The third lion of Arles has nothing to do with the ancient world, but only with the old one. The church of Saint Trophimus, whose wonderful romanesque porch is the princ.i.p.al ornament of the princ.i.p.al _place_--a _place_ otherwise distinguished by the presence of a slim and tapering obelisk in the middle, as well as by that of the hotel de ville and the museum--the interesting church of Saint Trophimus swears a little, as the French say, with the peculiar character of Arles. It is very remarkable, but I would rather it were in another place. Arles is delightfully pagan, and Saint Trophimus, with its apostolic sculptures, is rather a false note. These sculptures are equally remarkable for their primitive vigour and for the perfect preservation in which they have come down to us. The deep recess of a round-arched porch of the twelfth century is covered with quaint figures which have not lost a nose or a finger. An angular Byzantine-looking Christ sits in a diamond-shaped frame at the summit of the arch, surrounded by little angels, by great apostles, by winged beasts, by a hundred sacred symbols and grotesque ornaments. It is a dense embroidery of sculpture, black with time, but as uninjured as if it had been kept under gla.s.s. One good mark for the French Revolution! Of the interior of the church, which has a nave of the twelfth century and a choir three hundred years more recent, I chiefly remember the odd feature that the romanesque aisles are so narrow that you literally--or almost--squeeze through them. You do so with some eagerness, for your natural purpose is to pa.s.s out to the cloister. This cloister, as distinguished and as perfect as the porch, has a great deal of charm. Its four sides, which are not of the same period (the earliest and best are of the twelfth century), have an elaborate arcade, supported on delicate pairs of columns, the capitals of which show an extraordinary variety of device and ornament. At the corners of the quadrangle these columns take the form of curious human figures. The whole thing is a gem of lightness and preservation and is often cited for its beauty; but--if it doesn't sound too profane--I prefer, especially at Arles, the ruins of the Roman theatre. The antique element is too precious to be mingled with anything less rare. This truth was very present to my mind during a ramble of a couple of hours that I took just before leaving the place; and the glowing beauty of the morning gave the last touch to the impression. I spent half an hour at the Museum; then I took another look at the Roman

[Ill.u.s.tration: ARLES--DOOR OF ST. TROPHIMUS.]

theatre; after which I walked a little out of the town to the Aliscamps, the old Elysian Fields, the meagre remnant of the old pagan place of sepulture, which was afterwards used by the Christians, but has been for ages deserted and now consists only of a melancholy avenue of cypresses lined with a succession of ancient sarcophagi, empty, mossy and mutilated. An iron-foundry, or some horrible establishment which is conditioned upon tall chimneys and a noise of hammering and banging, has been established near at hand; but the cypresses shut it out well enough, and this small patch of Elysium is a very romantic corner.

The door of the Museum stands ajar, and a vigilant custodian, with the usual batch of photographs on his mind, peeps out at you disapprovingly while you linger opposite, before the charming portal of Saint Trophimus, which you may look at for nothing. When you succ.u.mb to the silent influence of his eye and go over to visit his collection, you find yourself in a desecrated church, in which a variety of ancient objects disinterred in Arlesian soil have been arranged without any pomp. The best of these, I believe, were found in the ruins of the theatre. Some of the most curious of them are early Christian sarcophagi, exactly on the pagan model, but covered with rude yet vigorously wrought images of the apostles and with ill.u.s.trations of scriptural history. Beauty of the highest kind, either of conception or of execution, is absent from most of the Roman fragments, which belong to the taste of a late period and a provincial civilisation. But a gulf divides them from the bristling little imagery of the Christian sarcophagi, in which, at the same time, one detects a vague emulation of the rich examples by which their authors were surrounded. There is a certain element of style in all the pagan things; there is not a hint of it in the early Christian relics, among which, according to M.

Joanne, of the Guide, are to be found more fine sarcophagi than in any collection but that of St. John Lateran. In two or three of the Roman fragments there is a noticeable distinction; princ.i.p.ally in a charming bust of a boy, quite perfect, with those salient eyes that one sees in antique portraits, and to which the absence of vision in the marble mask gives a look, often very touching, as of a baffled effort to see; also in the head of a woman, found in the ruins of the theatre, who, alas!

has lost her nose and whose n.o.ble, simple contour, barring this deficiency, recalls the great manner of the Venus of Milo. There are various rich architectural fragments which indicate that that edifice was a very splendid affair. This little Museum at Arles, in short, is the most Roman thing I know of out of Rome.

