243. And give resounding grace to all Heaven's harmonies: by echoing back the music of the spheres.

249-252. Even darkness smiled, as if acknowledging itself agreeably caressed by the strains of the lady's song.

251. At every fall. _Fall_, as a musical term, is "a sinking down or lowering of the note or voice; cadence" (New Eng. Dict.).

253. the Sirens dwelt on an island near Sicily, and by their sweet song allured mariners to destruction. See Odyssey XII.

254. the Naiades were nymphs attendant on Circe and the Sirens.

257. And lap it in Elysium. Compare L'Allegro 136.

257-259. Scylla and Charybdis were dangerous rocks and whirlpools on opposite sides of the strait of Messina. They were personified as cruel sea-monsters.

260. Yet they: Circe and the Sirens.

267. Unless the G.o.ddess. Supply _thou art_.

273. extreme shift: a pressing necessity of devising some expedient.

289. Were they of manly prime or youthful bloom? Were they in the prime of adult manhood, or in the bloom of youth?

277-290. These fourteen lines are an instance of "stichomythia, or conversation in alternate lines, which was always popular on the Attic stage. This scheme of versification is used chiefly in excited discussions, where the speakers are hurried along by the eagerness of their feelings."--Haigh, _The Tragic Drama of the Greeks_.

292. An ox in traces would now be a rare sight.

294. a green mantling vine. See Par. Lost IV 258.

299. gay creatures of the element: creatures of the air,--supernatural beings.

301. And play i' the plighted clouds. Probably the poet means the _plaited_, or _pleated_, clouds, conceiving the clouds as appearing folded together. I was awe-strook. See Hymn on the Nativity 95.

316. Or shroud within these limits. _Shroud_ as a noun we saw above, line 147.

318. From her thatched pallet rouse. The lark builds on the ground, seeking a spot protected by overarching stems of gra.s.s or grain, which may be called a natural thatch; and if this protection is destroyed by mowers or reapers, the bird will at once take pains to build a roof or thatch over the nest, completely covering it, and for a door will make an opening on the side.

325. where it first was named. The derivation of the words _courteous_ and _courtesy_ from _court_ is obvious.

327. Less warranted than this, or less secure. The lady says that she cannot be in any place less guaranteed than this against evil, and that she cannot anywhere be less free from anxiety. Her situation she conceives to be as bad as it can be.

329. square my trial To my proportioned strength: make my trial proportionate to my strength.

332. That wont'st to love. _Wont'st_, in the present tense, means, as we say, art wont.

333. Stoop thy pale visage. Stoop is thus used, transitively, Richard II.

III 1 19, "myself ... have stooped my neck."

334. And disinherit Chaos, that reigns here. _Chaos_, "the formless void of primordial matter," is personified by Milton here and, much more conspicuously, in Par. Lost III.

338. a rush-candle: a candle made with a rush for a wick,--the cheapest kind of light. from the wicker hole Of some clay habitation. Imagine a hut whose walls are made of wattled twigs plastered with clay. This clay when dry is apt to fall off in spots, leaving holes through which the light within can be seen from without. A wicker hole is a hole in the wicker-work, perhaps made intentionally, to serve as a window.

341-342. The star of Arcady is the constellation of the Greater Bear, and the Tyrian Cynosure that of the Lesser Bear. Stars in these constellations served as guides to Greek and Tyrian mariners.

345. Or sound of pastoral reed with oaten stops. Compare Collins's Ode to Evening,--_If aught of oaten stop, or pastoral song_. The shepherds of the Greek idylls made their musical pipes of reeds or oat-straws, and the oat has therefore been adopted by the pastoral poetry of all ages.

349. innumerous boughs. Compare Par. Lost VII 455.

358. Of savage hunger, or of savage heat: of hungry savages, or of l.u.s.tful savages.

361. grant they be so: grant that they are real evils.

365. Make four syllables of delusion.

366. I do not think my sister so to seek: I do not think she has her seeking, or learning, still to do: I do not think her so inexperienced.

373-375. Is this practical doctrine?

377. Make five syllables of Contemplation.

380. Were all to-ruffled. The particle _to_--Anglo Saxon _to_, Modern German _zer_--has disappeared from Modern English. In Old English it was often used with the force of the Latin _dis_. So still in Chaucer, _to-bete, to-cleve, to-rende_, and many others.

386. affects: likes, has an affection for.

390. weeds, as in line 84.

393. the fair Hesperian tree. See line 983.

394. had need the guard. An elliptical expression. _Need_ is a noun, but is treated as if it were a verb.

395. The dragon Ladon was not able to defend the apples of Hesperides against Hercules.

401. will wink on Opportunity: will fail to see its chance.

404. it recks me not. The verb is thus used, impersonally, also in Lycidas 122.

407. The line has two hypermetric syllables, one after the third foot, and one at the end.

413. squint suspicion. An epithet applicable only to a physical infirmity is applied to a mental act.

422. quivered: bearing a quiver.

423. unharbored: furnishing no shelter.

424. Infamous hills. Accent _infamous_ as we do now and as Milton does elsewhere. Verses thus beginning with trochees are common.

429. Look up the origin of the word grots.

430. unblenched: unstartled.