Its small childlike oval showed sharp and white under her heavy wreath of hair--the face of a delicate Virgin of the Annunciation, a Musa Dolorosa, a terrified dryad of the plane-trees (Freda's face had always inspired him with fantastic images); a dryad in exile, banished with her plane-tree to the undelightful town.

She did not conceal from him her joyous certainty that he would come. She made no comment on his absence. It was one of her many agreeable qualities that she never made comments, never put forth even the shyest and most shadowy claim. She took him up where she had left him, or, rather, where he had left her, and he gathered that she had filled the interval happily enough with the practice of her incomparable art.

The first thing she did now was to exhibit her latest acquisitions, her beautiful new reading-lamp, the two preposterous cushions that supported and obliterated her; while he saw (preposterous Freda, who had not a shilling beyond what the gift brought her) that she had on a new gown.

"I say," he exclaimed, "I say, what next?"

And they looked at each other and laughed. He liked the spirit in which Freda now launched out into the strange ocean of expenditure.

It showed how he had helped her. He was the only influence which could have helped a talent so obscure, so uncertain, so shy.

It was the obscurity, the uncertainty, the shyness of it that charmed him most. It was the shyness, the uncertainty, the obscurity in her that held him, made it difficult to remove himself when he sank into that deep chair by her fireside, and she became silent and turned from him her small brooding face. It was as if she guarded obstinately her secret, as if he waited, was compelled to wait, for the illuminating hour.

"It's finished," she said, as if continuing some conversation they had had yesterday.

"Ah." He found himself returning reluctantly from his quest.

She rose and unlocked the cabinet where her slender sheaves were garnered. He came and took from her a sheaf more slender than the rest.

"Am I to read it, here and now?"

"If you will."

He sat down and read there and then. From time to time she let her eyes light on him, shyly at first, then rest, made quiet by his abstraction. She liked to look at him when he was not thinking of her. He was tall and straight and fair; his ma.s.sive, clean-shaven face showed a virile ashen shade on lip and chin. He had keen, kind eyes, and a queer mouth with sweet curves and bitter corners.

He folded the ma.n.u.script and turned it in his hands. He looked from it to her with considering, caressing eyes. What she had written was a love-poem in the divinest, the simplest prose. Such a poem could only have been written by his listening virgin, his dreaming dryad.

He was afraid to speak of it, to handle its frail, half-elemental, half-spiritual form.

"Has it justified my sending for you?"

It had. It justified her completely. It justified them both. It justified his having come to her, his remaining with her, dining with her, if indeed they did dine. She had always justified him, made his coming to see her the natural, inevitable thing.

They sat late over the fire. They had locked the ma.n.u.script in its drawer again, left it with relief.

They talked.

"How many years is it since I first saw you?"

"Three years," she said, "and two months."

"And two months. Do you remember how I found you, up there, under the roof, in that house in Charlotte Street?"

"Yes," she said, "I remember."

"You were curled up on that funny couch in the corner, with your back against the wall----"

"I was sitting on my feet to keep them warm."

"I know. And you wore a white shawl----"

"No," she entreated, "not a shawl."

"A white something. It doesn't matter. I don't really remember anything but your small face, and your terrified eyes looking at me out of the corner, and your poor little cold hands."

She wondered, did he remember her shabby gown, her fireless room, the queer couch that was her bed, the hunger and the nakedness of her surroundings?

"You sat," she said, "on my trunk, the wooden one with the nails on it. It must have been so uncomfortable."

He said nothing. Even now, when those things were only a remembrance, the pity of them made him dumb.

"And the next time you came," said she, "you made a fire for me.

Don't you remember?"

He remembered. He felt again that glow of self-congratulation which warmed him whenever he considered the comfort of her present state; or came into her room and found her acc.u.mulating, piece by piece, her innocent luxuries. n.o.body but he had helped her. It was disagreeable to him to think that another man should have had a hand in it.

Yet there would be others. He had already revealed her to two or three.

"I wonder how you knew," she said.

"How I knew what?"

"That I was worth while."

He gave an inward start. She had made him suddenly aware that in those days he had not known it. He had had no idea what was in her.

She had had nothing then "to show" him.

It was as if she were asking him, as if he were asking himself, what it was that had drawn him to her, when, in the beginning, it wasn't and couldn't have been the gift? Why had he followed her up when he might so easily have dropped her? He had found her, in the beginning, only because his old friend, Mrs. Dysart, had written to him (from a distance that left her personally irresponsible), and had asked him to look for her, to discover what had become of her, to see if there was anything that he could do. Mrs. Dysart had intimated that she hardly thought anything could be done; that there wasn't, you know, very much in her--very much, that is to say, that would interest Wilton Caldecott. They had been simply pitiful, the girl's poor first efforts, the things that, when he had screwed his courage to the point of asking for them, were all she had to show him.

"I was too bad for words, you know," said she, tracking his thought.

"You were. You were."

"There wasn't a gleam, a spark----"

"Not one."

They laughed. The reminiscence of her "badness" seemed to inspire them both with a secret exultation. They drew together, uncovering, displaying to each other the cherished charm of it. Neither could say why the thought of it was so pleasing.

"And look at you now," said Caldecott.

"Yes," she cried, "look at me now. What was it, do you think, that made the difference?"

That he had never really known.

"Oh, well, I suppose you're stronger, you know; and things are different."

"Things?" she repeated. Her lips parted and closed, as if she had been about to say something, and recalled it with a sharp indrawing of her breath.

"And so," she said presently, "you think that was it?"