[Ill.u.s.tration: ARLES--THE CLOISTERS]

[Ill.u.s.tration]

Chapter x.x.xii

[Les Baux]

I find that I declared one evening, in a little journal I was keeping at that time, that I was weary of writing (I was probably very sleepy), but that it was essential I should make some note of my visit to Les Baux. I must have gone to sleep as soon as I had recorded this necessity, for I search my small diary in vain for any account of that enchanting spot. I have nothing but my memory to consult--a memory which is fairly good in regard to a general impression, but is terribly infirm in the matter of details and items. We knew in advance, my companion and I, that Les Baux was a pearl of picturesqueness; for had we not read as much in the handbook of Murray, who has the testimony of an English n.o.bleman as to its attractions? We also knew that it lay some miles from Arles, on the crest of the Alpilles, the craggy little mountains which, as I stood on the breezy platform of Beaucaire, formed to my eye a charming, if somewhat remote, background to Tarascon; this a.s.surance having been given us by the landlady of the inn at Arles, of whom we hired a rather lumbering conveyance. The weather was not promising, but it proved a good day for the mediaeval Pompeii; a grey, melancholy, moist, but rainless, or almost rainless day, with nothing in the sky to flout, as the poet says, the dejected and pulverised past. The drive itself was charming, for there is an inexhaustible sweetness in the grey-green landscape of Provence. It is never absolutely flat and yet is never really ambitious, and is full both of entertainment and repose. It is in constant undulation, and the bareness of the soil lends itself easily to outline and profile. When I say the bareness I mean the absence of woods and hedges. It blooms with heath and scented shrubs and stunted olive, and the white rock shining through the scattered herbage has a brightness which answers to the brightness of the sky. Of course it needs the sunshine, for all southern countries look a little false under the ground-gla.s.s of incipient bad weather. This was the case on the day of my pilgrimage to Les Baux. Nevertheless I was glad to keep going, as I was to arrive; and as I went it seemed to me that true happiness would consist in wandering through such a land on foot, on September afternoons, when one might stretch one's self on the warm ground in some shady hollow and listen to the hum of bees and the whistle of melancholy shepherds; for in Provence the shepherds whistle to their flocks. I saw two or three of them, in the course of this drive to Les Baux, meandering about, looking behind and calling upon the sheep in this way to follow, which the sheep always did, very promptly, with ovine unanimity. Nothing is more picturesque than to see a slow shepherd threading his way down one of the winding paths on a hillside, with his flock close behind him, necessarily expanded, yet keeping just at his heels, bending and twisting as it goes and looking rather like the tail of a dingy comet.

About four miles from Arles, as you drive northward towards the Alpilles, of which Alphonse Daudet has spoken so often and, as he might say, so intimately, stand on a hill that overlooks the road the very considerable ruins of the abbey of Montmajour, one of the innumerable remnants of a feudal and ecclesiastical (as well as an architectural) past that one encounters in the south of France; remnants which, it must be confessed, tend to introduce a certain confusion and satiety into the pa.s.sive mind of the tourist. Montmajour, however, is very impressive and interesting; the only trouble with it is that, unless you have stopped and returned to Arles, you see it in memory over the head of Les Baux, which is a much more absorbing picture. A part of the ma.s.s of buildings (the monastery) dates only from the last century; and the stiff architecture of that period does not lend itself very gracefully to desolation: it looks too much as if it had been burnt down the year before. The monastery was demolished during the Revolution, and it injures a little the effect of the very much more ancient fragments that are connected with it. The whole place is on a great scale; it was a rich and splendid abbey. The church, a vast basilica of the eleventh century and of the n.o.blest proportions, is virtually intact; I mean as regards its essentials, for the details have completely vanished. The huge solid sh.e.l.l is full of expression; it looks as if it had been hollowed out by the sincerity of early faith, and it opens into a cloister as impressive as itself. Wherever one goes, in France, one meets, looking backward a little, the spectre of the great Revolution; and one meets it always in the shape of the destruction of something beautiful and precious. To make us forgive it at all, how much it must also have destroyed that was more hateful than itself! Beneath the church of Montmajour is a most extraordinary crypt, almost as big as the edifice above it and making a complete subterranean temple, surrounded with a circular gallery, or deambulatory, which expands at intervals into five square chapels. There are other things, of which I have but a confused memory: a great fortified keep; a queer little primitive chapel hollowed out of the rock beneath these later structures and recommended to the visitor's attention as the confessional of Saint Trophimus, who shares with so many worthies the glory of being the first apostle of the Gauls. Then there is a strange, small church, of the dimmest antiquity, standing at a distance from the other buildings. I remember that after we had let ourselves down a good many steepish places to visit crypts and confessionals, we walked across a field to this archaic cruciform edifice and went thence to a point farther down the road, where our carriage was awaiting us. The chapel of the Holy Cross, as it is called, is cla.s.sed among the historic monuments of France; and I read in a queer, rambling, ill-written book which I picked at Avignon, and in which the author, M. Louis de Laincel, has buried a great deal of curious information on the subject of Provence under a style inspiring little confidence, that the "delicieuse chapelle de Sainte-Croix" is a "veritable bijou artistique." He speaks of "a piece of lace in stone"

which runs from one end of the building to the other, but of which I am obliged to confess that I have no recollection. I retain, however, a sufficiently clear impression of the little superannuated temple, with its four apses and its perceptible odour of antiquity--the odour of the eleventh century.

