Cellini smiled, and seemed in no way surprised. He said quietly:

"Who told you, madame, that I am engaged?"

"Why, she did, of course!" went on my friend, nodding towards me, regardless of an imploring look I cast at her. "And said you were perfectly devoted!"

"She is quite right," replied Cellini, with another of those rare sweet smiles of his; "and you also are right, madame, in your supposition: my betrothed is a Dream of Beauty."

I was infinitely relieved. I had not, then, been guilty of a falsehood.

But the mystery remained: how had I discovered the truth of the matter at all? While I puzzled my mind over this question, the other lady who had accompanied Mrs. Everard spoke. She was an Austrian of brilliant position and attainments.

"You quite interest me, signor!" she said. "Is your fair fiancee here to-night?"

"No, madame," replied Cellini; "she is not in this country."

"What a pity!" exclaimed Amy. "I want to see her real bad. Don't you?"

she asked, turning to me.

I raised my eyes and met the dark clear ones of the artist fixed full upon me.

"Yes," I said hesitatingly; "I should like to meet her. Perhaps the chance will occur at some future time."

"There is not the slightest doubt about that," said Cellini. "And now, mademoiselle, will you give me the pleasure of this waltz with you? or are you promised to another partner?"

I was not engaged, and I at once accepted his proffered arm. Two gentlemen came hurriedly up to claim Amy and her Austrian friend; and for one brief moment Signor Cellini and I stood alone in a comparatively quiet corner of the ballroom, waiting for the music to begin. I opened my lips to ask him a question, when he stopped me by a slight gesture of his hand.

"Patience!" he said in a low and earnest tone. "In a few moments you shall have the opportunity you seek."

The band burst forth just then in the voluptuous strains of a waltz by Gung'l, and together we floated away to its exquisite gliding measure.

I use the word FLOATED, advisedly, for no other term could express the delightful sensation I enjoyed. Cellini was a superb dancer. It seemed to me that our feet scarcely touched the floor, so swiftly, so easily and lightly we sped along. A few rapid turns, and I noticed we were nearing the open French windows, and, before I well realized it, we had stopped dancing and were pacing quietly side by side down the ilex avenue, where the little lanterns twinkled like red fireflies and green glow-worms among the dark and leafy branches.

We walked along in silence till we reached the end of the path. There, before us, lay the open garden, with its broad green lawn, bathed in the lovely light of the full moon, sailing aloft in a cloudless sky.

The night was very warm, but, regardless of this fact, Cellini wrapped carefully round me a large fleecy white burnous that he had taken from a chair where it was lying, on his way through the avenue.

"I am not cold," I said, smiling.

"No; but you will be, perhaps. It is not wise to run any useless risks."

I was again silent. A low breeze rustled in the tree-tops near us; the music of the ballroom reached us only in faint and far echoes; the scent of roses and myrtle was wafted delicately on the balmy air; the radiance of the moon softened the outlines of the landscape into a dreamy suggestiveness of its reality. Suddenly a sound broke on our ears--a delicious, long, plaintive trill; then a wonderful shower of sparkling roulades; and finally, a clear, imploring, pa.s.sionate note repeated many times. It was a nightingale, singing as only the nightingales of the South can sing. I listened entranced.

"'Thou wast not born for death, immortal Bird!

No hungry generations tread thee down; The voice I hear this pa.s.sing night was heard In ancient days by emperor and clown,'"

quoted Cellini in earnest tones.

"You admire Keats?" I asked eagerly.

"More than any other poet that has lived," he replied. "His was the most ethereal and delicate muse that ever consented to be tied down to earth. But, mademoiselle, you do not wish to examine me as to my taste in poetry. You have some other questions to put to me, have you not?"

For one instant I hesitated. Then I spoke out frankly, and answered:

"Yes, signor. What was there in that wine you gave me this morning?"

He met my searching gaze unflinchingly.

"A medicine," he said. "An excellent and perfectly simple remedy made of the juice of plants, and absolutely harmless."

"But why," I demanded, "why did you give me this medicine? Was it not wrong to take so much responsibility upon yourself?"

He smiled.

"I think not. If you are injured or offended, then I was wrong; but if, on the contrary, your health and spirits are ever so little improved, as I see they are, I deserve your thanks, mademoiselle."

And he waited with an air of satisfaction and expectancy. I was puzzled and half-angry, yet I could not help acknowledging to myself that I felt better and more cheerful than I had done for many months. I looked up at the artist's dark, intelligent face, and said almost humbly:

"I DO thank you, signor. But surely you will tell me your reasons for const.i.tuting yourself my physician without even asking my leave."

He laughed, and his eyes looked very friendly.

