On the sh.o.r.e, dimly seen through the mists of the deep, Where the foe's haughty host in dread silence reposes, What is that which the breeze, o'er the towering steep, As it fitfully blows, half conceals, half discloses?

Now it catches the gleam of the morning's first beam, In full glory reflected now shines on the stream, 'Tis the star-spangled banner' oh, long may it wave O'er the land of the free and the home of the brave!

And where is that band, who so vauntingly swore That the havoc of war and the battle's confusion A home and a country should leave us no more?

Their blood has washed out their foul footsteps' pollution.

No refuge could save the hireling and slave, From the terror of death and the gloom of the grave, And the star spangled banner in triumph shall wave O'er the land of the free and the home of the brave!

Oh! thus be it ever, when freemen shall stand Between their loved homes and the war's desolation, Blest with victory and peace, may the heaven rescued land Praise the power that has made and preserved us a nation.

Then conquer we must, for our cause it is just, And this be our motto, "In G.o.d is our trust"

And the star-spangled banner in triumph shall wave O'er the land of the free and the home of the brave!

II. AMERICA

"And there's a nice youngster of excellent pith; Fate tried to conceal him by naming him Smith!

But he shouted a song for the brave and the free-- Just read on his medal, 'My Country of Thee.'"

In these lines of his famous Reunion Poem, "The Boys," Dr. Oliver Wendell Holmes commemorated his old friend and college-mate, Dr. Samuel Francis Smith, author of "America."

Samuel Francis Smith was born in Boston, Ma.s.sachusetts, on October 21, 1808. He attended the Latin School in his native city, and it is said that when only twelve years old he could "talk Latin." He entered Harvard College, Cambridge, Ma.s.sachusetts, in 1825, and graduated in the famous cla.s.s of 1829, of which Dr. Oliver Wendell Holmes, James Freeman Clarke, William E. Channing, and other celebrated Americans were members.

Dr. Smith, like so many other noted men, "worked his way through college." He did this princ.i.p.ally by coaching other students, and by making translations from the German "Conversations-Lexicon" for the "American Cyclopedia."

After graduating from Harvard, he immediately entered Andover Theological Seminary. Three years later, in 1832, he wrote, among others, his most famous hymn, "America," of which the "National Cyclopedia of American Biography" says, "It has found its way wherever an American heart beats or the English language is spoken, and has probably proved useful in stirring the patriotic spirit of the American people."

Dr. Smith himself often said that he had heard "America" sung "halfway round the world, under the earth in the caverns of Manitou, Colorado, and almost above the earth near the top of Pike's Peak."

The hymn, as every child knows, is sung to the air of the national anthem of England,--"G.o.d Save the King." The author came upon it in a book of German music, and by it was inspired to write the words of "America," a work which he accomplished in half an hour. Many years after, referring to its impromptu composition, he wrote: "If I had antic.i.p.ated the future of it, doubtless I should have taken more pains with it. Such as it is, I am glad to have contributed this mite to the cause of American freedom."

In a magazine article, written several years ago, Mr. Herbert Heywood gave an interesting account of an interview with Dr. Smith, who told him the story of the writing of the hymn himself.

"'I wrote "America,"' he said, 'when I was a theological student at Andover, during my last year there. In February, 1832, I was poring over a German book of patriotic songs which Lowell Mason, of Boston, had sent me to translate, when I came upon one with a tune of great majesty. I hummed it over, and was struck with the ease with which the accompanying German words fell into the music. I saw it was a patriotic song, and while I was thinking of translating it, I felt an impulse to write an American patriotic hymn. I reached my hand for a bit of waste paper, and, taking my quill pen, wrote the four verses in half an hour.

I sent it with some translations of the German songs to Lowell Mason, and the next thing I knew of it I was told it had been sung by the Sunday-school children at Park Street Church, Boston, at the following Fourth of July celebration. The house where I was living at the time was on the Andover turnpike, a little north of the seminary building. I have been in the house since I left it in September, 1832, but never went into my old room.'" This room is now visited by patriotic Americans from every part of the country.