The ruins of Les Baux remain quite indistinguishable even when you are directly beneath them, at the foot of the charming little Alpilles, which ma.s.s themselves with a kind of delicate ruggedness. Rock and ruin have been so welded together by the confusions of time that as you approach it from behind--that is, from the direction of Arles--the place presents simply a general air of cragginess. Nothing can be prettier than the crags of Provence; they are beautifully modelled, as painters say, and they have a delightful silvery colour. The road winds round the foot of the hills on the top of which Les Baux is planted, and pa.s.ses into another valley, from which the approach to the town is many degrees less precipitous and may be comfortably made in a carriage. Of course the deeply inquiring traveller will alight as promptly as possible, for the pleasure of climbing into this queerest of cities on foot is not the least part of the entertainment of going there. Then you appreciate its extraordinary position, its picturesqueness, its steepness, its desolation and decay. It hangs--that is, what remains of it--to the slanting summit of the mountain. Nothing would be more natural than for the whole place to roll down into the valley. A part of it has done so--for it is not unjust to suppose that in the process of decay the crumbled particles have sought the lower level, while the remainder still clings to its magnificent perch.

If I called Les Baux a city, just above, it was not that I was stretching a point in favour of the small spot which to-day contains but a few dozen inhabitants. The history of the place is as extraordinary as its situation. It was not only a city, but a state; not only a state, but an empire; and on the crest of its little mountain called itself sovereign of a territory, or at least of scattered towns and counties, with which its present aspect is grotesquely out of relation. The lords of Les Baux, in a word, were great feudal proprietors; and there was a time during which the island of Sardinia, to say nothing of places nearer home, such as Arles and Ma.r.s.eilles, paid them homage. The chronicle of this old Provencal house has been written, in a style somewhat unctuous and flowery, by M. Jules Canonge. I purchased the little book--a modest pamphlet--at the establishment of the good sisters, just beside the church, in one of the highest parts of Les Baux. The sisters have a school for the hardy little Baussenques, whom I heard piping their lessons while I waited in the cold _parloir_ for one of the ladies to come and speak to me. Nothing could have been more perfect than the manner of this excellent woman when she arrived; yet her small religious house seemed a very out-of-the-way corner of the world. It was spotlessly neat, and the rooms looked as if they had lately been papered and painted: in this respect, at the mediaeval Pompeii, they were rather a discord. They were, at any rate, the newest, freshest thing at Les Baux. I remember going round to the church after I had left the good sisters, and to a little quiet terrace which stands in front of it, ornamented with a few small trees and bordered with a wall, breast-high, over which you look down steep hillsides, off into the air and all about the neighbouring country. I remember saying to myself that this little terrace was one of those felicitous nooks which the tourist of taste keeps in his mind as a picture. The church was small and brown and dark, with a certain rustic richness. All this, however, is no general description of Les Baux.

I am unable to give any coherent account of the place, for the simple reason that it is a mere confusion of ruin. It has not been preserved in lava like Pompeii, and its streets and houses, its ramparts and castle, have become fragmentary not through the sudden destruction, but through the gradual withdrawal, of a population. It is not an extinguished, but a deserted city; more deserted far than even Carca.s.sonne and Aigues-Mortes, where I found so much entertainment in the gra.s.s-grown element. It is of very small extent, and even in the days of its greatness, when its lords ent.i.tled themselves counts of Cephalonia and Neophantis, kings of Arles and Vienne, princes of Achaia and emperors of Constantinople--even at this flourishing period, when, as M. Jules Canonge remarks, "they were able to depress the balance in which the fate of peoples and kings is weighed," the plucky little city contained at the most no more than thirty-six hundred souls. Yet its lords (who, however, as I have said, were able to present a long list of subject towns, most of them, though a few are renowned, unknown to fame) were seneschals and captains-general of Piedmont and Lombardy, grand admirals of the kingdom of Naples, and its ladies were sought in marriage by half the first princes in Europe. A considerable part of the little narrative of M. Canonge is taken up with the great alliances of the House of Baux, whose fortunes, matrimonial and other, he traces from the eleventh century down to the sixteenth. The empty sh.e.l.ls of a considerable number of old houses, many of which must have been superb, the lines of certain steep little streets, the foundations of a castle, and ever so many splendid views, are all that remains to-day of these great t.i.tles. To such a list I may add a dozen very polite and sympathetic people who emerged from the interstices of the desultory little town to gaze at the two foreigners who had driven over from Arles and whose horses were being baited at the modest inn. The resources of this establishment we did not venture otherwise to test, in spite of the seductive fact that the sign over the door was in the Provencal tongue. This little group included the baker, a rather melancholy young man, in high boots and a cloak, with whom and his companions we had a good deal of conversation.

