Cosmo remembers his conversation with Amy, and thoughtfully hides the 'yellow flowers' behind a photograph. This may be called one of his plans for being nice to mother.
COSMO. 'You don't have your medals here, father?'
COLONEL. 'No, I don't carry them about. But your mother does, the goose. They are not very grand ones, Cosmo.'
COSMO, true blue, 'Yes, they are.'
An awkward silence falls. The Colonel has so much to say that he can only look it. He looks it so eloquently that Cosmo's fears return. He summons the plan to his help.
'I wonder what is in the evening papers. If you don't mind, I'll cut out and get one.'
Before he can cut out, however, Alice is in the room, the picture of distress. No wonder, for even we can hear the baby howling.
ALICE, tragically, 'My baby. Robert, listen; that is how I affect her.'
Cosmo cowers unseen.
COLONEL. 'No, no, darling, it isn't you who have made her cry. She--she is teething. It's her teeth, isn't it?' he barks at the nurse, who emerges looking not altogether woeful. 'Say it's her teeth, woman.'
NURSE, taking this as a reflection on her charge. 'She had her teeth long ago.'
ALICE, the forlorn, 'The better to bite me with.'
NURSE, complacently, 'I don't understand it. She is usually the best-tempered lamb--as you may see for yourself, sir.'
It is an imitation that the Colonel is eager to accept, but after one step toward the nursery he is true to Alice.
COLONEL. 'I _decline_ to see her. I refuse to have anything to do with her till she comes to a more reasonable frame of mind.'
The nurse retires, to convey possibly this ultimatum to her charge.
ALICE, in the n.o.blest spirit of self-abnegation, 'Go, Robert. Perhaps she--will like you better.'
COLONEL. 'She's a contemptible child.'
But that nursery door does draw him strongly. He finds himself getting nearer and nearer to it. 'I'll show her,' with a happy pretence that his object is merely to enforce discipline. The forgotten Cosmo pops up again; the Colonel introduces him with a gesture and darts off to his baby.
ALICE, entranced, 'My son!'
COSMO, forgetting all plans, 'Mother!' She envelops him in her arms, worshipping him, and he likes it.
ALICE. 'Oh, Cosmo--how splendid you are.'
COSMO, soothingly, 'That's all right, mother.'
ALICE. 'Say it again.'
COSMO. 'That's all right.'
ALICE. 'No, the other word.'
COSMO. 'Mother.'
ALICE. 'Again.'
COSMO. 'Mother--mother--' When she has come to: 'Are you better now?'
ALICE. 'He is my son, and he is in uniform.'
COSMO, aware that allowances must be made, 'Yes, I know.'
ALICE. 'Are you glad to see your mother, Cosmo?'
COSMO. 'Rather! Will you have some tea?'
ALICE. 'No, no, I feel I can do nothing for the rest of my life but hug my glorious boy.'
COSMO. 'Of course, I have my work.'
ALICE. 'His work! Do the officers love you, Cosmo?'
COSMO, degraded, 'Love me! I should think not.'
ALICE. 'I should like to ask them all to come and stay with us.'
COSMO, appalled, 'Great Scott, mother, you can't do things like that.'
ALICE. 'Can't I? Are you very studious, Cosmo?'
COSMO, neatly, 'My favourite authors are William Shakespeare and William Milton. They are grand, don't you think?'
ALICE. 'I'm only a woman, you see; and I'm afraid they sometimes bore me, especially William Milton.'
COSMO, with relief, 'Do they? Me, too.'
ALICE, on the verge of tears again, 'But not half so much as I bore my baby.'
COSMO, anxious to help her, 'What did you do to her?'
ALICE, appealingly, 'I couldn't help wanting to hold her in my arms, could I, Cosmo?'
COSMO, full of consideration, 'No, of course you couldn't.' He reflects. 'How did you take hold of her?'
ALICE. 'I suppose in some clumsy way.'
COSMO. 'Not like this, was it?'
ALICE, gloomily, 'I dare say.'