"You must drive us to our hotel." she said, firmly. "We have waited two hours."

"Impossible, madame!" said the man.

"But you _must_," we all said in chorus.

"You shall have much money," said Jimmie in his worst French.

"All the same it is impossible, monsieur," said the man.

He regretted exceedingly his inability to oblige the ladies, but--and he prepared to drive off.

"Get in, girls," said Mrs. Jimmie, firmly, pushing us in at the back of the wagon. The man expostulated, not in anger but appealingly. Mrs.

Jimmie would not listen. She said there ought to be more cabs in Paris, and that she regretted it as much as he did, but she climbed in as she talked, and gave the address of the hotel.

"You shall have three times your fare," she said, calmly, "drive on!"

"But what madame demands is impossible," pleaded the poor man. "I am on my way for another body. Madame sits in the morgue wagon!"

But there he was mistaken, for madame sat nowhere. Before he had done speaking madame was flying through the air, alighting on poor Jimmie's foot, while Bee and I clawed at our dripping skirts in a mad effort to follow suit.

The morgue wagon pursued its way down the Rue de Rivoli, while we risked colds, croup, and everything else in an endeavour to find a "_grand bain_," splashing through puddles but marching steadily on, Jimmie in a somewhat strained silence limping uncomplainingly at our side.

CHAPTER III

STRASBURG AND BADEN-BADEN

We are on our way to the Pa.s.sion Play, and although each of the four of us is a monument of amiability when taken individually, as a quartet we sometimes clash. At present we are fighting over the route we shall take between Paris and Oberammergau. Bee and Mrs. Jimmie have replenished their wardrobes in the Rue de la Paix, and wish to follow the trail of American tourists going to Baden-Baden, while Jimmie and I, having rooted out of a German student in the Latin Quarter two or three unknown carriage routes through the mountains which lead to unknown spots not double starred, starred, or even mentioned in Baedeker, are wondering how the battle between clothes and Bohemianism will end.

We arrived at Strasburg still in an amiable wrangle, but all four agreed on seeing the clock which has made the town famous. Our time was so limited that there was not, as is often the case, an opportunity for all four of us to get our own way.

Anybody who did not know her, would imagine by the quiet way that Bee has let the subject of Baden-Baden alone for the whole day, that she had quite given up going there, but I know Bee. She has left Jimmie and me to defend the front of the fortress, while she is bringing all her troops up in the rear. Bee does not believe in a charge with plenty of shouting and galloping and noise. Bee's manoeuvres never raise any dust, but on a flank movement, a midnight sortie or an ambush, Bee could outgeneral Napoleon and Alexander and General Grant and every other man who has helped change the maps of the world. Only by indication and past sad experience do I know what she is up to. One thing to-day has given me a clue. I have a necktie--the only really saucy thing about the whole of my wardrobe, the only distinguishing smartness to my toilet--upon which Bee has fixed her affection, and which she means to get away from me. I don't know how I came to buy it in the first place. However, I sha'n't have it long. Bee is bargaining for it--that means that we are going to Baden-Baden. She is not openly bargaining, for that would let me know how much she wants it, but she has admired it pointedly. She tied my veil on for me this morning, and even as I write, she is sewing a b.u.t.ton on my glove. Bee in the politest way possible is going to force me to give her that tie. I wish she wouldn't, for I really need it, but I must get all the wear I expect to have out of it in the next two days, for by the end of the week, if these attentions continue, that Charvet tie will belong to Bee.

Last night, as soon as we arrived and had our dinner, we went to the Orangerie. This great park with myriads of walks is one of the most attractive things about Strasburg. A very good band was playing a Sousa march as we came in and took our seats at one of the little tables.

But just here let me record something which has surprised me all during my travels in Europe; and that is the small amount of good music one hears outside of opera. I have always imagined Germany to be distinguished equally by her music and her beer. I have not been disappointed in the beer, for it is there by the tub, but as to the music, there is not in my opinion in the whole of Germany or Austria one such as Sousa's, and as to men choruses, not one that I have heard, and I have followed them closely wherever I heard of their existence, is to be compared with any of our College Glee Clubs. In my opinion the casual open-air music of Germany is another of the disappointments of Europe--to be set down in the same category with the linden trees of Berlin and the trousers of the French Army.