The Baussenques of to-day struck me as a very mild and agreeable race, with a good deal of the natural amenity which, on occasions like this one, the traveller who is waiting for his horses to be put in or his dinner to be prepared observes in the charming people who lend themselves to conversation in the hill-towns of Tuscany. The spot where our entertainers at Les Baux congregated was naturally the most inhabited portion of the town; as I say, there were at least a dozen human figures within sight. Presently we wandered away from them, scaled the higher places, seated ourselves among the ruins of the castle, and looked down from the cliff overhanging that portion of the road which I have mentioned as approaching Les Baux from behind. I was unable to trace the configuration of the castle as plainly as the writers who have described it in the guide-books, and I am ashamed to say that I did not even perceive the three great figures of stone (the three Marys, as they are called; the two Marys of Scripture, with Martha) which const.i.tute one of the curiosities of the place and of which M. Jules Canonge speaks with almost hyperbolical admiration. A brisk shower, lasting some ten minutes, led us to take refuge in a cavity of mysterious origin, where the melancholy baker presently discovered us, having had the _bonne pensee_ of coming up for us with an umbrella which certainly belonged, in former ages, to one of the Stephanettes or Berangeres commemorated by M. Canonge. His oven, I am afraid, was cold so long as our visit lasted.

When the rain was over we wandered down to the little disenc.u.mbered s.p.a.ce before the inn, through a small labyrinth of obliterated things.

They took the form of narrow, precipitous streets bordered by empty houses with gaping windows and absent doors, through which we had glimpses of sculptured chimney-pieces and fragments of stately arch and vault. Some of the houses are still inhabited, but most of them are open to the air and weather. Some of them have completely collapsed; others present to the street a front which enables one to judge of the physiognomy of Les Baux in the days of its importance. This importance had pretty well pa.s.sed away in the early part of the sixteenth century, when the place ceased to be an independent princ.i.p.ality. It became--by bequest of one of its lords, Bernardin des Baux, a great captain of his time--part of the appanage of the kings of France, by whom it was placed under the protection of Arles, which had formerly occupied with regard to it a different position. I know not whether the Arlesians neglected their trust, but the extinction of the st.u.r.dy little stronghold is too complete not to have begun long ago. Its memories are buried under its ponderous stones. As we drove away from it in the gloaming my friend and I agreed that the two or three hours we had spent there were among the happiest impressions of a pair of tourists very curious of the picturesque. We almost forgot that we were bound to regret that the shortened day left us no time to drive five miles farther, above a pa.s.s in the little mountains--it had beckoned to us in the morning, when we came in sight of it, almost irresistibly--to see the Roman arch and mausoleum of Saint Remy. To compa.s.s this larger excursion (including the visit to Les Baux) you must start from Arles very early in the morning; but I can imagine no more delightful day.

[Ill.u.s.tration]

Chapter x.x.xiii

[Avignon]

I had been twice at Avignon before, and yet I was not satisfied. I probably am satisfied now; nevertheless I enjoyed my third visit. I shall not soon forget the first, on which a particular emotion set an indelible stamp. I was creeping northward, in 1870, after four months spent, for the first time, in Italy. It was the middle of January, and I had found myself unexpectedly forced to return to England for the rest of the winter. It was an insufferable disappointment; I was wretched and broken-hearted. Italy appeared to me at that time so much better than anything else in the world, that to rise from table in the middle of the feast was a prospect of being hungry for the rest of my days. I had heard a great deal of praise of the south of France; but the south of France was a poor consolation. In this state of mind I arrived at Avignon, which under a bright, hard winter sun was tingling--fairly spinning--with the _mistral_. I find in my journal of the other day a reference to the acuteness of my reluctance in January 1870. France, after Italy, appeared in the language of the latter country _poco simpatica_; and I thought it necessary, for reasons now inconceivable, to read the _Figaro_, which was filled with descriptions of the horrible Troppmann, the murderer of the _famille_ Kink. Troppmann, Kink, _le crime de Pantin_--the very names that figured in this episode seemed to wave me back. Had I abandoned the sonorous south to a.s.sociate with vocables so base?