Two years after "America" was written, Dr. Smith became pastor of the First Baptist Church in Waterville, Maine, and also professor of modern languages in Waterville College, which is now known as Colby University. His great industry and zeal, both as a clergyman and student and teacher of languages, enabled him to perform the duties of both positions successfully. He was a noted linguist, and could read books in fifteen different languages. He could converse in most of the modern European tongues, and at eighty-six was engaged in studying Russian.

In 1842 Dr. Smith was made pastor of the First Baptist Church, Newton Center, Ma.s.sachusetts, where he made his home for the rest of his life.

"When he died, in November, 1895," says Mr. Heywood, "he was living in the old brown frame-house at Newton Center, Ma.s.sachusetts, which had been his home for over fifty years. It stood back from the street, on the brow of a hill sloping gently to a valley on the north. Pine trees were in the front and rear, and the sun, from his rising to his setting, smiled upon that abode of simple greatness. The house was faded and worn by wind and weather, and was in perfect harmony with its surroundings--the brown gra.s.s sod that peeped from under the snow, the dull-colored, leafless elms, and the gray, worn stone steps leading up from the street.

"An air of gentle refinement pervaded the interior, and every room spoke of its inmate. But perhaps the library was best loved of all by Dr. Smith, for here it was that his work went on. Here, beside a sunny bay window, stood his work table, and his high-backed, old-fashioned chair, with black, rounded arms. All about the room were ranged his bookcases, and an old, tall clock marked the flight of time that was so kind to the old man. His figure was short, his shoulders slightly bowed, and around his full, ruddy face, that beamed with kindness, was a fringe of white hair and beard."

Dr. Smith resigned his pastorate of the Newton church in 1854, and became editorial secretary of the American Baptist Missionary Union. In 1875 he went abroad for the first time, and spent a year in European travel. Five years later he went to India and the Burmese empire.

During his travels he visited Christian missionary stations in France, Spain, Italy, Austria, Turkey, Greece, Sweden, Denmark, Burmah, India, and Ceylon.

The latter years of his life were devoted almost entirely to literary work. He wrote numerous poems which were published in magazines and newspapers, but never collected in book form. His hymns, numbering over one hundred, are sung by various Christian denominations. "The Morning Light is Breaking" is a popular favorite. Among his other published works are "Missionary Sketches," "Rambles in Mission Fields," a "History of Newton," and a "Life of Rev. Joseph Grafton." Besides his original hymns, he translated many from other languages, and wrote numerous magazine articles and sketches during his long and busy life.

Dr. Smith's vitality and enthusiasm remained with him to the last. A great-grandfather when he died in his eighty-seventh year, he was an inspiration to the younger generations growing up around him. He was at work almost to the moment of his death, and still actively planning for the future.

His great national hymn, if he had left nothing else, will keep his memory green forever in the hearts of his countrymen. It is even more popular to-day, after seventy-one years have elapsed, than it was when first sung in Park Street Church by the Sunday-school children of Boston. Its patriotic ring, rather than its literary merit, renders it sweet to the ear of every American. Wherever it is sung, the feeble treble of age will join as enthusiastically as the joyous note of youth in rendering the inspiring strains of

AMERICA

My country, 'tis of thee, Sweet land of liberty, Of thee I sing, Land where my fathers died, Land of the pilgrim's pride, From every mountain side, Let freedom ring.

My native country, thee, Land of the n.o.ble, free, Thy name I love; I love thy rocks and rills, Thy woods and templed hills,-- My heart with rapture thrills, Like that above.

Let music swell the breeze, And ring from all the trees Sweet freedom's song; Let mortal tongues awake, Let all that breathe partake, Let rocks their silence break, The sound prolong.

Our fathers' G.o.d, to Thee, Author of Liberty, To Thee we sing; Long may our land be bright With freedom's holy light,-- Protect us by thy might, Great G.o.d, our King.

III. THE BATTLE HYMN OF THE REPUBLIC

"No single influence," says United States Senator George F. h.o.a.r of Ma.s.sachusetts, "has had so much to do with shaping the destiny of a nation--as nothing more surely expresses national character--than what is known as the national anthem."