German music seems to be too universally indulged in to be good. It is performed with more earnestness than skill and the programme is gone through with with more fervour than taste. The musicians of a typical German band dig through the evening's numbers with the same dogged perseverance and perspiration that they would exercise in tunnelling through a mountain. In this connection I am not speaking of any of the trained orchestras, but solely of the band music that one hears all through the Rhine land. It is only tradition that Germans are the most musical people in the world, for in my opinion the rank and file of Germans have no ear for key. That they listen well and perform earnestly is perfectly true. That they respect music and give it proper attention is equally true, but that they know the difference between a number performed with no expression, with one or two instruments or voices, as the case may be, entirely out of pitch, and the same number correctly rendered, is impossible to believe by one who has watched them as carefully as I.

Sousa once made the statement to the American Press that in his opinion the American nation was the most musical nation in the world. He based this astonishing belief, which was violently attacked by the German-American Press, upon his observation of his audiences and by the street music, even including whistling and singing. I agree with his opinion with all my heart. In an American audience of the most common sort an instrument off the key or improperly tuned will be sure to be detected. It may be, nay, it probably is true, that the person so detecting the discord will not know where the trouble lies or of what it consists, but his ear, untrained as it is, tells him that something is wrong, and he shows his discomfort and disapproval. I claim that the ordinary American--the common or garden variety of American--has a more correct ear than the common or garden variety of German. I claim that the rank and file in America is for this reason more truly musical than the same cla.s.s in the German nation, although the German nation has a technical knowledge of music which it will take the Americans a thousand years to equal. For this reason an open-air concert in America is so much more enjoyable both from the numbers selected and the spirit of their playing, that the two performances are not to be mentioned in the same day.

A criticism which the wayfaring man will whip out to floor me at this point, viz., that nearly all performers in American bands are Germans, will not cause me to wink an eyelash, for the effect of American audiences on German performers has raised the standard of their music so that I am informed by Germans and Austrians that the most annoying, irritating, and insulting factor in their otherwise peaceful lives is the return of a German-American to his native heath. They tell me that his arrogance and conceit are unbearable--that he claims that Americans alone know how to make practical use of the technical knowledge of the German--that the Teuton gathers the knowledge, the Yankee applies it.

This goes to prove my point.

We Americans are a curious people. We get better music under our own vine and fig-tree than they have anywhere else in the world but we don't know it. There is no such band on earth as Sousa's, no better orchestra than Theodore Thomas's or the Boston Symphony, and we hear the Metropolitan and French operas.

Take also our chamber music and from that come down to our street ballads, and then to the whistling and singing heard in the streets, with no thought of audience or even listeners.

I have followed German music closely, and I claim that German musicians, or rather let me say German producers of music, lack ear just about half of the time. Their students cannot compare with our college singing, their pedestrian parties, which one meets all through the country, singing, often from notes (and if you take the trouble to inquire, they will frequently tell you with pride that they belong to such and such a singing society) almost drive sensitive ears crazy. But they love it--they adore music, they take such comfort out of it, that one is forced to forgive this lack of ear and this polyglot pitch, or else be considered a churl.

The Orangerie has, however, a very good average band--for Germany. The picture of the great crowd of people gathered at little tables around the band-stand, whole families together; of a tiny boy baby, just able to toddle around, being dragged about by an enormous St. Bernard dog, whose chain the baby tugged at most valiantly; the long dim avenues under the trees where an occasional young couple lost themselves from fathers and mothers; the music; the cheerful beer-drinking; the general air of rosy-cheeked contentment has formed in my mind a most agreeable recollection of the Orangerie of Strasburg.

Strasburg has, however, much more to boast of than her clock. The city was founded by the Romans, and in the middle ages was one of the most powerful of the free cities of the German Empire, on the occasions of imperial processions her citizens enjoying the proud distinction of having their banner borne second only to the imperial eagle.

Then, because of its strategical importance, in a time of peace, Louis XIV. of France seized the city of Strasburg, and this delicate attention on his part was confirmed by the Peace of Ryswick in 1679, thereby giving Strasburg to France. The French kept it nearly two hundred years, but Germany got it back at the Peace of Frankfort, 1871, and it is now the capital of German Alsace and Lorraine.

I never think of Alsace and Lorraine that I do not recall the statue in the Place de la Concorde, with gay coloured wreaths looking more like a festival of joy than mourning,--in fact I never think of Paris mourning for anything, from a relative to a dead dog, that I can keep my countenance.

On the Jour des Morts, I once went to the Pere-Lachaise and found in the family lot of a d.u.c.h.esse with a grand name, a stuffed dog of the rare old breed known as mongrel. In America he would have slouched at the heels of a stevedore--or any sort of a man who shuffles in his walk and smokes a short black pipe. But this yellow cur was in a gla.s.s case mounted on a marble pedestal, and his yellowness in life was represented by a coat of small yellow beads put on in patches where the hair had disappeared. His yellow gla.s.s eyes peered staringly at the pa.s.ser-by and his tomb was literally heaped with expensive _couronnes_ tied with long streamers of c.r.a.pe, while _couronnes_ on the gra.s.s-grown tomb of the defunct husband of the d.u.c.h.esse, buried in the back of the lot behind the dog, were conspicuous by their absence. I wondered if the widow took this ingenious method of publishing to the world that in life her husband had been less to her than her dog.