It was very cold the other day at Avignon, for though there was no mistral, it was raining as it rains in Provence, and the dampness had a terrible chill in it. As I sat by my fire late at night--for in genial Avignon, in October, I had to have a fire--it came back to me that eleven years before I had at that same hour sat by a fire in that same room and, writing to a friend to whom I was not afraid to appear extravagant, had made a vow that at some happier period of the future I would avenge myself on the _ci-devant_ city of the Popes by taking it in a contrary sense. I suppose that I redeemed my vow on the occasion of my second visit better than on my third; for then I was on my way to Italy, and that vengeance, of course, was complete. The only drawback was that I was in such a hurry to get to Ventimiglia (where the Italian custom-house was to be the sign of my triumph), that I scarcely took time to make it clear to myself at Avignon that this was better than reading the _Figaro_. I hurried on almost too fast to enjoy the consciousness of moving southward. On this last occasion I was unfortunately dest.i.tute of that happy faith. Avignon was my southernmost limit, after which I was to turn round and proceed back to England. But in the interval I had been a great deal in Italy, and that made all the difference. I had plenty of time to think of this, for the rain kept me practically housed for the first twenty-four hours. It had been raining in these regions for a month, and people had begun to look askance at the Rhone, though as yet the volume of the river was not exorbitant. The only excursion possible, while the torrent descended, was a kind of horizontal dive, accompanied with infinite splashing, to the little _musee_ of the town, which is within a moderate walk of the hotel. I had a memory of it from my first visit; it had appeared to me more pictorial than its pictures. I found that recollection had flattered it a little, and that it is neither better nor worse than most provincial museums. It has the usual musty chill in the air, the usual gra.s.s-grown forecourt, in which a few lumpish Roman fragments are disposed, the usual red tiles on the floor and the usual specimens of the more livid schools on the walls. I rang up the _gardien_, who arrived with a bunch of keys, wiping his mouth; he unlocked doors for me, opened shutters, and while (to my distress, as if the things had been worth lingering over) he shuffled about after me, he announced the names of the pictures before which I stopped in a voice that reverberated through the melancholy halls and seemed to make the authorship shameful when it was obscure and grotesque when it pretended to be great. Then there were intervals of silence, while I stared absent-mindedly, at haphazard, at some indistinguishable canvas and the only sound was the downpour of the rain on the skylights.

The museum of Avignon derives a certain dignity from its Roman fragments. The town has no Roman monuments to show; in this respect, beside its brilliant neighbours, Arles and Nimes, it is a blank. But a great many small objects have been found in its soil--pottery, gla.s.s, bronzes, lamps, vessels and ornaments of gold and silver. The gla.s.s is especially charming--small vessels of the most delicate shape and substance, many of them perfectly preserved. These diminutive, intimate things bring one near to the old Roman life; they seems like pearls strung upon the slender thread that swings across the gulf of time. A little gla.s.s cup that Roman lips have touched says more to us than the great vessel of an arena. There are two small silver _ca.s.seroles_, with chiselled handles, in the museum of Avignon, that struck me as among the most charming survivals of antiquity.

[Avignon the Palace of the Popes]

I did wrong, just above, to speak of my attack on this establishment as the only recreation I took that first wet day; for I remember a terribly moist visit to the former palace of the Popes, which could have taken place only in the same tempestuous hours. It is true that I scarcely know why I should have gone out to see the Papal palace in the rain, for I had been over it twice before, and even then had not found the interest of the place so complete as it ought to be; the fact nevertheless remains that this last occasion is much a.s.sociated with an umbrella, which was not superfluous even in some of the chambers and corridors of the gigantic pile. It had already seemed to me the dreariest of all historical buildings, and my final visit confirmed the impression. The place is as intricate as it is vast, and as desolate as it is dirty. The imagination has, for some reason or other, to make more than the effort usual in such cases to restore and repeople it. The fact indeed is simply that the palace has been so incalculably abused and altered. The alterations have been so numerous that, though I have duly conned the enumerations, supplied in guide-books, of the princ.i.p.al

[Ill.u.s.tration: AVIGNON--THE CHURCH]

perversions, I do not pretend to carry any of them in my head. The huge bare ma.s.s, without ornament, without grace, despoiled of its battlements and defaced with sordid modern windows, covering the Rocher des Doms and looking down over the Rhone and the broken bridge of Saint-Benazet (which stops in such a sketchable manner in mid-stream), and across at the lonely tower of Philippe le Bel and the ruined wall of Villeneuve, makes at a distance, in spite of its poverty, a great figure, the effect of which is carried out by the tower of the church beside it (crowned though the latter be, in a top-heavy fashion, with an immense modern image of the Virgin) and by the thick, dark foliage of the garden laid out on a still higher portion of the eminence. This garden recalls faintly and a trifle perversely the grounds of the Pincian at Rome. I know not whether it is the shadow of the Papal name, present in both places, combined with a vague a.n.a.logy between the churches--which, approached in each case by a flight of steps, seemed to defend the precinct--but each time I have seen the Promenade des Doms it has carried my thoughts to the wider and loftier terrace from which you look away at the Tiber and Saint Peter's.

