drew up her blind, and stared out of window at a dawn-cold vision of chimneys for a time, and then went and sat on the edge of her bed. What was the alternative to going home? No alternative appeared in that darkness.
It seemed intolerable that she should go home and admit herself beaten. She did most urgently desire to save her face in Morningside Park, and for long hours she could think of no way of putting it that would not be in the nature of unconditional admission of defeat.
"I'd rather go as a chorus-girl," she said.
She was not very clear about the position and duties of a chorus-girl, but it certainly had the air of being a last desperate resort. There sprang from that a vague hope that perhaps she might extort a capitulation from her father by a threat to seek that position, and then with overwhelming clearness it came to her that whatever happened she would never be able to tell her father about her debt. The completest capitulation would not wipe out that trouble. And she felt that if she went home it was imperative to pay. She would always be going to and fro up the Avenue, getting glimpses of Ramage, seeing him in trains... .
For a time she promenaded the room.
"Why did I ever take that loan? An idiot girl in an asylum would have known better than that!
"Vulgarity of soul and innocence of mind--the worst of all conceivable combinations. I wish some one would kill Ramage by accident! ...
"But then they would find that check endorsed in his bureau... .
"I wonder what he will do?" She tried to imagine situations that might arise out of Ramage's antagonism, for he had been so bitter and savage that she could not believe that he would leave things as they were.
The next morning she went out with her post-office savings bank-book, and telegraphed for a warrant to draw out all the money she had in the world. It amounted to two-and-twenty pounds. She addressed an envelope to Ramage, and scrawled on a half-sheet of paper, "The rest shall follow." The money would be available in the afternoon, and she would send him four five- pound notes. The rest she meant to keep for her immediate necessities. A little relieved by this step toward reinstatement, she went on to the Imperial College to forget her muddle of problems for a time, if she could, in the presence of Capes.
Part 7.
For a time the biological laboratory was full of healing virtue. Her sleepless night had left her languid but not stupefied, and for an hour or so the work distracted her altogether from her troubles.
Then, after Capes had been through her work and had gone on, it came to her that the fabric of this life of hers was doomed to almost immediate collapse; that in a little while these studies would cease, and perhaps she would never set eyes on him again. After that consolations fled.
The overnight nervous strain began to tell; she became inattentive to the work before her, and it did not get on. She felt sleepy and unusually irritable. She lunched at a creamery in Great Portland Street, and as the day was full of wintry sunshine, spent the rest of the lunch-hour in a drowsy gloom, which she imagined to be thought upon the problems of her position, on a seat in Regent's Park. A girl of fifteen or sixteen gave her a handbill that she regarded as a tract until she saw "Votes for Women" at the top. That turned her mind to the more generalized aspects of her perplexities again. She had never been so disposed to agree that the position of women in the modern world is intolerable.
Capes joined the students at tea, and displayed himself in an impish mood that sometimes possessed him. He did not notice that Ann Veronica was preoccupied and heavy-eyed. Miss Klegg raised the question of women's suffrage, and he set himself to provoke a duel between her and Miss Garvice. The youth with the hair brushed back and the spectacled Scotchman joined in the fray for and against the women's vote.
Ever and again Capes appealed to Ann Veronica. He liked to draw her in, and she did her best to talk. But she did not talk readily, and in order to say something she plunged a little, and felt she plunged. Capes scored back with an uncompromising vigor that was his way of complimenting her intelligence. But this afternoon it discovered an unusual vein of irritability in her. He had been reading Belfort Bax, and declared himself a convert. He contrasted the lot of women in general with the lot of men, presented men as patient, self-immolating martyrs, and women as the pampered favorites of Nature. A vein of conviction mingled with his burlesque.
For a time he and Miss Klegg contradicted one another.
The question ceased to be a tea-table talk, and became suddenly tragically real for Ann Veronica. There he sat, cheerfully friendly in his s.e.x's freedom--the man she loved, the one man she cared should unlock the way to the wide world for her imprisoned feminine possibilities, and he seemed regardless that she stifled under his eyes; he made a jest of all this pa.s.sionate insurgence of the souls of women against the fate of their conditions.
Miss Garvice repeated again, and almost in the same words she used at every discussion, her contribution to the great question.
She thought that women were not made for the struggle and turmoil of life--their place was the little world, the home; that their power lay not in votes but in influence over men and in making the minds of their children fine and splendid.
"Women should understand men's affairs, perhaps," said Miss Garvice, "but to mingle in them is just to sacrifice that power of influencing they can exercise now."
