Pete again wrote the rest of the day and by firelight far into the night. In the middle of the morning he stopped suddenly, weighted his paper down with a stone, rolled over on to the pine-needles, and fell immediately into a deep sleep. He lay for hours, his face down, resting on his arm.

Whir-r-r-r-r!

Pete awoke with a start. His ma.n.u.script was gone. He leaped to his feet, stared wildly about. Not far off Clara was flying, almost on the ground.

As he watched, she ascended swiftly. She held his poem in her hands. She studied it, her head bent. She did not once look up or back; her eyes still jealously glued to the pencil-scratchings, she drifted out to sea, disappeared.

Pete did not move. He watched Clara intently until she melted into the sky. But as he watched, his creative mood broke and evaporated. And suddenly another emotion, none the less fiercely ravaging, sluiced the blood into his face, filled his eyes with glitter, shook him as though a high wind were blowing, sent him finally speeding at a maniacal pace over the reefs.

"Say, do you think we'd better organize a search-party?" Honey asked finally.

"Not yet," said Ralph, "here he comes."

Pete was running down the trail like a deer.

"I've finished my poem," he yelled jubilantly.

"Every last word of it. And now, boys," he added briskly before they could recover their breath, "I'm with you on this capture question."

For an instant, the others stared and blinked. "What do you mean, Pete?"

Honey asked stupidly, after an instant.

"Well, I'm prepared to go as far as you like."

"But what changed you?" Honey persisted.

"Oh, hang it all," Pete said and never had his little black, fiery Irish face so twisted with irritation, so flamed with spirit, "a poet's so const.i.tuted that he's got to have a woman round to read his verse to. I want to teach Clara English so she can hear that poem."

There was a half-minute of silence. Then his listeners broke into roars.

"You d.a.m.ned little mick you!" Honey said. He laughed at intervals for an hour.

They immediately broke the news of Pete's desertion to Merrill. Frank received it without any appearance of surprise. But he announced, with a sudden boom of authority in his big voice, that he expected them all to stand by their agreement. Billy answered for the rest that they had no intention of doing anything else. But the four were now in high spirits.

Among themselves, they no longer said, "If we capture them," but "When we capture them."

The stress of the situation at once pulled Frank away from his books.

Again he took complete charge of the little group. He was a natural disciplinarian, as they had learned at the time of the wreck. Now his sense of responsibility developed a severity that was almost austerity.

He kept them constantly at work. In private the others chafed at his tone of authority. But in his presence they never failed of respect.

Besides, his remarkable unselfishness compelled their esteem, a shy vein of innocent, humorless sweetness their affection. "Old Frank" they always called him.

One afternoon, Frank started on one of the long walks which latterly he had abandoned. He left three of his underlings behind. Pete painted a water-color; Clara, weaving back and forth, watched his progress. Ralph worked on the big cabin--they called it the Clubhouse--Peachy whirling back and forth in wonderful air-patterns for his benefit. A distant speck of silver indicated Julia; Billy must be on the reef. Honey had left camp fifteen minutes before for the solitary afternoon tramp that had become a daily habit with him.

Frank's path lay part-way through the jungle. For half an hour he walked so sunk in thought that he glanced neither to the right nor the left.

Then he stopped suddenly, held by some invisible, intangible, impalpable force. He listened. The air hummed delicately, hummed with an alien element, hummed with something that was neither the susurrus of insects nor the music of birds. He moved onward slowly and quietly. The hum grew and strengthened. It became a sound. It divided into component parts, whistlings, trillings, twitterings, callings. Bird-like they were--but they could come only from the human throat. Impersonal they were--and yet they were s.e.xed, female and male. Frank looked about him carefully.

A little distance away, the trail sent off a tiny feeler into the jungle. It dipped into one of the pretty glades which diversified the flatness of the island. Creeping slowly, Frank followed the sound.

Half-way down the slope, Honey Smith was standing, staring upwards.

In his virile, bronzed semi-nudity, he might have been a G.o.d who had emerged for the first time into the air from the woods at his back. His lips were open and from them came sound.

Above him, almost within reach, Lulu floated, gazing downward. She had a listening look; and she listened fascinated. She seemed to lie motionless on the air. It was the first time that Merrill had seen Lulu so close. But in some mysterious way he knew that there was something abnormal about her. Her piquant Kanaka face shone with a strange emotion. Her narrow eyes were big with wonder; her blood-red lips had trembled open. She stared at Honey as if she were seeing him from a new angle. She stared, but sound came from her parted lips.