As you stand before the Papal palace, and especially as you enter it, you are struck with its being a very dull monument. History enough was enacted here: the great schism lasted from 1305 to 1370, during which seven Popes, all Frenchmen, carried on the court of Avignon on principles that have not commended themselves to the esteem of posterity. But history has been whitewashed away, and the scandals of that period have mingled with the dust of dilapidations and repairs. The building has for many years been occupied as a barrack for regiments of the line, and the main characteristics of a barrack--an extreme nudity and a very queer smell--prevail throughout its endless compartments.

Nothing could have been more cruelly dismal than the appearance it presented at the time of this third visit of mine. A regiment, changing quarters, had departed the day before, and another was expected to arrive (from Algeria) on the morrow. The place had been left in the befouled and belittered condition which marks the pa.s.sage of the military after they have broken camp, and it would offer but a melancholy welcome to the regiment that was about to take possession.

Enormous windows had been left carelessly open all over the building, and the rain and wind were beating into empty rooms and pa.s.sages, making draughts which purified, perhaps, but which scarcely cheered. For an arrival it was horrible. A handful of soldiers had remained behind. In one of the big vaulted rooms several of them were lying on their wretched beds, in the dim light, in the cold, in the damp, with the bleak bare walls before them and their overcoats, spread over them, pulled up to their noses. I pitied them immensely, though they may have felt less wretched than they looked. I thought not of the old profligacies and crimes, not of the funnel-shaped torture-chamber (which, after exciting the shudder of generations, has been ascertained now, I believe, to have been a mediaeval bakehouse), not of the tower of the _glaciere_ and the horrors perpetrated here in the Revolution, but of the military burden of young France. One wonders how young France endures it, and one is forced to believe that the French conscript has, in addition to his notorious good-humour, greater toughness than is commonly supposed by those who consider only the more relaxing influences of French civilisation. I hope he finds occasional compensation for such moments as I saw those damp young peasants pa.s.sing on the mattresses of their hideous barrack, without anything around to remind them that they were in the most civilised of countries. The only traces of former splendour now visible in the Papal pile are the walls and vaults of two small chapels, painted in fresco, so battered and effaced as to be scarcely distinguishable, by Simone Memmi. It offers of course a peculiarly good field for restoration, and I believe the Government intend to take it in hand. I mention this fact without a sigh, for they cannot well make it less interesting than it is at present.

[Ill.u.s.tration]

Chapter x.x.xiv

[Villeneuve-les-Avignon]

Fortunately it did not rain every day (though I believe it was raining everywhere else in the department); otherwise I should not have been able to go to Villeneuve and to Vaucluse. The afternoon indeed was lovely when I walked over the interminable bridge that spans the two arms of the Rhone, divided here by a considerable island, and directed my course, like a solitary horseman--on foot, to the lonely tower which forms one of the outworks of Villeneuve-les-Avignon. The picturesque, half-deserted little town lies a couple of miles farther up the river.

The immense round towers of its old citadel and the long stretches of ruined wall covering the slope on which it lies are the most striking features of the nearer view, as you look from Avignon across the Rhone.

I spent a couple of hours in visiting these objects, and there was a kind of pictorial sweetness in the episode; but I have not many details to relate. The isolated tower I just mentioned has much in common with the detached donjon of Montmajour, which I had looked at in going to Les Baux and to which I paid my respects in speaking of that excursion.