"There IS something sound in that position," said Capes, intervening as if to defend Miss Garvice against a possible attack from Ann Veronica. "It may not be just and so forth, but, after all, it is how things are. Women are not in the world in the same sense that men are--fighting individuals in a scramble. I don't see how they can be. Every home is a little recess, a niche, out of the world of business and compet.i.tion, in which women and the future shelter."
"A little pit!" said Ann Veronica; "a little prison!"
"It's just as often a little refuge. Anyhow, that is how things are."
"And the man stands as the master at the mouth of the den."
"As sentinel. You forget all the ma.s.s of training and tradition and instinct that go to make him a tolerable master. Nature is a mother; her sympathies have always been feminist, and she has tempered the man to the shorn woman."
"I wish," said Ann Veronica, with sudden anger, "that you could know what it is to live in a pit!"
She stood up as she spoke, and put down her cup beside Miss Garvice's. She addressed Capes as though she spoke to him alone.
"I can't endure it," she said.
Every one turned to her in astonishment.
She felt she had to go on. "No man can realize," she said, "what that pit can be. The way--the way we are led on! We are taught to believe we are free in the world, to think we are queens... . Then we find out. We find out no man will treat a woman fairly as man to man--no man. He wants you--or he doesn't; and then he helps some other woman against you... . What you say is probably all true and necessary... . But think of the disillusionment! Except for our s.e.x we have minds like men, desires like men. We come out into the world, some of us--"
She paused. Her words, as she said them, seemed to her to mean nothing, and there was so much that struggled for expression. "Women are mocked," she said. "Whenever they try to take hold of life a man intervenes."
She felt, with a sudden horror, that she might weep. She wished she had not stood up. She wondered wildly why she had stood up. No one spoke, and she was impelled to flounder on. "Think of the mockery!" she said. "Think how dumb we find ourselves and stifled! I know we seem to have a sort of freedom... . Have you ever tried to run and jump in petticoats, Mr. Capes? Well, think what it must be to live in them--soul and mind and body! It's fun for a man to jest at our position."
"I wasn't jesting," said Capes, abruptly.
She stood face to face with him, and his voice cut across her speech and made her stop abruptly. She was sore and overstrung, and it was intolerable to her that he should stand within three yards of her unsuspectingly, with an incalculably vast power over her happiness. She was sore with the perplexities of her preposterous position. She was sick of herself, of her life, of everything but him; and for him all her masked and hidden being was crying out.
She stopped abruptly at the sound of his voice, and lost the thread of what she was saying. In the pause she realized the attention of the others converged upon her, and that the tears were br.i.m.m.i.n.g over her eyes. She felt a storm of emotion surging up within her. She became aware of the Scotch student regarding her with stupendous amazement, a tea-cup poised in one hairy hand and his faceted gla.s.ses showing a various enlargement of segments of his eye.
The door into the pa.s.sage offered itself with an irresistible invitation--the one alternative to a public, inexplicable pa.s.sion of weeping.
Capes flashed to an understanding of her intention, sprang to his feet, and opened the door for her retreat.
Part 8.
"Why should I ever come back?" she said to herself, as she went down the staircase.
She went to the post-office and drew out and sent off her money to Ramage. And then she came out into the street, sure only of one thing--that she could not return directly to her lodgings. She wanted air--and the distraction of having moving and changing things about her. The evenings were beginning to draw out, and it would not be dark for an hour. She resolved to walk across the Park to the Zoological gardens, and so on by way of Primrose Hill to Hampstead Heath. There she would wander about in the kindly darkness. And think things out... .
Presently she became aware of footsteps hurrying after her, and glanced back to find Miss Klegg, a little out of breath, in pursuit.
Ann Veronica halted a pace, and Miss Klegg came alongside.
"Do YOU go across the Park?"
"Not usually. But I'm going to-day. I want a walk."
"I'm not surprised at it. I thought Mr. Capes most trying."
"Oh, it wasn't that. I've had a headache all day."
"I thought Mr. Capes most unfair," Miss Klegg went on in a small, even voice; "MOST unfair! I'm glad you spoke out as you did."
"I didn't mind that little argument."
"You gave it him well. What you said wanted saying. After you went he got up and took refuge in the preparation-room. Or else I would have finished him."
Ann Veronica said nothing, and Miss Klegg went on: "He very often IS--most unfair. He has a way of sitting on people. He wouldn't like it if people did it to him. He jumps the words out of your mouth; he takes hold of what you have to say before you have had time to express it properly."
Pause.