"Mademoiselle, I am one of those strangely const.i.tuted beings who cannot bear to see any innocent thing suffer. It matters not whether it be a worm in the dust, a b.u.t.terfly in the air, a bird, a flower, or a human creature. The first time I saw you I knew that your state of health precluded you from the enjoyment of life natural to your s.e.x and age. I also perceived that the physicians had been at work upon you trying to probe into the causes of your ailment, and that they had signally failed. Physicians, mademoiselle, are very clever and estimable men, and there are a few things which come within the limit of their treatment; but there are also other things which baffle their utmost profundity of knowledge. One of these is that wondrous piece of human machinery, the nervous system; that intricate and delicate network of fine threads--electric wires on which run the messages of thought, impulse, affection, emotion. If these threads or wires become, from any subtle cause, entangled, the skill of the mere medical pract.i.tioner is of no avail to undo the injurious knot, or to unravel the confused skein. The drugs generally used in such cases are, for the most part, repellent to the human blood and natural instinct, therefore they are always dangerous, and often deadly. I knew, by studying your face, mademoiselle, that you were suffering as acutely as I, too, suffered some five years ago, and I ventured to try upon you a simple vegetable essence, merely to see if you were capable of benefiting by it. The experiment has been so far successful; but----"

He paused, and his face became graver and more abstracted.

"But what?" I queried eagerly.

"I was about to say," he continued, "that the effect is only transitory. Within forty-eight hours you must naturally relapse into your former prostrate condition, and I, unfortunately, am powerless to prevent it."

I sighed wearily, and a feeling of disappointment oppressed me. Was it possible that I must again be the victim of miserable dejection, pain, and stupor?

"You can give me another dose of your remedy," I said.

"That I cannot, mademoiselle," he answered regretfully; "I dare not, without further advice and guidance."

"Advice and guidance from whom?" I inquired.

"From the friend who cured me of my long and almost hopeless illness,"

said Cellini. "He alone can tell me whether I am right in my theories respecting your nature and const.i.tution."

"And what are those theories?" I asked, becoming deeply interested in the conversation.

Cellini was silent for a minute or so; he seemed absorbed in a sort of inward communion with himself. Then he spoke with impressiveness and gravity:

"In this world, mademoiselle, there are no two natures alike, yet all are born with a small portion of Divinity within them, which we call the Soul. It is a mere spark smouldering in the centre of the weight of clay with which we are enc.u.mbered, yet it is there. Now this particular germ or seed can be cultivated if we will--that is, if we desire and insist on its growth. As a child's taste for art or learning can be educated into high capabilities for the future, so can the human Soul be educated into so high, so supreme an attainment, that no merely mortal standard of measurement can reach its magnificence. With much more than half the inhabitants of the globe, this germ of immortality remains always a germ, never sprouting, overlaid and weighted down by the lymphatic laziness and materialistic propensities of its sh.e.l.l or husk--the body. But I must put aside the forlorn prospect of the mult.i.tudes in whom the Divine Essence attains to no larger quant.i.ty than that proportioned out to a dog or bird--I have only to speak of the rare few with whom the soul is everything--those who, perceiving and admitting its existence within them, devote all their powers to fanning up their spark of light till it becomes a radiant, burning, inextinguishable flame. The mistake made by these examples of beatified Humanity is that they too often sacrifice the body to the demands of the spirit. It is difficult to find the medium path, but it can be found; and the claims of both body and soul can be satisfied without sacrificing the one to the other. I beg your earnest attention, mademoiselle, for what I say concerning THE RARE FEW WITH WHOM THE SOUL IS EVERYTHING. YOU are one of those few, unless I am greatly in error.

And you have sacrificed your body so utterly to your spirit that the flesh rebels and suffers. This will not do. You have work before you in the world, and you cannot perform it unless you have bodily health as well as spiritual desire. And why? Because you are a prisoner here on earth, and you must obey the laws of the prison, however unpleasant they may be to you. Were you free as you have been in ages past and as you will be in ages to come, things would be different; but at present you must comply with the orders of your gaolers--the Lords of Life and Death."

I heard him, half awed, half fascinated. His words were full of mysterious suggestions.

"How do you know I am of the temperament you describe?" I asked in a low voice.

"I do not know, mademoiselle; I can only guess. There is but one person who can perhaps judge of you correctly,--a man older than myself by many years--whose life is the very acme of spiritual perfection--whose learning is vast and unprejudiced. I must see and speak to him before I try any more of my, or rather his, remedies. But we have lingered long enough out here, and unless you have something more to say to me, we will return to the ballroom. You will otherwise miss the cotillon;" and he turned to retrace the way through the illuminated grove.