Also the work of Philippe le Bel (built in 1307), it is amazingly big and stubborn, and formed the opposite limit of the broken bridge whose first arches (on the side of Avignon) alone remain to give a measure of the occasional volume of the Rhone. Half an hour's walk brought me to Villeneuve, which lies away from the river, looking like a big village half depopulated and occupied for the most part by dogs and cats, old women and small children; these last, in general, remarkably pretty, in the manner of the children of Provence. You pa.s.s through the place, which seems in a singular degree vague and unconscious, and come to the rounded hill on which the ruined abbey lifts its yellow walls--the Benedictine abbey of Saint-Andre, at once a church, a monastery, and a fortress. A large part of the crumbling enceinte disposes itself over the hill; but for the rest, all that has preserved any traceable cohesion is a considerable portion of the citadel. The defence of the place appears to have been entrusted largely to the huge round towers that flank the old gate; one of which, the more complete, the ancient warden (having first inducted me into his own dusky little apartment and presented me with a great bunch of lavender) enabled me to examine in detail. I would almost have dispensed with the privilege, for I think I have already mentioned that an acquaintance with many feudal interiors has wrought a sad confusion in my mind. The image of the outside always remains distinct; I keep it apart from other images of the same sort; it makes, a picture sufficiently ineffaceable. But the guard-rooms, winding staircases, loopholes, prisons, repeat themselves and intermingle; they have a wearisome family likeness. There are always black pa.s.sages and corners, and walls twenty feet thick; and there is always some high place to climb up to for the sake of a "magnificent" view. The views, too, are apt to run together. These dense gate-towers of Philippe le Bel struck me, however, as peculiarly wicked and grim. Their capacity is of the largest, and they contain ever so many devilish little dungeons, lighted by the narrowest slit in the prodigious wall, where it comes over one with a good deal of vividness and still more horror that wretched human beings once lay there rotting in the dark. The dungeons of Villeneuve made a particular impression on me--greater than any except those of Loches, which must surely be the most gruesome in Europe. I hasten to add that every dark hole at Villeneuve is called a dungeon; and I believe it is well established that in this manner, in almost all old castles and towers, the sensibilities of the modern tourist are unscrupulously played upon. There were plenty of black holes in the Middle Ages that were not dungeons, but household receptacles of various kinds; and many a tear dropped in pity for the groaning captive has really been addressed to the spirits of the larder and the f.a.ggot-nook. For all this, there are some very bad corners in the towers of Villeneuve, so that I was not wide of the mark when I began to think again, as I had often thought before, of the stoutness of the human composition in the Middle Ages and the tranquillity of nerve of people to whom the groaning captive and the blackness of a "living tomb" were familiar ideas which did not at all interfere with their happiness or their sanity. Our modern nerves, our irritable sympathies, our easy discomforts and fears, make one think (in some relations) less respectfully of human nature. Unless indeed it be true, as I have heard it maintained, that in the Middle Ages every one did go mad--every one _was_ mad. The theory that this was a period of general dementia is not altogether untenable.

Within the old walls of its immense abbey the town of Villeneuve has built itself a rough faubourg; the fragments with which the soil was covered having been, i suppose, a quarry of material. There are no streets; the small, shabby houses, almost hovels, straggle at random over the uneven ground. The only important feature is a convent of cloistered nuns, who have a large garden (always within the walls) behind their house, and whose doleful establishment you look down into, or down at simply, from the battlements of the citadel. One or two of the nuns were pa.s.sing in and out of the house; they wore grey robes with a bright red cape. I thought their situation most provincial. I came away and wandered a little over the base of the hill, outside the walls.

Small white stones cropped through the gra.s.s, over which low olive-trees were scattered. The afternoon had a yellow brightness. I sat down under one of the little trees, on the gra.s.s--the delicate grey branches were not much above my head--and rested and looked at Avignon across the Rhone. It was very soft, very still and pleasant, though I am not sure it was all I once should have expected of that combination of elements: an old city wall for a background, a canopy of olives, and for a couch the soil of Provence. When I came back to Avignon the twilight was already thick, but I walked up to the Rocher des Doms. Here I again had the benefit of that amiable moon which had already lighted up for me so many romantic scenes. She was full, and she rose over the Rhone and made it look in the distance like a silver serpent. I remember saying to myself at this moment that it would be a beautiful evening to walk round the walls of Avignon--the remarkable walls which challenge comparison with those of Carca.s.sonne and Aigues-Mortes, and which it was my duty, as an observer of the picturesque, to examine with some attention. Presenting themselves to that silver sheen, they could not fail to be impressive. So, at least, I said to myself; but unfortunately I did not believe what I said. It is a melancholy fact that the walls of Avignon had never impressed me at all, and I had never taken the trouble to make the circuit. They are continuous and complete, but for some mysterious reason they fail of their effect. This is partly because they are very low, in some places almost absurdly so, being buried in new acc.u.mulations of soil and by the filling in of the moat up to their middle. Then they have been too well tended; they not only look at present very new, but look as if they had never been old. The fact that their extent is very much greater makes them more of a curiosity than those of Carca.s.sonne; but this is exactly, at the same time, what is fatal to their pictorial unity. With their thirty-seven towers and seven gates, they lose themselves too much to make a picture that will compare with the admirable little vignette of Carca.s.sonne. I may mention, now that I am speaking of the general ma.s.s of Avignon, that nothing is more curious than the way in which, viewed from a distance, it is all reduced to naught by the vast bulk of the palace of the Popes. From across the Rhone, or from the train as you leave the place, this great grey block is all Avignon; it seems to occupy the whole city, extensive, with its shrunken population, as the city is.