Paris c.r.a.pe is this slippery, shiny sort of stuff, like thin haircloth--the kind they used to cover furniture with. It is made up into "costumes" which have such an air of fashion that the deceased relative is instantly forgotten in one's interest in the cut and fit of the gown. A b.u.t.terfly of a bonnet, a tiny face veil coming just to the tip of the nose, with the long one in the back sweeping almost to the ground, completes a picture of such a jaunty grief, such a saucy sorrow, that one would be quite willing to lose one or two distant relatives in order to be clad in such a manner.

The University of Strasburg changed its nationality as often as the town, but not at the same time. In one of its German periods Goethe graduated there as doctor of laws--which fact ought to be better known.

At least _I_ didn't know it. But Bee says that doesn't signify, because I know so little. But Bee only says that when she has asked me some stupid date that n.o.body ever knows or ever did know except in a history cla.s.s.

The next day after our evening at the Orangerie, at half after eleven, we went to the Cathedral to see the clock. It only performs all its functions at noon, and as there is always a crowd of tourists about it, we went early.

The most wonderful feature of this clock to Jimmie is that it regulates itself and adapts its motions to the revolutions of the seasons, year after year and year after year, as if it had a wonderful living human mind somewhere in its insides. Its perpetual calendar, too, is a marvel!

How can that insensate clock tell when to put twenty-eight days and when to give thirty-one, when I can't even do it myself without saying:

"Thirty days hath September, April, June, and November, All the rest have thirty-one, Except February alone, Which has but twenty-eight in fine Till leap-year gives it twenty-nine."

And who tells that clock when leap year comes, and when the moon changes, and when it's going to rain, and when hoop-skirts will be worn again? Wonderful people, these Germans.

We were there on Monday when the clock struck noon. Monday is the day when Diana steps out upon the first gallery. Each day has its deity--Apollo on Sunday, Diana on Monday, etc.

On the first gallery an angel strikes the quarters on a bell in his little mechanical hand. Then a gentleman who has nothing else to do the whole year round reverses an hour-gla.s.s each hour in the twenty-four; so that you can tell the time by counting the grains of sand or by glancing at the face of the clock,--whichever way you have been brought up to tell time.

Above this there is a skeleton, which strikes the hours, and evidently cheerfully reminds us what our end will be, around which are grouped the quarter-hours, represented by the four figures, boyhood, youth, manhood, and old age.

But the two most remarkable things are those which crown the clock. In the highest niche, at noon, the twelve apostles, also representing the hours, come out of a door and march around the figure of the Saviour.

Judas hangs his head, and the eyes of the Christ follow him until he disappears. Then on the highest pinnacle of all, a c.o.c.k comes out, preens himself, flaps his wings, and gives such an exultant crow that Peter pauses in his walk, then drops his head forward on his breast, and so pa.s.ses out of sight.

When the performance is over, the crowd melts away. Some few stay to do the Cathedral, but we went to luncheon. At luncheon it was decided to go to Baden-Baden. Jimmie and I compromised on three days of it.

There is nothing particularly interesting about the journey thither.

When you come to the village of Oos, you get off the train and take a little train which is waiting on a siding, and in less than five minutes, before you have time to sit down, in fact, you are at Baden, at the entrance of the Black Forest, and find it beautiful.

It was the height of the season and we went to a very smart hotel, where they have very badly dressed people, because nearly everybody there except us had money and t.i.tles.

Now the height of the season at any watering-place depresses me. If I could wear fern seed in my shoes to make me invisible, and sit on the _piazza_ railing in a shirt-waist and a short skirt, I would love it.

But both Bee and Mrs. Jimmie, with the light of heaven in their eyes, pulled out and put on their most be-yew-tiful Paris clothes, and if I do say it of my sister--well, for modesty's sake, I will only say that Mrs.

Jimmie looked ripping. _I_ was happily travelling with a steamer trunk and a big hat-box, and had hitherto rejoiced that my lack of clothes would prevent my being obliged to dress. I thought perhaps Jimmie and I would be allowed to roam about hunting little queer restaurants like Old Tom's or the Cheshire Cheese. But when Jimmie's boyish face appeared over a white expanse of tucked shirt front, I sank down in a dejected heap.

"And thou, Brutus?" I said.