It was Honey who whistled and called. It was Lulu who twittered and trilled. No mating male bird could have put more of entreating tenderness into his voice. No mating female bird could have answered with more perplexity of abandon.

For a moment Frank stared. Then, with a sudden sense of eavesdropping, he moved noiselessly back until he struck the main trail.

He kept on until he came to the shady side of his favorite reef. He took from his pocket a book and began to read. To his surprise and discomfort, he could not get into it. Something psychological kept coming between him and the printed page. He tried to concentrate on a paragraph, a sentence, a phrase. It was like eating granite. It was like drinking dust. He stared at the words, but they seemed to float off the page.

That, then, was what all the other four men were doing while he was reading and writing, or while, with narrowed, scrutinizing eyes, he followed Chiquita's languid flight. He had not seen Chiquita for a week; he had been so busy getting the first part of his monograph into shape that he had not come to the reef. And all that week, the other men had been--. A word from the university slang came into his mind--twosing--came into it with a new significance. How descriptive that word was! How concrete! Twosing!

He took up his book again. He glued his eyes to the print. Five minutes pa.s.sed; he was gazing at the same words. But now instead of floating off the page, they engaged in little dances, dizzyingly concentric. Suddenly something that was not of the mind interposed another obstacle to concentration, a jagged, purple shadow.

It was Chiquita.

Frank leaped to his feet and stood staring. The quickness of his movement--ordinarily he moved measuredly--frightened her. She fluttered, drifted away, paused. Frank stiffened. His immobility rea.s.sured her. She drifted nearer. Something impelled Frank to hold his rigid pose. But, for some unaccustomed reason, his hand trembled. His book dropped noiselessly on to the soft gra.s.s.

Chiquita floated down, closer than ever before.

She had undoubtedly just waked up. The dew of dreams still lay on her luscious lips and in her great black eyes. Scarlet flowers, flat-petaled, black-stamened, wreathed her dusky hair. Scarlet bands outlined her dusky shoulders. Scarlet streamers trailed in her wake.

Never had she seemed more lazy and languid, more velvety and voluptuous, more colorful and sumptuous.

Frank stared and stared. Then, following an inexplicable impulse, he whistled as he had heard Honey whistle; and called as he had heard Honey call, the plaintive, entreating note of the mating male bird.

The same look which had come into Lulu's face came into Chiquita's, a look of wonder and alarm and--. She trembled, but she sank slowly, head foremost like a diver.

Frank continued softly to call and whistle. After an interval, another mysterious instinct impelled him to stop. Chiquita's lips moved; from them came answering sound, faint, breathy, scarcely voiced but exquisitely musical, exquisitely feminine, the call of the mating female bird.

When she stopped, Frank took it up. He raised his hand to her gently. As if that gave her confidence, she floated nearer, so close that he could have touched her. But some new wisdom taught him not to do that.

She sank lower and lower until she was just above him. Frank did not move--nor speak now. She fluttered and continued to sink. Now he could look straight into her eyes. Frank had never really looked into a woman's eyes before. The depth of Chiquita's was immeasurable. There were dreams on the surface. But his gaze pierced through the dreams, through layer on layer of purple black, to where stars lay. Some emotion that constantly grew in her seemed to melt and fuse all these layers; but the stars still held their shine.

Slowly still, but as though at the urge of a compelled abandon, Chiquita sank lower and lower. Nearer she came and nearer. The pollen from the flowers at her breast sifted on to his face. Now their eyes were level.

And now--.

She kissed him.

Billy, Ralph, and Pete sat on the sand bantering Honey, who had returned in radiant spirits from his walk.

"Here comes old Frank," Billy said. "He's running. But he's staggering.

By George, I should think he was drunk."

Frank was drunk, but not with wine. When he came nearer, they saw that his face was white.

"You're right boys," he said quietly, "and I'm wrong." For a moment, he added nothing; but they knew what he meant. "A situation like this is special; it requires special laws. It's the masculine right of eminent domain. I give my consent--I--I--I--I agree to anything you want to do."

IV

"The question before the house now is," said Ralph, "how are we going to do it? Myself, I'd be strong for winging them sometime when they're flying low."