There is some difference of opinion as to which of our patriotic hymns or songs is distinctively the national anthem of America. Senator h.o.a.r seems to have made up his mind in favor of "The Battle Hymn of the Republic." Writing of its author, Julia Ward Howe, in 1903, he said: "We waited eighty years for our American national anthem. At last G.o.d inspired an ill.u.s.trious and n.o.ble woman to utter in undying verse the thought which we hope is forever to animate the soldier of the republic:--

"'In the beauty of the lilies Christ was born across the sea With a glory in His bosom that transfigures you and me; As He died to make men holy, let us die to make men free, While G.o.d is marching on.'"

Mrs. Julia Ward Howe is as widely known for her learning and literary and poetic achievements as she is for her work as a philanthropist and reformer.

She was born in New York City, in a stately mansion near the Bowling Green, on May 27, 1819. From her birth she was fortunate in possessing the advantages that wealth and high social position bestow. Her father, Samuel Ward, the descendant of an old colonial family, was a member of a leading banking firm of New York. Her mother, Julia Cutter Ward, was a most charming and accomplished woman. She died very young, however, while her little daughter Julia was still a child. Mr. Ward was a man of advanced ideas, and was determined that his daughters should have, as far as possible, the same educational advantages as his sons.

Of course, in those early days there were no separate colleges for women, and they would not be admitted to men's colleges. It was impossible for Mr. Ward to overcome these difficulties wholly, but he did the next best thing he could for his girls. He engaged as their tutor the learned Dr. Joseph Green Cogswell, and instructed him to put them through the full curriculum of Harvard College.

On her entrance into society the "little Miss Ward," as Julia had been called from her childhood, at once became a leader of the cultured and fashionable circle in which she moved. In her father's home she met the most distinguished American men of letters of that time. The liberal education which she had received made the young girl feel perfectly at her ease in such society. In addition to other accomplishments, she was mistress of several ancient and modern languages, and a musical amateur of great promise.

In 1843 Miss Ward was married to Dr. Samuel G. Howe, director of the Inst.i.tute for the Blind in South Boston, Ma.s.sachusetts. Immediately after their marriage Dr. and Mrs. Howe went to Europe, where they traveled for some time. The home which they established in Boston on their return became a center for the refined and literary society of Boston and its environment. Mrs. Howe's grace, learning, and accomplishments made her a charming hostess and fit mistress of such a home.

Her literary talent was developed at a very early age. One of her friends has humorously said that "Mrs. Howe wrote leading articles from her cradle." However this may be, it is undoubtedly true that at seventeen she contributed valuable articles to a leading New York magazine. In 1854 she published her first volume of poems, "Pa.s.sion Flowers." Other volumes, including collections of her later poems, books of travel, and a biography of Margaret Fuller, were afterward published. For more than half a century she has been a constant contributor to the leading magazines of the country.

Since 1869 Mrs. Howe has been a leader in the movement for woman's suffrage, and both by lecturing and writing has supported every effort put forth for the educational and general advancement of her s.e.x.

Although in her eightieth year when the writer conversed with her a few years ago, Mrs. Howe was then full of youthful enthusiasm, and her interest in the great movements of the world was as keen as ever. Age had in no way lessened her intellectual vigor. Surrounded by her children and grandchildren, and one great-grandchild, she recently celebrated her eighty-fourth birthday.

The story of "The Battle Hymn of the Republic" has been left to the last, not because it is the least important, but, on the contrary, because it is one of the most important works of her life. Certain it is that the "Battle Hymn" will live and thrill the hearts of Americans centuries after its author has pa.s.sed on to the other life.

The hymn was written in Washington, in November, 1861, the first year of our Civil War. Dr. and Mrs. Howe were visiting friends in that city.

During their stay, they went one day with a party to see a review of Union troops. The review, however, was interrupted by a movement of the Confederate forces which were besieging the city. On their return, the carriage in which Mrs. Howe and her friends were seated was surrounded by soldiers. Stirred by the scene and the occasion, she began to sing "John Brown," to the delight of the soldiers, who heartily joined in the refrain.

At the close of the song Mrs. Howe expressed to her friends the strong desire she felt to write some words which might be sung to this stirring tune. But she added that she feared she would never be able to do so.