[Ill.u.s.tration]

Chapter x.x.xv

[Vaucluse]

It was the morning after this, I think (a certain Sat.u.r.day), that when I came out of the Hotel de l'Europe, which lies in shallow concavity just within the city gate that opens on the Rhone--came out to look at the sky from the little _place_ before the inn and see how the weather promised for the obligatory excursion to Vaucluse--I found the whole town in a terrible taking. I say the whole town advisedly, for every inhabitant appeared to have taken up a position on the bank of the river, or on the uppermost parts of the promenade of the Doms, where a view of its course was to be obtained. It had risen surprisingly in the night, and the good people of Avignon had reason to know what a rise of the Rhone might signify. The town, in its lower portions, is quite at the mercy of the swollen waters; and it was mentioned to me that in 1856 the Hotel de l'Europe, in its convenient hollow, was flooded up to within a few feet of the ceiling of the dining-room, where the long board which had served for so many a table d'hote floated disreputably, with its legs in the air. On the present occasion the mountains of the Ardeche, where it had been raining for a month, had sent down torrents which, all that fine Friday night, by the light of the innocent-looking moon, poured themselves into the Rhone and its tributary the Durance.

The river was enormous and continued to rise, and the sight was beautiful and horrible. The water in many places was already at the base of the city walls, the quay, with its parapet just emerging, being already covered. The country, seen from the Plateau des Doms, resembled a vast lake, with protrusions of trees, houses, bridges, gates. The people looked at it in silence, as I had seen people before--on the occasion of a rise of the Arno, at Pisa--appear to consider the prospect of an inundation. "Il monte; il monte toujours"--there was not much said but that. It was a general holiday, and there was an air of wishing to profit, for sociability's sake, by any interruption of the commonplace (the popular mind likes "a change," and the element of change mitigates the sense of disaster); but the affair was not otherwise a holiday.

Suspense and anxiety were in the air, and it never is pleasant to be reminded of the helplessness of man. In the presence of a loosened river, with its ravaging, unconquerable volume, this impression is as strong as possible; and as I looked at the deluge which threatened to make an island of the Papal palace I perceived that the scourge of water is greater than the scourge of fire. A blaze may be quenched, but where could the flame be kindled that would arrest the quadrupled Rhone? For the population of Avignon a good deal was at stake, and I am almost ashamed to confess that in the midst of the public alarm I considered the situation from the point of view of the little projects of a sentimental tourist. Would the prospective inundation interfere with my visit to Vaucluse, or make it imprudent to linger twenty-four hours longer at Avignon? I must add that the tourist was not perhaps, after all, so sentimental. I have spoken of the pilgrimage to the shrine of Petrarch as obligatory, and that was, in fact, the light in which it presented itself to me; all the more that I had been twice at Avignon without undertaking it. This is why I was vexed at the Rhone.--if vexed I was--for representing as impracticable an excursion which I cared nothing about. How little I cared was manifest from my inaction on former occasions. I had a prejudice against Vaucluse, against Petrarch, even against the incomparable Laura. I was sure that the place was c.o.c.kneyfied and threadbare, and I had never been able to take an interest in the poet and the lady. I was sure that I had known many women as charming and as handsome as she, about whom much less noise had been made; and I was convinced that her singer was fact.i.tious and literary, and that there are half a dozen stanzas in Wordsworth that speak more to the soul than the whole collection of his _fioriture_.

This was the crude state of mind in which I determined to go, at any risk, to Vaucluse. Now that I think it over, I seem to remember that I had hoped, after all, that the submersion of the roads would forbid it.

Since morning the clouds had gathered again, and by noon they were so heavy that there was every prospect of a torrent. It appeared absurd to choose such a time as this to visit a fountain--a fountain which would be indistinguishable in the general cataract. Nevertheless I took a vow, that if at noon the rain should not have begun to descend upon Avignon I would repair to the head-spring of the Sorgues. When the critical moment arrived the clouds were hanging over Avignon like distended water-bags, which only needed a p.r.i.c.k to empty themselves. The p.r.i.c.k was not given, however; all nature was too much occupied in following the aberrations of the Rhone to think of playing tricks elsewhere. Accordingly I started for the station in a spirit which, for a tourist who sometimes had prided himself on his unfailing supply of sentiment, was shockingly perfunctory.

"For tasks in hours of insight willed May be in hours of gloom fulfilled."

I remembered these lines of Matthew Arnold (written, apparently, in an hour of gloom), and carried out the idea, as I went, by hoping that with the return of insight I should be glad to have seen Vaucluse. Light has descended upon me since then, and I declare that the excursion is in every way to be recommended. The place makes a great impression, quite apart from Petrarch and Laura.